Recordings made Thursday, April 16, 1925
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Edison | 10322 | 10-in. | 4/16/1925 | Whispering hope | Amy Ellerman ; Marie Rappold | Vocal duet (soprano and contralto), with orchestra | |
| Victor | B-32436 | 10-in. | 4/16/1925 | Where did you come from, baby dear | Margaret Flowers Hague | Female vocal solo, with piano | |
| Columbia | W98170 | 12-in. | 4/16/1925 | Walther's prize song | Georges Enesco | Violin solo, with piano | |
| Victor | B-32441 | 10-in. | 4/16/1925 | V nasi hospudce | Frantisek Gostovský | Male vocal solo, with orchestra | |
| Victor | BVE-32520 | 10-in. | 4/16/1925 | Up went O'Connor | John W. Hulihan | Male vocal solo, with piano | |
| Columbia | W140533 | 10-in. | 4/16/1925 | Undertaker's blues | Maggie Jones | Female vocal solo ("blues singer"), with piano and trombone | |
| Brunswick | E15571-E15572 | 10-in. | 4/16/1925 | Three for Jack | John Charles Thomas | Male vocal solo, with orchestra | |
| Brunswick | E15575-E15576 | 10-in. | 4/16/1925 | The palms | John Charles Thomas | Baritone vocal solo, with orchestra | |
| Brunswick | E15573-E15574 | 10-in. | 4/16/1925 | The lost chord | John Charles Thomas | Baritone vocal solo, with orchestra | |
| Brunswick | E15565-E15567 | 10-in. | 4/16/1925 | Spanish eyes | Carl Fenton’s Orchestra | Jazz/dance band, with male vocal solo | |
| Brunswick | 721W-722W | 10-in. | 4/16/1925 | Save my mother's picture from the sale | Uncle Dave Macon | Male vocal solo, with banjo | |
| Columbia | W98167 | 12-in. | 4/16/1925 | Rose-Marie : Selections | Robert Hood Bowers Orchestra | Orchestra | |
| Victor | B-32442 | 10-in. | 4/16/1925 | Polka na saskiej kempe Warszawie | Leon Witkowski | Clarinet solo, with orchestra | |
| Columbia | W140534 | 10-in. | 4/16/1925 | North bound blues | Maggie Jones | Female vocal solo ("blues singer"), with piano and trombone | |
| Victor | B-32437 | 10-in. | 4/16/1925 | Nora Lee | International Novelty Orchestra | Orchestra, with male vocal solo | |
| Victor | BA-576 | 10-in. | 4/16/1925 | Noe-Noe | Carabelli Jazz Band | Jazz/dance band | |
| Columbia | W140535 | 10-in. | 4/16/1925 | Nocturne in E flat | Georges Enesco | Violin solo, with piano | |
| Victor | B-32435 | 10-in. | 4/16/1925 | My heart at thy sweet voice | Margaret Flowers Hague | Female vocal solo, with piano | |
| Victor | BA-572 | 10-in. | 4/16/1925 | Monerias | Carabelli Jazz Band | Jazz/dance band | |
| Victor | X-62 | 10-in. | 4/16/1925 | La negrita garzona | Orquesta Antonio M. Romeu ; Antonio María Romeu | Instrumental ensemble | |
| Columbia | W140442 | 10-in. | 3/17/1925 | La campanella | Mischa Levitzki | Piano solo | |
| Victor | X-67 | 10-in. | 4/16/1925 | La camaronera | Sexteto Habanero | Vocal and instrumental sextet | |
| Brunswick | E15568-E15570 | 10-in. | 4/16/1925 | Just a bundle of sunshine | Carl Fenton’s Orchestra ; Ernest Hare ; Billy Jones | Jazz/dance band, with male vocal duet | |
| Edison | 10323 | 10-in. | 4/16/1925 | It's a fine thing to sing | Guy Hunter | Male vocal solo, with orchestra | |
| Victor | B-32440 | 10-in. | 4/16/1925 | I had a sweet mamma but she's turned sour now | Gene Austin | Male vocal solo, with ukulele and harmonica | |
| Brunswick | 719W-720W | 10-in. | 4/16/1925 | I don't reckon it'll happen again | Uncle Dave Macon | Male vocal solo, with banjo | |
| Victor | B-32438 | 10-in. | 4/16/1925 | Gerna musi byt | Frantisek Gostovský | Male vocal solo, with orchestra | |
| Victor | CVE-32196 | 12-in. | 4/1/1925 | Gems from The love song | Victor Light Opera Company | Vocal chorus and soloists, with orchestra | |
| Victor | CVE-32195 | 12-in. | 4/1/1925 | Gems from Rose-Marie | Victor Light Opera Company | Vocal chorus and soloists, with orchestra | |
| Columbia | W98169 | 12-in. | 4/16/1925 | Elegie | Georges Enesco | Violin solo, with piano | |
| Victor | B-32439 | 10-in. | 4/16/1925 | Does my sweetie do like I want him to, and how | Gene Austin | Male vocal solo, with ukulele and harmonica | |
| Victor | X-65 | 10-in. | 4/16/1925 | Con caridad no bailo más | Orquesta Antonio M. Romeu ; Antonio María Romeu | Instrumental ensemble | |
| Victor | B-32434 | 10-in. | 4/16/1925 | Beside a silv'ry stream | International Novelty Orchestra | Orchestra, with male vocal solo | |
| Victor | X-66 | 10-in. | 4/16/1925 | A pie | Sexteto Habanero | Vocal and instrumental sextet |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Thursday, April 16, 1925," accessed November 25, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1925-04-16.
Recordings made on Thursday, April 16, 1925. (2024). In Discography of American Historical Recordings. Retrieved November 25, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1925-04-16.
Recordings made on Thursday, April 16, 1925." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 25 November 2024.
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