Recordings made Thursday, September 4, 1947
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= Recordings are available for online listening. 
= Recordings were issued from this master. No recordings issued from other masters.
| Company | Matrix Number | Size | First Take Date | Title | Primary Performer | Description | |
|---|---|---|---|---|---|---|---|
| Victor | D7XB-1602 | 10-in. | 9/4/1947 | [Re-recording from PR-409] | Artists vary | ||
| Victor | D7XB-1603 | 10-in. | 9/4/1947 | [Re-recording from PR-409] | Artists vary | ||
| Decca | L 4495 | 9/4/1947 | With roses in her hair | Dick Haymes | |||
| Decca | 74076 | 9/4/1947 | When I write my song | Bob Eberly | |||
| Decca | L 4496 | 9/4/1947 | What'll I do? | Dick Haymes | |||
| Decca | L 4494 | 9/4/1947 | That's all I want to know | Dick Haymes | |||
| Victor | PR-411 | 10-in. | before 9/4/1947 | Pa' la rumba voy | Chiquitín ; Cuarteto Mayarí ; Chago Montes | Instrumental ensemble, with male vocal duet | |
| Victor | PR-410 | 10-in. | before 9/4/1947 | La vida es así | Chiquitín ; Cuarteto Mayarí ; Chago Montes | Instrumental ensemble, with male vocal duet | |
| Decca | 74075 | 9/4/1947 | Don't you love me anymore | Bob Eberly | |||
| Victor | PR-409 | 10-in. | before 9/4/1947 | Ay, no! ay, no! | Chiquitín ; Cuarteto Mayarí ; Chago Montes | Instrumental ensemble, with male vocal duet | |
| Victor | PR-408 | 10-in. | before 9/4/1947 | Adiós, ingrata | Chiquitín ; Cuarteto Mayarí ; Chago Montes | Instrumental ensemble, with male vocal duet |
Citation
Discography of American Historical Recordings, s.v. "Recordings made on Thursday, September 4, 1947," accessed November 22, 2024, https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1947-09-04.
Recordings made on Thursday, September 4, 1947. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod2.library.ucsb.edu/index.php/date/browse?date=1947-09-04.
Recordings made on Thursday, September 4, 1947." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
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