Recordings made Tuesday, March 29, 1910
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | B-8762 | 10-in. | 3/29/1910 | A mi pollita | Victor Orchestra | Orchestra | |
| Victor | B-8763 | 10-in. | 3/29/1910 | Tan rica, la Ñata | Victor Orchestra | Orchestra | |
| Victor | B-8765 | 10-in. | 3/29/1910 | Granaderos de San Martin | Victor Orchestra | Orchestra | |
| Victor | C-8764 | 12-in. | 3/29/1910 | Granaderos de San Martin | Victor Orchestra | Orchestra | |
| Victor | C-8766 | 12-in. | 3/29/1910 | Granaderos de San Martin | Victor Orchestra | Orchestra | |
| Gramophone | 1175y | 10-in. | 3/29/1910 | Fado da revista | Sr. Barradas | Male vocal solo, with orchestra | |
| Gramophone | 1173y | 10-in. | 3/29/1910 | Modinha de pernambuco | Raul Soares | Male vocal solo, with chorus and orchestra | |
| Gramophone | 01383v | 12-in. | 3/29/1910 | Le beau polichinelle | Perret | Male vocal solo, with orchestra | |
| Gramophone | 1171y | 10-in. | 3/29/1910 | Canção da rua | Medina de Souza | Female vocal solo, with chorus | |
| Victor | R-735 | 10-in. | 3/29/1910 | Sogno d'un valzer | Lia Bianca | Soprano vocal solo, with orchestra | |
| Victor | A-736 [Latin America 'A-' series] | 12-in. | 3/29/1910 | Noi siam come marionette | Lia Bianca | Soprano vocal solo, with orchestra | |
| Victor | A-737 [Latin America 'A-' series] | 12-in. | 3/29/1910 | Per cominciar, son pronti | Lia Bianca | Soprano vocal solo, with orchestra | |
| Victor | R-738 | 10-in. | 3/29/1910 | 'O sole mio | Lia Bianca | Female vocal solo, with orchestra | |
| Victor | R-739 | 10-in. | 3/29/1910 | Ciribiribin | Lia Bianca | Female vocal solo, with orchestra | |
| Gramophone | 1170y | 10-in. | 3/29/1910 | Cyrio, arraial e romaria | Joaquim Ramos ; Medina de Souza | Female-male vocal duet, with chorus and orchestra | |
| Gramophone | 1174y | 10-in. | 3/29/1910 | A Portugueza | Joaquim Ramos | Male vocal solo, with chorus and orchestra | |
| Gramophone | 1166y | 10-in. | 3/29/1910 | Canção do conde Danilo | Joaquim Ramos | Male vocal solo, with orchestra | |
| Victor | R-726 | 10-in. | 3/29/1910 | Bellezas argentinas | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-727 | 10-in. | 3/29/1910 | Los boqueños | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-728 | 10-in. | 3/29/1910 | Paiva y Floro | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-729 | 10-in. | 3/29/1910 | Martín Fierro y Cruz | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-730 | 10-in. | 3/29/1910 | Los aeroplanos | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-731 | 10-in. | 3/29/1910 | Los dirigibles | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-732 | 10-in. | 3/29/1910 | Un negro y un blanco | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-733 | 10-in. | 3/29/1910 | El gringo y el criollo | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-734 | 10-in. | 3/29/1910 | Un alegre y un triste | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar | |
| Victor | R-725 | 10-in. | 3/29/1910 | Los payadores | Enrique Muiño ; E. Gil Quesada | Male vocal duet, with guitar |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Tuesday, March 29, 1910," accessed November 19, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1910-03-29.
Recordings made on Tuesday, March 29, 1910. (2024). In Discography of American Historical Recordings. Retrieved November 19, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1910-03-29.
Recordings made on Tuesday, March 29, 1910." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 19 November 2024.
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