Recordings made Tuesday, April 23, 1929
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Columbia | 148372 | 10-in. | 4/23/1929 | That's living | Harry Barth's Mississippians ; Robert Wood | Jazz/dance band, with male vocal solo | |
| Columbia | 148373 | 10-in. | 4/23/1929 | To be in love (Espesh'lly with you) | Harry Barth's Mississippians ; Robert Wood | Jazz/dance band, with male vocal solo | |
| Columbia | 148465 | 10-in. | 4/23/1929 | Georgia gigolo | Jasper Davis and his Orchestra ; Lizzie Miles | Jazz/dance band, with female vocal solo | |
| Columbia | 148468 | 10-in. | 4/23/1929 | It feels so good | Jasper Davis and his Orchestra ; Lizzie Miles | Jazz/dance band, with female vocal solo | |
| Gennett | 15071 | 10-in. | 4/23/1929 | Freight train (continuous) | Technical staff (unidentified; Gennett Records) | Sound effects | |
| Gennett | 15072 | 10-in. | 4/23/1929 | Passenger train (continuous) | Technical staff (unidentified; Gennett Records) | Sound effects | |
| Edison | 19165 | 10-in. | 4/23/1929 | That's my idea of heaven | Billy Murray ; Walter Scanlan | Male vocal duet, with orchestra | |
| Edison | 19166 | 10-in. | 4/23/1929 | She's a new kind of old-fashioned girl | Billy Murray ; Walter Scanlan | Male vocal duet, with orchestra | |
| Victor | BVE-51246 | 10-in. | 4/23/1929 | Blue waters | Walter Kolomoku’s Honoluluans | Instrumental ensemble (Hawaiian) | |
| Victor | BVE-51247 | 10-in. | 4/23/1929 | Wednesday night waltz | Walter Kolomoku’s Honoluluans | Instrumental ensemble (Hawaiian) | |
| Victor | BVE-51248 | 10-in. | 4/23/1929 | Medley of old-time waltzes | Walter Kolomoku’s Honoluluans | Instrumental ensemble (Hawaiian) | |
| Victor | BVE-51249 | 10-in. | 4/23/1929 | When you and I were young, Maggie | Walter Kolomoku’s Honoluluans | Instrumental ensemble (Hawaiian) | |
| Victor | BVE-51250 | 10-in. | 4/23/1929 | Old-fashioned lady | Vaughn De Leath | Female vocal solo, with instrumental ensemble | |
| Victor | BVE-51251 | 10-in. | 4/23/1929 | Oh sweetheart, where are you tonight? | Vaughn De Leath | Female vocal solo, with instrumental ensemble | |
| Victor | BVE-51654 | 10-in. | 4/23/1929 | 'O studenti 'e 'a vaiasse | Coppia Albano-Persico | Comic scene, with instrumental ensemble | |
| Victor | BVE-51655 | 10-in. | 4/23/1929 | 'O ritorno 'e muglierema | Coppia Albano-Persico | Comic scene, with instrumental ensemble | |
| Victor | BVE-51656 | 10-in. | 4/23/1929 | Isso 'e essa | Coppia Albano-Persico | Comic scene, with instrumental ensemble | |
| Victor | BVE-51657 | 10-in. | 4/23/1929 | 'A curiuse | Coppia Albano-Persico | Comic scene, with instrumental ensemble | |
| Victor | BVE-51813 | 10-in. | 4/23/1929 | By the waters of Minnetonka | Clement Barone ; Thurlow Lieurance | Flute and piano duet | |
| Victor | BVE-51814 | 10-in. | 4/23/1929 | Winnebago love song | Clement Barone ; Thurlow Lieurance | Flute duet | |
| Victor | BVE-51901 | 10-in. | 4/23/1929 | The crafty spy | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51902 | 10-in. | 4/23/1929 | In gloomy forest | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51903 | 10-in. | 4/23/1929 | Tragic scene | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51904 | 10-in. | 4/23/1929 | In the night | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51905 | 10-in. | 4/23/1929 | The bonnie blue bonnets | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51906 | 10-in. | 4/23/1929 | The hymn of free Russia | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51907 | 10-in. | 4/23/1929 | Hebrew love song | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51908 | 10-in. | 4/23/1929 | Une larme | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51909 | 10-in. | 4/23/1929 | Merry Macdoon | Motion Picture Orchestra | Orchestra | |
| Victor | BVE-51910 | 10-in. | 4/23/1929 | Sinister theme | Motion Picture Orchestra | Orchestra | |
| Brunswick | C3353 | 10-in. | 4/23/1929 | Minor blues | Lil Johnson ; Arthur "Montana" Taylor | Female vocal solo, with piano | |
| Brunswick | C3354 | 10-in. | 4/23/1929 | Montana blues | Lil Johnson ; Arthur "Montana" Taylor | Female vocal solo, with piano | |
| Brunswick | C3355 | 10-in. | 4/23/1929 | Never let your left hand know what your right hand do | Charles Avery ; Lil Johnson | Female vocal solo, with piano | |
| Brunswick | C3356 | 10-in. | 4/23/1929 | You’ll never miss your jelly till your jelly roller’s gone | Charles Avery ; Lil Johnson | Female vocal solo, with piano | |
| Brunswick | C3357 | 10-in. | 4/23/1929 | Indiana Avenue stomp | Arthur "Montana" Taylor | Piano solo | |
| Brunswick | C3358 | 10-in. | 4/23/1929 | Detroit rocks | Arthur "Montana" Taylor | Piano solo | |
| Victor | CVE-51090 | 12-in. | 4/9/1929 | Carnaval | Sergei Rachmaninoff | Piano solo | |
| Victor | CVE-51911 | 12-in. | 4/23/1929 | The meeting | Motion Picture Orchestra | Orchestra | |
| Brunswick | E29689 | 10-in. | 4/23/1929 | Ballin’ the jack | Louisiana Rhythm Kings | Jazz/dance band | |
| Brunswick | E29690 | 10-in. | 4/23/1929 | Then you’ve never been blue | Louisiana Rhythm Kings | Jazz/dance band | |
| Brunswick | E29691 | 10-in. | 4/23/1929 | I’m walking through clover | Louisiana Rhythm Kings | Jazz/dance band | |
| Edison | EXP-189 | 12-in. | 3/19/1929 | Experimental disc recording-189 (300 tpi) | G. C. Cosdon ; Unidentified performer(s) (Edison Records) | Experimental dubbing | |
| Edison | EXP-190 | 12-in. | 3/19/1929 | Experimental disc recording-190 (300 tpi) | G. C. Cosdon ; Unidentified performer(s) (Edison Records) | Experimental dubbing | |
| Edison | EXP-191 | 12-in. | 3/19/1929 | Experimental disc recording-191 (300 tpi) | Unidentified performer(s) (Edison Records) | Experimental recording or dubbing | |
| Edison | EXP-192 | 12-in. | 4/23/1929 | Experimental disc recording-192 (300 tpi) | G. C. Cosdon | Experimental dubbing | |
| Edison | EXP-193 | 12-in. | 4/23/1929 | Experimental disc recording-193 (300 tpi) | G. C. Cosdon ; Unidentified performer(s) (Edison Records) | Experimental dubbing | |
| Brunswick | LAE462 | 10-in. | 4/23/1929 | Stubbon Sadie Stout | Les Poe | Male vocal solo, with piano | |
| Brunswick | LAE463 | 10-in. | 4/23/1929 | Empty pocket blues | Les Poe | Male vocal solo, with piano | |
| Brunswick | LAE464 | 10-in. | 4/23/1929 | I like it | Les Poe | Male vocal solo, with piano | |
| Victor | MVE-51715 | 16-in. | 4/22/1929 | Mother's boy | Pathé Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-51724 | 16-in. | 4/23/1929 | Pathé sound news | Pathé Pictures | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-51725 | 16-in. | 4/23/1929 | Unaccustomed as we are | Hal Roach Studios | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVE-51726 | 16-in. | 4/23/1929 | Unaccustomed as we are | Hal Roach Studios | Motion picture soundtrack : Film to wax transfer | |
| Victor | MVR-52026 | 16-in. | 4/23/1929 | The big squawk | Gus Arnheim Orchestra | Motion picture soundtrack : Jazz/dance band | |
| Victor | MVR-52027 | 16-in. | 4/23/1929 | The big squawk | Gus Arnheim Orchestra | Motion picture soundtrack : Jazz/dance band | |
| Victor | MVR-52028 | 16-in. | 4/23/1929 | The big squawk | Gus Arnheim Orchestra | Motion picture soundtrack : Jazz/dance band | |
| Victor | PBVE-50852 | 10-in. | 4/23/1929 | Tú no sabes | Samuel Pedraza | Male vocal solo, with instrumental ensemble | |
| Victor | PBVE-50853 | 10-in. | 4/23/1929 | Por que te quiero | Samuel Pedraza | Male vocal solo, with instrumental ensemble | |
| Victor | PBVE-50854 | 10-in. | 4/23/1929 | Mi último beso | Manuel Mendoza López ; Samuel Pedraza | Male vocal duet, with instrumental ensemble | |
| Victor | PBVE-50855 | 10-in. | 4/23/1929 | Mi reina | Manuel Mendoza López | Male vocal solo, with instrumental ensemble | |
| Victor | PBVE-50856 | 10-in. | 4/23/1929 | El corrido militar | Manuel García ; Ramón Peraza | Male vocal duet, with guitar and steel guitar | |
| Columbia | W148371 | 10-in. | 4/23/1929 | Oh sweetheart, where are you tonight? | Harry Barth's Mississippians | Jazz/dance band, with male vocal solo | |
| Columbia | W148374 | 10-in. | 4/23/1929 | Serenade | Musical Art Quartet | String quartet | |
| Columbia | W148375 | 10-in. | 4/23/1929 | Third prelude and fugue in C sharp major | Dame Myra Hess | Piano solo | |
| Columbia | W148376 | 10-in. | 4/23/1929 | Allegro | Dame Myra Hess | Piano solo | |
| OKeh | W401819 | 10-in. | 4/23/1929 | You were meant for me | Irving Kaufman | Male vocal solo, with orchestra | |
| OKeh | W401820 | 10-in. | 4/23/1929 | Broadway melody | Irving Kaufman | Male vocal solo, with orchestra | |
| OKeh | W401821 | 10-in. | 4/23/1929 | Daddy, change your mind | Tom Dorsey Novelty Orchestra | Jazz/dance quartet | |
| OKeh | W401822 | 10-in. | 4/23/1929 | You can't cheat a cheater | Tom Dorsey Novelty Orchestra | Jazz/dance quartet |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Tuesday, April 23, 1929," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1929-04-23.
Recordings made on Tuesday, April 23, 1929. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1929-04-23.
Recordings made on Tuesday, April 23, 1929." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
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