Recordings made Monday, January 29, 1912
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | H-418 | 10-in. | 1/29/1912 | Déjate de er variable | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-420 | 10-in. | 1/29/1912 | Noche oscura | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-421 | 10-in. | 1/29/1912 | El pino | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-422 | 10-in. | 1/29/1912 | El perrito | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-424 | 10-in. | 1/29/1912 | No me mires | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | B-11522 | 10-in. | 1/29/1912 | Lady Angeline | Collins and Harlan | Male vocal duet, with orchestra | |
| Victor | B-11523 | 10-in. | 1/29/1912 | Don't leave me now | Collins and Harlan | Male vocal duet, with orchestra | |
| Victor | B-11520 | 10-in. | 1/29/1912 | Where you goin'? | Arthur Collins | Male vocal solo | |
| Victor | B-11521 | 10-in. | 1/29/1912 | Let's grow old together, Honey | Byron G. Harlan | Male vocal solo, with orchestra | |
| Victor | H-412 | 10-in. | 1/29/1912 | El balance | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-416 | 10-in. | 1/29/1912 | Para que Dios me daría | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-417 | 10-in. | 1/29/1912 | La tarde | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-423 | 10-in. | 1/29/1912 | El sueño | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-415 | 10-in. | 1/29/1912 | Antenoche tuve un sueño | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-411 | 10-in. | 1/29/1912 | Tuve amores | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-419 | 10-in. | 1/29/1912 | La rosa | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-425 | 10-in. | 1/29/1912 | Las hojas de los naranjos | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-413 | 10-in. | 1/29/1912 | La palma | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | H-414 | 10-in. | 1/29/1912 | El besito | Octetto Santiago | Vocal octet, with instrumental quintet | |
| Victor | [Unnumbered 1912-01-29-01] | Not documented | 1/29/1912 | Dramatic rag | Collins and Harlan | Male vocal duet | |
| Columbia | 19701 | 10-in. | 12/29/1911 | Spring song | Arthur Friedheim | Piano solo | |
| Columbia | 19707 | 10-in. | 1/2/1912 | Etude in G flat | Arthur Friedheim | Piano solo | |
| Columbia | 19740 | 10-in. | 1/29/1912 | Come back to Erin | Charles Harrison | Male vocal solo, with orchestra |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Monday, January 29, 1912," accessed November 22, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1912-01-29.
Recordings made on Monday, January 29, 1912. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1912-01-29.
Recordings made on Monday, January 29, 1912." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
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