Recordings made Thursday, June 15, 1950
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | E0RB-4811 | 10-in. | 6/15/1950 | Hungarian dance no. 5 | Boston Pops Orchestra ; Arthur Fiedler | Orchestra | |
| Victor | E0VB-4908 | 10-in. | 6/15/1950 | [Re-recording from 9539] | Artists vary | ||
| Victor | E0VB-4916 | 10-in. | 6/15/1950 | [Re-recording from 9143] | Artists vary | ||
| Columbia | RHCO4105 | 10-in. | 6/15/1950 | I need a good woman bad | Johnny Hicks and his Troubadors | String band, with male vocal solo | |
| Columbia | RHCO4106 | 10-in. | 6/15/1950 | Hamburger hop | Johnny Hicks and his Troubadors | String band, with male vocal solo | |
| Columbia | RHCO4107 | 10-in. | 6/15/1950 | Heart after heart | Johnny Hicks and his Troubadors | String band, with male vocal solo | |
| Columbia | RHCO4108 | 10-in. | 6/15/1950 | Mended - one broken heart | Johnny Hicks and his Troubadors | String band, with male vocal solo | |
| Decca | 76489 | 6/15/1950 | Mother in Ireland | Eddie Martin | |||
| Decca | 76490 | 6/15/1950 | The bells of St. Patrick's cathedral | Eddie Martin | |||
| Decca | 76491 | 6/15/1950 | I looked at Norah | Eddie Martin | |||
| Decca | 76492 | 6/15/1950 | Come back Paddy Reilly | Eddie Martin | |||
| Decca | 76497 | 6/15/1950 | Gloria in excelsis | St. Peter's Choir | |||
| Decca | 76498 | 6/15/1950 | The first Nowell | St. Peter's Choir | |||
| Decca | 76499 | 6/15/1950 | Jesus Christ is risen today | St. Peter's Choir | |||
| Decca | 76500 | 6/15/1950 | Rock of ages | St. Peter's Choir | |||
| Decca | L 5669 | 6/15/1950 | I was dancing with someone | Ink Spots | |||
| Decca | L 5670 | 6/15/1950 | Sometime | Ink Spots | |||
| Decca | L 5671 | 6/15/1950 | All my life | Ink Spots | |||
| Decca | L 5672 | 6/15/1950 | Right about now | Ink Spots | |||
| Decca | L 5673 | 6/15/1950 | The way it used to be | Ink Spots | |||
| Columbia (U.K.) | CL8816 | 10-in. | 6/15/1950 | Je ne suis pas une énervée | Aimé Barelli ; Lucienne Delyle | Female vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL8817 | 10-in. | 6/15/1950 | Telle que je suis | Aimé Barelli ; Lucienne Delyle | Female vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL8818 | 10-in. | 6/15/1950 | Y avait toi... | Aimé Barelli ; Lucienne Delyle | Female vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL8819 | 10-in. | 6/15/1950 | Sous les ponts de Paris | Aimé Barelli ; Lucienne Delyle | Female vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL8820 | 10-in. | 6/15/1950 | Le plus joli rêve | Aimé Barelli ; Lucienne Delyle | Female vocal solo, with instrumental ensemble | |
| Columbia (U.K.) | CL8821 | 10-in. | 6/15/1950 | J'ai rêvé de vous | Aimé Barelli ; Lucienne Delyle | Female vocal solo, with instrumental ensemble |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Thursday, June 15, 1950," accessed November 22, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1950-06-15.
Recordings made on Thursday, June 15, 1950. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1950-06-15.
Recordings made on Thursday, June 15, 1950." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
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