Recordings made Thursday, January 6, 1927
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | BVE-37131 | 10-in. | 12/13/1926 | For you and me | George Olsen and his Music | Jazz/dance band, with male vocal trio | |
| Victor | BVE-37408 | 10-in. | 1/6/1927 | So will I | B.F. Goodrich Silvertown Cord Orchestra ; Joseph M. Knecht ; The Silver-Masked Tenor [i.e., Joseph M. White] | Jazz/dance band, with male vocal solo | |
| Victor | BVE-37519 | 10-in. | 1/6/1927 | Guabina santandereana | Orquesta Internacional | Orchestra | |
| Victor | BVE-37520 | 10-in. | 1/6/1927 | Fox de los besos | Orquesta Internacional | Orchestra | |
| Victor | BVE-37521 | 10-in. | 1/6/1927 | La dangereuse | Orquesta Internacional | Orchestra | |
| Victor | BVE-37609 | 10-in. | 1/6/1927 | Och jungfrun gick åt killan | Morton Sherdahl | Male vocal solo, with orchestra | |
| Victor | BVE-37610 | 10-in. | 1/6/1927 | Det stär ett ljus i Österland | Morton Sherdahl | Male vocal solo, with orchestra | |
| Victor | CVE-37700 | 12-in. | 1/6/1927 | Rienzi : Overture | Philadelphia Orchestra ; Leopold Stokowski | Orchestra | |
| Victor | CVE-37701 | 12-in. | 1/6/1927 | Rienzi : Overture | Philadelphia Orchestra ; Leopold Stokowski | Orchestra | |
| Victor | CVE-37702 | 12-in. | 1/6/1927 | Closing scene | Philadelphia Orchestra ; Leopold Stokowski | Orchestra | |
| Victor | BVE-37163 | 10-in. | 12/21/1926 | Sam, the old accordion man | George Olsen and his Music | Jazz/dance band, with male vocal trio | |
| Victor | BVE-37407 | 10-in. | 1/6/1927 | Moonbeam! Kiss her for me | B.F. Goodrich Silvertown Cord Orchestra ; Joseph M. Knecht ; The Silver-Masked Tenor [i.e., Joseph M. White] | Jazz/dance band, with male vocal solo | |
| Victor | CVE-37003 | 12-in. | 11/18/1926 | Hungarian rhapsody no. 2 | Philadelphia Orchestra ; Leopold Stokowski | Orchestra | |
| OKeh | W80290 | 10-in. | 1/6/1927 | The little white house (At the end of Honeymoon Lane) | Tom Stacks and his Minute Men | Jazz/dance band, with male vocal solo | |
| OKeh | W80291 | 10-in. | 1/6/1927 | Jersey walk (Shake 'em up, kid) | Tom Stacks and his Minute Men | Jazz/dance band, with male vocal solo | |
| Gramophone | CR909 | 12-in. | 1/6/1927 | Prometheus : Overture | Albert Coates ; London Symphony Orchestra | Orchestra | |
| Gramophone | CR674 | 12-in. | 9/15/1926 | Symphony no. 6 in B minor, Pathétique | Albert Coates ; London Symphony Orchestra | Orchestra | |
| Edison | 12022 | 12-in. | 1/6/1927 or later | Cavatina | André Benoist ; Albert Spalding | LP compilation : Instrumental | |
| Edison | 11417 | 10-in. | 1/6/1927 | I never see Maggie alone | Sherman and Ryan | Male vocal duet, with orchestra | |
| Edison | 11418 | 10-in. | 1/6/1927 | We're the Sunday drivers | Macy and Smalle | Male vocal duet, with orchestra | |
| Edison | 11419 | 10-in. | 1/6/1927 | She said and I said | Macy and Smalle | Male vocal duet, with orchestra | |
| Columbia | W143241 | 10-in. | 1/6/1927 | In a little Spanish town | Harold L. Rieder | Organ solo | |
| Columbia | W143242 | 10-in. | 1/6/1927 | Mary Lou | Harold L. Rieder | Organ solo | |
| Columbia | 143265 | 10-in. | 1/6/1927 | Cock-a-doodle, I'm off my noodle, my baby's back | Night Club Orchestra ; Tom Stacks | Jazz/dance band, with male vocal solo | |
| Columbia | 143266 | 10-in. | 1/6/1927 | Pretty lips | Night Club Orchestra ; Tom Stacks | Jazz/dance band, with male vocal solo | |
| Columbia | 143267 | 10-in. | 1/6/1927 | Oh how she could play a ukulele | Night Club Orchestra ; Tom Stacks | Jazz/dance band, with male vocal solo | |
| Columbia | W98307 | 12-in. | 1/6/1927 | The desert song : Vocal gems | Columbia Light Opera Company | Male vocal chorus and soloists, with orchestra | |
| Columbia | W98308 | 12-in. | 1/6/1927 | Oh, Kay! : Vocal gems | Columbia Light Opera Company | Mixed vocal chorus and soloists, with piano and orchestra | |
| Brunswick | E21121-E21122 | 10-in. | 1/6/1927 | The old fashioned meeting | Homer A. Rodeheaver | Male vocal solo, with organ | |
| Brunswick | E21123-E21125 | 10-in. | 1/6/1927 | Carry your cross with a smile | Homer A. Rodeheaver | Male vocal solo, with organ | |
| Brunswick | E21130-E21131 | 10-in. | 1/6/1927 | Face to face | Homer A. Rodeheaver | Male vocal solo, with brass quartet, bells, and organ | |
| Brunswick | E21132-E21133 | 10-in. | 1/6/1927 | The unclouded day | Homer A. Rodeheaver | Male vocal solo, with brass quartet, bells, and organ | |
| Brunswick | E21134-E21135 | 10-in. | 1/6/1927 | Stand up for Jesus | Homer A. Rodeheaver | Male vocal solo, with brass quartet, bells, and organ | |
| Brunswick | E21126-E21129 | 10-in. | 1/6/1927 | The little white house (At the end of Honeymoon Lane) | Frank Munn | Male vocal solo, with orchestra | |
| Brunswick | E4358-E4360 | 10-in. | 1/6/1927 | High-high-high up in the hills (Watching the clouds roll by) | Peggy English | Female vocal solo, with instrumental ensemble | |
| Brunswick | E4361-E4363 | 10-in. | 1/6/1927 | How long must I wait for you | Peggy English | Female vocal solo, with instrumental ensemble |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Thursday, January 6, 1927," accessed November 19, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1927-01-06.
Recordings made on Thursday, January 6, 1927. (2024). In Discography of American Historical Recordings. Retrieved November 19, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1927-01-06.
Recordings made on Thursday, January 6, 1927." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 19 November 2024.
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