Recordings made Tuesday, January 27, 1925
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Columbia | 140280 | 10-in. | 1/27/1925 | Floella's cottage | Arthur Tanner ; Gid Tanner | Male vocal solo, with violin and banjo | |
| Columbia | 140281 | 10-in. | 1/27/1925 | Knoxville girl | Arthur Tanner ; Gid Tanner | Male vocal solo, with violin and banjo | |
| Brunswick | 275W-277W | 10-in. | 1/27/1925 | I can’t stop babying you | Ben Bernie Orchestra | Jazz/dance band | |
| Victor | B-31261 | 10-in. | 12/5/1924 | Shabes, jontef in rischoidesch | Bertha Kalich | Female vocal solo, with orchestra | |
| Victor | B-31262 | 10-in. | 12/5/1924 | Matouschka goloubouschka | Bertha Kalich | Female vocal solo, with orchestra | |
| Columbia | 140366 | 10-in. | 1/27/1925 | All alone | Charles Hackett | Tenor vocal solo, with orchestra | |
| Columbia | 140367 | 10-in. | 1/27/1925 | Old pal | Charles Hackett | Tenor vocal solo, with orchestra | |
| Edison | 9968 | 10-in. | 1/27/1925 | Take me back to your heart | Charles Hart ; Top Notchers | Jazz/dance band, with male vocal solo | |
| Edison | 9970 | 10-in. | 1/27/1925 | Se tu m'ami | Claudia Muzio | Soprano vocal solo, with orchestra | |
| Brunswick | 280W-282W | 10-in. | 1/27/1925 | Ah, moon of my delight | Colin O'More | Male vocal solo, with orchestra | |
| Brunswick | 278W-279W | 10-in. | 1/27/1925 | Down deep in an Irishman’s heart | Colin O'More | Male vocal solo, with orchestra | |
| Brunswick | 283W-285W | 10-in. | 1/27/1925 | You’re just a flower from an old bouquet | Colin O'More | Male vocal solo, with orchestra | |
| Victor | [Trial 1925-01-27-01] | 10-in. | 1/27/1925 | Home sweet home | Dorothy Talbot | Female vocal solo, with piano | |
| Columbia | 140278 | 10-in. | 1/27/1925 | Marble halls | Francis Craig Orchestra | Jazz/dance band | |
| Columbia | 140279 | 10-in. | 1/27/1925 | Steady roll blues | Francis Craig Orchestra | Jazz/dance band | |
| Edison | 9972 | 10-in. | 1/27/1925 | Tece voda | František A. Pangrác | Male vocal solo, with orchestra | |
| Edison | 9931 | 10-in. | 1/27/1925 | Abide with me | Frederick Kinsley | Organ solo | |
| Columbia | 81604 | 10-in. | 3/7/1924 | Boll weevil blues | Gid Tanner | Male vocal solo, with fiddle (violin) | |
| Victor | [Trial 1925-01-27-04] | 10-in. | 1/27/1925 | Sally | Harrison Kolb | Whistling solo, with piano | |
| Edison | 9969 | 10-in. | 1/27/1925 | My mother's humming lullaby | Helen Clark ; Joseph A. Phillips ; Top Notchers | Jazz/dance band, with female-male vocal duet | |
| Victor | B-31769 | 10-in. | 1/27/1925 | Ecos de México | International Band | Band | |
| Victor | B-31770 | 10-in. | 1/27/1925 | Cruz de honor | International Band | Band | |
| Victor | B-31771 | 10-in. | 1/27/1925 | Jarabe tapatío | International Band | Band | |
| Victor | B-31765 | 10-in. | 1/27/1925 | The Christian's goodnight | James C. Morton | Male vocal solo, with piano | |
| Victor | C-31766 | 12-in. | 1/27/1925 | The voice in the wilderness | James C. Morton | Male vocal solo, with piano | |
| Columbia | 140282 | 10-in. | 1/27/1925 | Old time power | Jewell Tillman Burns ; Charlie D. Tillman | Female-male vocal duet, with piano | |
| Columbia | 140283 | 10-in. | 1/27/1925 | Someday, it won't be long | Jewell Tillman Burns ; Charlie D. Tillman | Female-male vocal duet, with piano | |
| Columbia | 140284 | 10-in. | 1/27/1925 | My mother's Bible | Jewell Tillman Burns ; Charlie D. Tillman ; Elizabeth Tillman | Female-male vocal duet, with piano | |
| Columbia | 140285 | 10-in. | 1/27/1925 | Don't forget the old folks | Jewell Tillman Burns ; Charlie D. Tillman ; Elizabeth Tillman | Female-male vocal duet, with piano | |
| Victor | [Trial 1925-01-27-02] | 10-in. | 1/27/1925 | All for you | John Mahan | Male vocal solo, with piano | |
| Victor | [Trial 1925-01-27-03] | 10-in. | 1/27/1925 | Rose of my heart | Le Roy F. Fisher | Male vocal solo, with piano | |
| Victor | B-31807 | 10-in. | 1/27/1925 | I'll see you in my dreams | Lewis James | Male vocal solo, with orchestra | |
| Victor | B-31767 | 10-in. | 1/27/1925 | Troisième leçon (Lesson no. 3) | Louis Allard | Language instruction | |
| Victor | B-31768 | 10-in. | 1/27/1925 | Quatrième leçon (Lesson no. 4) | Louis Allard | Language instruction | |
| Victor | B-31772 | 10-in. | 1/27/1925 | Cinquième leçon (Lesson no. 5) | Louis Allard | Language instruction | |
| Victor | B-31773 | 10-in. | 1/27/1925 | Sixième leçon (Lesson no. 6) | Louis Allard | Language instruction | |
| Victor | B-31774 | 10-in. | 1/27/1925 | Septième leçon (Lesson no. 7) | Louis Allard | Language instruction | |
| Victor | B-31776 | 10-in. | 1/27/1925 | Huitième leçon (Lesson no. 8) | Louis Allard | Language instruction | |
| Victor | B-[Unnumbered 1925-01-27-01] | 10-in. | 1/27/1925 | To a wild rose | Louise Homer ; Louise Homer Stires | Vocal duet (soprano and contralto), with piano | |
| Victor | B-[Unnumbered 1925-01-27-02] | 10-in. | 1/27/1925 | With verdure clad | Louise Homer Stires | Soprano vocal solo | |
| Victor | B-[Unnumbered 1925-01-27-03] | 10-in. | 1/27/1925 | The cuckoo | Louise Homer Stires | Soprano vocal solo | |
| Gennett | 9303 | 10-in. | 1/27/1925 | Sombras | Mariani Tango Orchestra | Instrumental ensemble | |
| Gennett | 9304 | 10-in. | 1/27/1925 | Quien anda trade en le noche | Mariani Tango Orchestra | Instrumental ensemble | |
| Gennett | 9305 | 10-in. | 1/27/1925 | El centenario de Ayacucho | Mariani Tango Orchestra | Instrumental ensemble | |
| Victor | B-31775 | 10-in. | 1/27/1925 | Celajes de Cumaná | Orquesta Internacional | Orchestra | |
| Victor | B-31777 | 10-in. | 1/27/1925 | Celajes de Cumaná | Orquesta Internacional | Orchestra | |
| Brunswick | 14736-14739 | 10-in. | 1/27/1925 | On the way to Monterey | Ray Miller Orchestra | Jazz/dance band | |
| Brunswick | 14740-14742 | 10-in. | 1/27/1925 | That’s my girl | Ray Miller Orchestra | Jazz/dance band | |
| Victor | B-31808 | 10-in. | 1/27/1925 | Please be good to my old girl | Shannon Quartet | Male vocal quartet, with orchestra | |
| Victor | B-31641 | 10-in. | 1/9/1925 | Humoresque | Shura Cherkassky | Piano solo | |
| Victor | B-31643 | 10-in. | 1/9/1925 | Prelude | Shura Cherkassky | Piano solo | |
| Victor | B-31810 | 10-in. | 1/27/1925 | Valse in E minor | Shura Cherkassky | Piano solo | |
| Victor | B-31811 | 10-in. | 1/27/1925 | Hunting song | Shura Cherkassky | Piano solo | |
| Columbia | 140364 | 10-in. | 1/27/1925 | The time will come | Vernon Dalhart | Male vocal solo, with guitar, ukulele, and harmonica | |
| Columbia | 140365 | 10-in. | 1/27/1925 | He sure can play a harmonica | Vernon Dalhart | Male vocal solo, with guitar, ukulele, and harmonica |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Tuesday, January 27, 1925," accessed November 21, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1925-01-27.
Recordings made on Tuesday, January 27, 1925. (2024). In Discography of American Historical Recordings. Retrieved November 21, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1925-01-27.
Recordings made on Tuesday, January 27, 1925." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 21 November 2024.
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