Recordings made Saturday, August 17, 1929
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= Recordings are available for online listening. = Recordings were issued from this master. No recordings issued from other masters.
Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
---|---|---|---|---|---|---|---|
Victor | 50026 | 10-in. | 8/17/1929 | Teu olhar | Paulo Rodrigues | Male vocal solo | |
Columbia | W148888 | 10-in. | 8/17/1929 | The album of my dreams | Johnny Morris ; Paul Specht Orchestra | Jazz/dance band, with male vocal solo | |
Columbia | W148889 | 10-in. | 8/17/1929 | The world's greatest sweetheart is you | Johnny Morris ; Paul Specht Orchestra | Jazz/dance band, with male vocal solo | |
OKeh | W402854 | 10-in. | 8/17/1929 | [Unknown title(s)] | Sió Aladár és Zenekara | Orchestra | |
OKeh | W402855 | 10-in. | 8/17/1929 | Hajmási Péter, Hajmási Pál (Csárdás) | Sió Aladár és Zenekara | Orchestra | |
OKeh | W402856 | 10-in. | 8/17/1929 | Slovenskie cardáse | Aladara Sio Ciganska Hudba | Orchestra | |
OKeh | W402857 | 10-in. | 8/17/1929 | Falu végén van egy ház | Sió Aladár és Zenekara | Orchestra | |
OKeh | W402863 | 10-in. | 8/17/1929 | Sending a wire | Eddie Green | Comic monologue | |
OKeh | W402864 | 10-in. | 8/17/1929 | Sending a wire | Eddie Green | Comic monologue | |
Brunswick | XC4115 | 12-in. | 8/17/1929 | Chocolate soldier | Concert orchestra (unidentified; Brunswick Records) | Concert orchestra | |
Brunswick | XC4116 | 12-in. | 8/17/1929 | Invitation to the dance | Concert orchestra (unidentified; Brunswick Records) | Concert orchestra | |
Brunswick | XC4117 | 12-in. | 8/17/1929 | Marche militaire | Concert orchestra (unidentified; Brunswick Records) | Concert orchestra | |
Brunswick | XC4118 | 12-in. | 8/17/1929 | Hungarian dance no. 5 | Concert orchestra (unidentified; Brunswick Records) | Concert orchestra | |
Gennett | 15453 | 10-in. | 8/17/1929 | Good gal | Charlie Spand | Male vocal solo, with guitar and piano | |
Gennett | 15454 | 10-in. | 8/17/1929 | Ain't gonna stand for that | Charlie Spand | Male vocal solo, with guitar and piano | |
Gennett | 15455 | 10-in. | 8/17/1929 | Moanin the blues | Charlie Spand | Male vocal solo, with guitar and piano | |
Gennett | 15456 | 10-in. | 8/17/1929 | Back to the woods blues | Charlie Spand | Male vocal solo, with guitar and piano | |
Gennett | 15457 | 10-in. | 8/17/1929 | Hastings St. | Blind Blake ; Charlie Spand | Monologue, with guitar and piano | |
Gennett | 15458 | 10-in. | 8/17/1929 | Pop it stomp | Blind Blake | Monologue, with guitar and piano | |
Gennett | 15459 | 10-in. | 8/17/1929 | Diddie wa diddie | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15460 | 10-in. | 8/17/1929 | Too tight blues no. 2 | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15461 | 10-in. | 8/17/1929 | Chump man blues | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15462 | 10-in. | 8/17/1929 | Ice man blues | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15463 | 10-in. | 8/17/1929 | Police dog blues | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15464 | 10-in. | 8/17/1929 | I was afraid of that | The Hokum Boys | Male vocal solo, with guitar and piano | |
Gennett | 15465 | 10-in. | 8/17/1929 | Fan foot woman | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15466 | 10-in. | 8/17/1929 | Georgia bound | Blind Blake | Male vocal solo, with guitar | |
Gennett | 15467 | 10-in. | 8/17/1929 | Blue getaway | Blind Blake ; Aletha Dickerson | Guitar and piano duet |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Saturday, August 17, 1929," accessed November 12, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1929-08-17.
Recordings made on Saturday, August 17, 1929. (2024). In Discography of American Historical Recordings. Retrieved November 12, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1929-08-17.
Recordings made on Saturday, August 17, 1929." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 12 November 2024.
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