Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti. Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Berliner | 923 | 7-in. | 5/23/1898 | Fra poco | Ferruccio Giannini | Tenor vocal solo | composer | |
Berliner | 1117 | 7-in. | Before Oct. 1898 | Vieni! la mia vendetta | Alberto Del Campo | Baritone vocal solo | composer | |
Berliner | 1741 | 7-in. | Nov. 1898 | Mi toglieste a un sole ardente | Ferruccio Giannini | Tenor vocal solo | composer | |
Berliner | 01177 | 7-in. | Apr. 1900 | Sextette | Sousa's Band | Band | composer | |
Berliner | 01273 | 7-in. | 4/28/1900 | Léonore, viens, j'abandonne | E. Francisco | Baritone vocal solo | composer | |
Victor | [Pre-matrix B-]334 | 10-in. | 4/2/1901 | Lucia di Lammermoor : Sextette | Sousa's Band | Band, with brass sextet | composer | |
Victor | [Pre-matrix A-]334 | 7-in. | 10/2/1900 | Sextette | Sousa's Band | Band, with brass sextet | composer | |
Victor | [Pre-matrix B-]1344 | 10-in. | 3/25/1902 | Vien, Leonora | Sig. Carlos Francisco | Baritone vocal solo | composer | |
Victor | [Pre-matrix A-]1344 | 7-in. | 3/25/1902 | Vien, Leonora | Sig. Carlos Francisco | Baritone vocal solo | composer | |
Victor | [Pre-matrix C-]2201 | 12-in. | between 1901 and 1903 | Sextette | Victor Grand Concert Band | Band | composer | |
Victor | [Pre-matrix B-]3230 | 10-in. | 4/3/1901 | Sextette from Lucia | Sousa's Band | Band, with brass sextet | composer | |
Victor | C-141 [Old series] | 12-in. | 2/9/1903 or 5/26/1903 | Sextette from Lucia | Victor Grand Concert Band | Band | composer | |
Victor | B-157 | 10-in. | 6/29/1903 | Sextette | Royal Italian Marine Band | Band | composer | |
Victor | B-167 | 10-in. | 6/30/1903 | Sextette from Lucia | Royal Italian Marine Band | Band | composer | |
Victor | B-340 | 10-in. | 8/25/1903 | Sextette | Sousa's Band | Band, with brass sextet | composer | |
Victor | A-340 | 7-in. | 8/25/1903 | Sextette | Sousa's Band | Band, with brass sextet | composer | |
Victor | C-996 | 12-in. | 2/1/1904 | Una furtiva lagrima | Enrico Caruso | Tenor vocal solo, with piano (take 1); orchestra (take 1[a]) | composer | |
Victor | B-996 | 10-in. | 2/1/1904 | Una furtiva lagrima | Enrico Caruso | Tenor vocal solo, with piano | composer | |
Victor | B-1092 | 10-in. | 3/10/1904 | Bella siccome un angelo | Antonio Scotti | Baritone vocal solo, with piano | composer | |
Victor | B-1457 | 10-in. | 6/9/1904 | Vien, Leonora | Sig. Carlos Francisco | Baritone vocal solo, with piano | composer | |
Victor | B-1693 | 10-in. | 9/19/1904 | Sextette from Lucia | Royal Italian Marine Band | Band | composer | |
Victor | C-1693 | 12-in. | 9/19/1904 | Sextette from Lucia | Royal Italian Marine Band | Band | composer | |
Victor | C-2014 | 12-in. | 12/5/1904 | Sextette from Lucia | Arthur Pryor's Band | Band | composer | |
Victor | C-2340 | 12-in. | 2/27/1905 | Serenata - Com'è gentil | Enrico Caruso | Tenor vocal solo, with piano | composer | |
Victor | C-2361 | 12-in. | 3/2/1905 | Come Paride vezzoso | Antonio Scotti | Baritone vocal solo, with piano | composer | |
Victor | B-2509 | 10-in. | 5/1/1905 | Udite, udite o rustici | Arcangelo Rossi | Bass vocal solo, with orchestra | composer | |
Victor | C-2978 | 12-in. | 1/3/1906 | Brindisi | Ernestine Schumann-Heink | Contralto vocal solo, with orchestra | composer | |
Victor | C-3104 | 12-in. | 2/11/1906 | Spirto gentil | Enrico Caruso | Tenor vocal solo, with orchestra | composer | |
Victor | C-3154 | 12-in. | 3/1/1906 | Mad scene | Marcella Sembrich | Soprano vocal solo, with flute obbligato and orchestra | composer | |
Victor | C-3181 | 12-in. | 3/14/1906 | Duetto | Antonio Scotti ; Marcella Sembrich | Vocal duet (soprano and baritone), with orchestra | composer | |
Victor | B-3190 | 10-in. | 3/19/1906 | Bella siccome un angelo | Antonio Scotti | Baritone vocal solo, with orchestra | composer | |
Victor | B-3254 | 10-in. | 4/5/1906 | Il furioso | Gustavo Bernal-Resky | Baritone vocal solo, with orchestra | composer | |
Victor | C-4286 | 12-in. | 3/6/1907 | A tanto amor | Mario Ancona | Baritone vocal solo, with orchestra | composer | |
Victor | C-4349 | 12-in. | 3/28/1907 | Mad scene | Nellie Melba | Soprano vocal solo, with 2 flutes | composer | |
Victor | C-4401 | 12-in. | 4/15/1907 | Daughter of the regiment overture | Arthur Pryor's Band | Band | composer | |
Victor | C-4523 | 12-in. | 5/22/1907 | Una furtiva lagrima | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Victor | C-4538 | 12-in. | 5/28/1907 | O bell' alma innamorata | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Victor | C-4549 | 12-in. | 5/31/1907 | Quel guardo | Alice Nielsen ; Victor Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | C-4550 | 12-in. | 5/31/1907 | Verrano a te sull'aure | Florencio Constantino ; Alice Nielsen | Vocal duet (soprano and tenor), with orchestra | composer | |
Victor | C-4834 | 12-in. | 9/25/1907 | Ardon gl'incensi | Ellen Beach Yaw | Soprano vocal solo, with orchestra | composer | |
Victor | C-4887 | 12-in. | 10/18/1907 | Di pescatore ignobile | Carlo Albani | Tenor vocal solo, with orchestra | composer | |
Victor | C-4998 | 12-in. | 1/7/1908 | Ardon gl'incensi | Bessie Abott | Soprano vocal solo | composer | |
Victor | C-5008 | 12-in. | 1/10/1908 | In terra solo | Enrico Caruso | Tenor vocal solo, with orchestra | composer | |
Victor | C-5052 | 12-in. | 2/3/1908 | Sextette : Chi mi frena | Enrico Caruso ; Francesco Daddi ; Marcel Journet ; Antonio Scotti ; Marcella Sembrich ; Gina Severina | Vocal sextet (soprano, mezzo-soprano, 2 tenors, baritone, and bass), with orchestra | composer | |
Victor | C-6061 | 12-in. | 3/29/1908 | Una furtiva lagrima | Enrico Caruso | Tenor vocal solo, with orchestra | composer | |
Victor | C-6133 | 12-in. | 4/22/1908 | Convien partir ('Tis time to part) | Alice Nielsen ; Victor Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | B-6134 | 10-in. | 4/22/1908 | Una vergine | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Victor | C-6218 | 12-in. | 5/20/1908 | Belisario overture | Arthur Pryor's Band | Band | composer | |
Victor | C-6397 | 12-in. | 9/9/1908 | Salut à la France | Delaur Trio | Vocal trio, with orchestra | composer | |
Victor | C-6574 | 12-in. | 11/2/1908 | O luce di quest' anima | Marcella Sembrich | Soprano vocal solo, with orchestra | composer | |
Victor | C-8034 | 12-in. | 6/9/1909 | Spirit so fair | Evan Williams | Tenor vocal solo, with orchestra | composer | |
Victor | C-8282 | 12-in. | 10/6/1909 | A furtive tear | Evan Williams | Tenor vocal solo, with orchestra | composer | |
Victor | C-8535 | 12-in. | 1/3/1910 | Fra poco a me ricovero | John McCormack | Tenor vocal solo, with orchestra | composer | |
Victor | C-8536 | 12-in. | 1/7/1910 | Una furtiva lagrima (A furtive tear) | John McCormack | Tenor vocal solo, with orchestra | composer | |
Victor | C-8739 | 12-in. | 3/23/1910 | Per viver vicino a Maria | John McCormack | Tenor vocal solo, with orchestra | composer | |
Victor | C-8740 | 12-in. | 3/23/1910 | Tu che a Dio spiegasti l'ali | John McCormack | Tenor vocal solo, with orchestra | composer | |
Victor | C-8754 | 12-in. | 3/26/1910 | Rataplan duet | Charles Gilibert ; Marcella Sembrich | Vocal duet (soprano and baritone), with orchestra | composer | |
Victor | C-10068 | 12-in. | 3/16/1911 | Il dolce suono | Luisa Tetrazzini | Soprano vocal solo, with flute and orchestra | composer | |
Victor | C-10101 | 12-in. | 3/27/1911 | Lucia sextette : Chi mi frena | Victor Opera Sextette | Vocal sextet (soprano, contralto, tenor, 2 baritones, and bass), with orchestra (issued takes) | composer | |
Victor | C-10116 | 12-in. | 3/31/1911 | Daughter of the regiment : Selection | Vessella's Italian Band | Band | composer | |
Victor | C-10203 | 12-in. | 4/6/1911 | Lucia sextette | Vessella's Italian Band | Band | composer | |
Victor | B-10560 | 10-in. | 6/20/1911 | Cercheró lontana terra | Umberto Sorrentino | Tenor vocal solo, with orchestra | composer | |
Victor | B-10973 | 10-in. | 9/15/1911 | On the sea | Marguerite Dunlap ; Elizabeth Wheeler | Female vocal duet, with piano | composer | |
Victor | C-11407 | 12-in. | 12/21/1911 | Mad scene | Edith Helena | Soprano vocal solo, with orchestra and flute obbligato | composer | |
Victor | C-11446 | 12-in. | 1/10/1912 | Sextette : Chi mi frena | Pasquale Amato ; Angelo Bada ; Enrico Caruso ; Josephine Jacoby ; Marcel Journet ; Luisa Tetrazzini | Vocal sextet (soprano, contralto, 2 tenors, baritone, and bass), with orchestra | composer | |
Victor | C-11457 | 12-in. | 1/15/1912 | Splendon più belle in ciel le stelle | Marcel Journet ; Metropolitan Opera Chorus ; Victor Orchestra | Bass vocal solo, with vocal chorus and orchestra | composer | |
Victor | C-11587 | 12-in. | 2/12/1912 | Lucia sextette | Ferdinand Himmelreich | Piano solo | composer | |
Victor | C-11686 | 12-in. | 3/8/1912 | O mio Fernando | Margarete Matzenauer | Soprano vocal solo, with orchestra | composer | |
Victor | C-11786 | 12-in. | 3/22/1912 | Ah! l'alto ardor | Pasquale Amato ; Margarete Matzenauer | Vocal duet (soprano and baritone), with orchestra and chorus | composer | |
Victor | B-11797 | 10-in. | 3/27/1912 | Una vergine, un angiol di Dio | Alberto Amadi | Tenor vocal solo, with orchestra | composer | |
Victor | C-11799 | 12-in. | 3/27/1912 | O paradiso | Alberto Amadi | Tenor vocal solo, with orchestra | composer | |
Victor | C-12117 | 12-in. | 6/19/1912 | Oh, Italia, Italia beloved | Victor Chorus | Chorus, with orchestra | composer | |
Victor | C-13520 | 12-in. | 7/3/1913 | Tombe degl'avi miei | Alberto Amadi | Tenor vocal solo, with orchestra | composer | |
Victor | B-13980 | 10-in. | 10/22/1913 | Com'e gentil serenade | Charles Harrison | Tenor vocal solo, with harp | composer | |
Victor | B-14000 | 10-in. | 10/27/1913 | Brindisi | Sophie Braslau | Contralto vocal solo, with orchestra | composer | |
Victor | C-14057 | 12-in. | 11/11/1913 | A furtive tear | Charles Harrison | Tenor vocal solo, with orchestra | composer | |
Victor | C-14306 | 12-in. | 1/12/1914 | Gran fantasia | Vessella's Italian Band | Band | composer | |
Victor | C-14731 | 12-in. | 4/20/1914 | Della duchessa ai prieghi | Enrico Caruso ; Ema Destinnová ; Antonio Scotti | Vocal trio (soprano, tenor, and baritone), with orchestra | composer | |
Victor | C-14817 | 12-in. | 5/11/1914 | O luce di quest'anima | Luisa Tetrazzini | Soprano vocal solo, with orchestra | composer | |
Victor | B-15606 | 10-in. | 1/18/1915 | Prelude | Francis J. Lapitino | Harp solo, with orchestra | composer | |
Victor | C-15640 | 12-in. | 1/28/1915 | Gems from Lucia di Lammermoor | Victor Opera Company | Vocal chorus and soloists, with orchestra | composer | |
Victor | C-15730 | 12-in. | 2/23/1915 | Mad scene | Clement Barone ; Olive Kline | Soprano vocal solo, with flute and orchestra | composer | |
Victor | B-17062 | 10-in. | 1/26/1916 | Dalle stanze | Marcel Journet | Bass vocal solo, with orchestra | composer | |
Victor | C-17339 | 12-in. | 3/20/1916 | Fra poco a me ricovero | Giovanni Martinelli | Tenor vocal solo, with orchestra | composer | |
Victor | C-17464 | 12-in. | 4/9/1916 | Lucia sextette | Reginald L. McAll | Organ solo | composer | |
Victor | C-17529 | 12-in. | 4/21/1916 | Lucia sextette | Hurtado Brothers Royal Marimba Band of Guatemala | Marimba band | composer | |
Victor | CVE-18587 | 12-in. | 5/6/1926 | Il dolce suono | Amelita Galli-Curci | Soprano vocal solo, with flute obbligato and orchestra | composer | |
Victor | C-18587 | 12-in. | 10/30/1916 | Il dolce suono | Clement Barone ; Amelita Galli-Curci | Soprano vocal solo, with flute obbligato and orchestra | composer | |
Victor | C-19133 | 12-in. | 1/25/1917 | Sextet (Chi mi frena) | Angelo Bada ; Enrico Caruso ; Giuseppe De Luca ; Minnie Egener ; Amelita Galli-Curci ; Marcel Journet | Vocal sextet (soprano, contralto, 2 tenors, baritone, and bass), with orchestra | composer | |
Victor | C-19134 | 12-in. | 1/26/1917 | Anathème de Balthazar | Marcel Journet | Bass vocal solo, with orchestra | composer | |
Victor | B-19509 | 10-in. | 3/23/1917 | La zingara : Selection | Olive Kline | Soprano vocal solo, with orchestra | composer | |
Victor | C-19973 | 12-in. | 6/1/1917 | Tu che a Dio spiegasti l'ali | Giovanni Martinelli | Tenor vocal solo, with male vocal chorus, piano, harp, and orchestra | composer | |
Victor | B-19974 | 10-in. | 6/1/1917 | Serenata : Com'e gentil | Giovanni Martinelli | Tenor vocal solo, with mixed vocal chorus, piano, and hap | composer | |
Victor | C-20464 | 12-in. | 7/31/1917 | Una furtiva lagrima | Carlos Mejía | Male vocal solo, with orchestra | composer | |
Victor | B-20487 | 10-in. | 8/2/1917 | Spirto gentil | Carlos Mejía | Male vocal solo, with orchestra | composer | |
Victor | B-20611 | 10-in. | 8/8/1917 | What from vengeance yet restrains me | Boston Quintet | Male quintet (vocal quartet and piano) | composer | |
Victor | C-21494 | 12-in. | 3/7/1918 | A tanto amor | Giuseppe De Luca | Baritone vocal solo, with orchestra | composer | |
Victor | B-21679 | 10-in. | 4/17/1918 | Sextet from Lucia | Halle's Saxophone Band | Saxophone band | composer | |
Victor | C-22576 | 12-in. | 2/10/1919 | Venti scudi! | Enrico Caruso ; Giuseppe De Luca | Vocal duet (tenor and baritone), with orchestra | composer | |
Victor | C-23169 | 12-in. | 9/23/1919 | Quel guardo | Amelita Galli-Curci | Soprano vocal solo, with orchestra | composer | |
Victor | C-23401 | 12-in. | 10/10/1919 | A tanto amor | Renato Zanelli | Baritone vocal solo, with orchestra | composer | |
Victor | B-24745 | 10-in. | 12/18/1920 | Medley of favorite operatic airs | Pietro | Accordion solo | composer | |
Victor | C-24921 | 12-in. | 1/31/1921 | Spirto gentil | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Victor | C-24959 | 12-in. | 2/24/1921 | O mio Fernando | Gabriella Besanzoni | Contralto vocal solo, with harp and orchestra | composer | |
Victor | B-25120 | 10-in. | 3/29/1921 | Overture | Teatro alla Scala Orchestra | Orchestra | composer | |
Victor | B-25121 | 10-in. | 3/29/1921 | Overture | Teatro alla Scala Orchestra | Orchestra | composer | |
Victor | C-25281 | 12-in. | 4/29/1921 | Sextette from Lucia di Lamermoor | United States Marine Band | Band | composer | |
Victor | C-25296 | 12-in. | 5/10/1921 | Vado, corro | Lucrezia Bori ; Giuseppe De Luca | Vocal duet (soprano and baritone), with orchestra | composer | |
Victor | C-25297 | 12-in. | 5/10/1921 | Pronta io son | Lucrezia Bori ; Giuseppe De Luca | Vocal duet (soprano and baritone), with orchestra | composer | |
Victor | B-26595 | 10-in. | 9/20/1922 | Mad scene, part 2 | Amelita Galli-Curci | Soprano vocal solo, with orchestra | composer | |
Victor | CVE-26595 | 12-in. | 5/7/1926 | Mad scene, part 2 | Amelita Galli-Curci | Soprano vocal solo, with orchestra | composer | |
Victor | C-26595 | 12-in. | 7/11/1922 | Mad scene, part 2 | Amelita Galli-Curci | Soprano vocal solo, with orchestra | composer | |
Victor | C-26889 | 12-in. | 9/22/1922 | O luce di quest' anima | Amelita Galli-Curci | Soprano vocal solo, with orchestra | composer | |
Victor | BVE-26890 | 10-in. | 9/6/1928 | Notturno : Tornami a dir | Amelita Galli-Curci ; Tito Schipa | Vocal duet (soprano and tenor), with orchestra | composer | |
Victor | B-26890 | 10-in. | 9/22/1922 | Tornami a dir | Amelita Galli-Curci ; Tito Schipa | Vocal duet (soprano and tenor), with orchestra | composer | |
Victor | B-29219 | 10-in. | 12/26/1923 | Brindisi | Margarete Matzenauer | Soprano vocal solo, with orchestra | composer | |
Victor | C-29637 | 12-in. | 5/5/1924 | Vieni la mia vendetta | José Mardones | Bass vocal solo, with orchestra | composer | |
Victor | B-29637 | 10-in. | 3/7/1924 | Vieni la mia vendetta | José Mardones | Bass vocal solo, with orchestra | composer | |
Victor | C-30902 | 12-in. | 9/12/1924 | Oh, Italia, Italia, beloved! | Trinity Choir | Mixed vocal chorus, with orchestra | composer | |
Victor | CVE-30910 | 12-in. | 9/7/1928 | Verrano a te sull'aure | Amelita Galli-Curci ; Tito Schipa | Vocal duet (soprano and tenor), with orchestra | composer | |
Victor | C-30910 | 12-in. | 9/17/1924 | Verranno a te sull'aure | Amelita Galli-Curci ; Tito Schipa | Vocal duet (soprano and tenor), with orchestra | composer | |
Victor | BVE-32500 | 10-in. | 4/10/1925 | Quanto e bella | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-32501 | 12-in. | 4/10/1925 | Tombe degl' avi miei | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-32502 | 12-in. | 4/10/1925 | Tu, che a Dio spiegasti l'ali | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Victor | BVE-33406 | 10-in. | 9/4/1925 | Una vergine! Un angel di Dio | Antonio Cortis | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-33940 | 12-in. | 11/24/1925 | Una furtiva lagrima | Tito Schipa | Tenor vocal solo, with orchestra | composer | |
Victor | BVE-35180 | 10-in. | 6/4/1926 | Invocazione | A. Mariotti | Male vocal solo, with piano | composer | |
Victor | CVE-35822 | 12-in. | 7/23/1926 | Lucia : Sextette | Creatore's Band | Band | composer | |
Victor | BVE-35862 | 10-in. | 9/9/1926 | Sogno soave e casto | Tito Schipa | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-36742 | 12-in. | 10/28/1926 | Mad scene | Toti Dal Monte | Soprano vocal solo, with flute and orchestra | composer | |
Victor | CVE-36743 | 12-in. | 10/28/1926 | Mad scene | Toti Dal Monte | Soprano vocal solo, with orchestra | composer | |
Victor | CVE-36744 | 12-in. | 10/28/1926 | Regnava nel silenzio | Toti Dal Monte | Soprano vocal solo, with orchestra | composer | |
Victor | CVE-36745 | 12-in. | 10/29/1926 | Convien partir | Toti Dal Monte | Soprano vocal solo, with orchestra | composer | |
Victor | BVE-37801 | 10-in. | 2/7/1927 | Brindisi | Jeanne Gordon | Contralto vocal solo, with orchestra | composer | |
Victor | BVE-38382 | 10-in. | 5/3/1927 | Una vergine un angiol di Dio | Tito Schipa | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-40769 | 12-in. | 12/9/1927 | Lucia di Lammermoor : Sextet | Maria Bakoska | Female vocal solo, with instrumental ensemble | composer | |
Victor | CVE-41225 | 12-in. | 12/12/1927 | Giusto cielo! Rispondete | Beniamino Gigli ; Ezio Pinza | Vocal duet (tenor and bass), with vocal chorus and orchestra | composer | |
Victor | CVE-41226 | 12-in. | 12/12/1927 | Tu che a Dio spiegasti | Beniamino Gigli ; Ezio Pinza | Vocal duet (tenor and bass), with male vocal chorus and orchestra | composer | |
Victor | CVE-41227 | 12-in. | 12/12/1927 | Tombe degl' avi miei | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-41232 | 12-in. | 12/16/1927 | Lucia : Sextette | Angelo Bada ; Giuseppe De Luca ; Amelita Galli-Curci ; Beniamino Gigli ; Louise Homer ; Ezio Pinza | Vocal chorus (soprano, contralto, 2 tenors, baritone, and bass), with orchestra | composer | |
Victor | BVE-41499 | 10-in. | 2/7/1928 | Brindisi | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Victor | BVE-43601 | 10-in. | 4/3/1928 | Lucia sestetto | Giovanni Gioviale | Mandolin solo | composer | |
Victor | BVE-47430 | 10-in. | 9/6/1928 | Adina credimi | Tito Schipa | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-49898 | 12-in. | 3/6/1929 | Spirto gentil | Enrique C. Canada | Male vocal solo, with piano | composer | |
Victor | CVE-50907 | 12-in. | 3/4/1929 | O mio Fernando | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Victor | BVE-55354 | 10-in. | 8/22/1929 | Rataplan | Bruno Reibold ; Victor Orchestra | Orchestra | composer | |
Victor | CVE-58045 | 12-in. | 11/19/1929 | La favorita : Selection | Creatore's Band ; Antonio de Santis | Band, with cornet solo | composer | |
Victor | CVE-58048 | 12-in. | 11/19/1929 | La favorita : Selection | Creatore's Band | Band | composer | |
Victor | CVE-58123 | 12-in. | 12/19/1929 | Una furtiva lagrima | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Victor | CVE-59745 | 12-in. | 4/9/1930 | Splendon piu belle | Metropolitan Opera Chorus ; Metropolitan Opera Orchestra ; Ezio Pinza ; Giulio Setti | Bass vocal solo, with mixed vocal chorus and orchestra | composer | |
Victor | CVE-59807 | 12-in. | 3/12/1930 | Lucia di Lammermoor | Lily Pons | Soprano vocal solo, with flute obbligato | composer | |
Victor | CVE-64398 | 12-in. | 12/8/1930 | Ardon gl'incensi | Lily Pons ; George Possell | Soprano vocal solo, with orchestra and flute obbligato | composer | |
Victor | CVE-64399 | 12-in. | 12/8/1930 | Spargi d'amaro pianto | Lily Pons ; George Possell | Soprano vocal solo, with orchestra | composer | |
Victor | PCVE-68380 | 12-in. | 8/7/1932 | Napoli | Nathaniel Finston ; Paramount Studio Orchestra | Orchestra | composer | |
Victor | CSHQ-73130 | 12-in. | 7/28/1932 | Il dolce suono | Mrs. F. Wagner | Soprano vocal solo, with piano | composer | |
Victor | CSHQ-73131 | 12-in. | 7/28/1932 | Ardon gl'incensi | Mrs. F. Wagner | Soprano vocal solo, with piano | composer | |
Victor | CS-81053 | 12-in. | 1/15/1934 | Una furtiva lagrima | Tito Schipa | Tenor vocal solo, with piano | composer | |
Victor | BS-83126 | 10-in. | 5/4/1934 | Quando rapito in extasi | Dory Marinelli | Soprano vocal solo, with piano | composer | |
Victor | MBS-90667 | 10-in. | March 1936 or earlier | Una furtiva lágrima | Orquesta RCA Victor ; Alfonso Ortiz Tirado | Tenor vocal solo, with orchestra | composer | |
Victor | S-162 | 12-in. | Mar. 1907 | Spirito gentil | Amadeo Llauradó | Tenor vocal solo, with piano | composer | |
Victor | PBS-09989 | 10-in. | 2/2/1938 | Una furtiva lagrima | John Carter | Tenor vocal solo | composer | |
Victor | CS-014638 | 12-in. | 10/6/1937 | Una furtiva lagrima | Richard Crooks ; Wilfrid Pelletier | Tenor vocal solo, with electric organ and orchestra | composer | |
Victor | BS-017368 | 10-in. | 12/6/1937 | Aria from Lucia | Dorothy Chapman | Female vocal solo, with piano | composer | |
Victor | BS-060606 | 10-in. | 1/30/1941 | Sextette | Donald Lambert | Piano solo | composer | |
Victor | BVE-Test-440 | 10-in. | 12/11/1929 | Mad scene | Stella Power | Female vocal solo, with piano | composer | |
Victor | [Trial 1917-05-16-01] | Not documented | 5/16/1917 | Spirto gentil | Carlos Mejía | Male vocal solo, with piano | composer | |
Victor | [Trial 1922-04-27-02] | 10-in. | 4/27/1922 | Sextette from Lucia | Jennie Durkee | Ukulele solo, with piano | composer | |
Victor | [Trial 1922-09-26-01] | 10-in. | 9/26/1922 | Sextette from Lucia | Chester Gaylord ; W. A. Gaylord | Accordion and saxophone duet | composer | |
Victor | [Trial 1925-03-31-01] | 10-in. | 3/31/1925 | L'elisir d'amore | Michael Belfatto | Male vocal solo, with piano | composer | |
Victor | [Trial 1925-08-19-03] | 12-in. | 8/19/1925 | Lucia di Lammermoor : Sextette | Forizel Von Reuter | Violin solo, unaccompanied | composer | |
Victor | [Trial 1928-05-04-01] | 10-in. | 5/4/1928 | Una furtiva lagrima | Allan Jones | Male vocal solo, with piano | composer | |
Columbia | 496 | 10-in. | approximately 1901 | Lucia : Sextette | Columbia Band | Band | composer | |
Columbia | 496 | 7-in. | ca. 1901-Oct. 1905 | Lucia : Sextette | Columbia Band | Band | composer | |
Columbia | 1256 | 10-in. | ca. 1903 | Vien, Leonora | Alberto De Bassini | Baritone vocal solo, with piano | composer | |
Columbia | 1256 | 7-in. | ca. 1903-Oct. 1905 | Vien, Leonora | Alberto De Bassini | Baritone vocal solo, with piano | composer | |
Columbia | 1362 | 10-in. | ca. 1903 | Spirto gentil | Roberto Vanni | Tenor vocal solo, with piano | composer | |
Columbia | 1379 | 10-in. | approximately 1903 | Drinking song | Ernestine Schumann-Heink | Soprano vocal solo, with piano | composer | |
Columbia | 1439 | 7-in. | ca. 1903 | Tantum ergo | Alberto De Bassini | Baritone vocal solo, with piano | composer | |
Columbia | 1439 | 10-in. | ca. 1903-1908 | Tantum ergo | Alberto De Bassini | Baritone vocal solo, with piano | composer | |
Columbia | 1526 | 10-in. | ca. 1903 | Ah! l'altro ardor | Alberto De Bassini ; Jeanne Ferenczy | Vocal duet (soprano and baritone), with piano | composer | |
Columbia | 1728 | 10-in. | ca. 1903-1904 | Una barchetta | Alberto De Bassini | Baritone vocal solo, with orchestra | composer | |
Columbia | 3119 | 10-in. | ca. 1905 | Udite, o rustici | Arcangelo Rossi | Bass vocal solo, with piano | composer | |
Columbia | 4035 | 10-in. | ca. Jan.-June 1909 | Mad scene | Camille Borello ; Marshall P. Lufsky | Soprano vocal solo and flute obbligato, with orchestra | composer | |
Columbia | 4053 | 10-in. | between January and June 1909 | Una vergine un angiol di Dio | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 4058 | 10-in. | ca. Jan.-June 1909 | Tu che a Dio spiegasti l'ali | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 4196 | 10-in. | approximately 1909 | Sogno soave e casto | Isidoro Agnoletto | Tenor vocal solo, with orchestra | composer | |
Columbia | 4199 | 10-in. | approximately 1909 | Cercheró lontana terra | Isidoro Agnoletto | Tenor vocal solo, with orchestra | composer | |
Columbia | 4893 | 10-in. | between 8/30/1910 and 9/2/1910 | Sextette | J. J. McClellan | Organ solo, unaccompanied | composer | |
Columbia | 19836 | 10-in. | 3/30/1912 | Ciascum lo dice | Alice Zeppilli | Female vocal solo, with vocal chorus and orchestra | composer | |
Columbia | 19837 | 10-in. | 3/30/1912 | Covien partir | Alice Zeppilli | Female vocal solo, with vocal chorus and orchestra | composer | |
Columbia | 19923 | 10-in. | 6/7/1912 | Splendon piu belle in ciel | Cesare Alessandroni ; New York Grand Opera Chorus | Male vocal solo and male vocal chorus, with orchestra | composer | |
Columbia | 38441 | 10-in. | 11/25/1912 | Il segreto per esser felice | Rosa Olitzka | Contralto vocal solo, with orchestra | composer | |
Columbia | 38561 | 10-in. | 1/17/1913 | Una vergine, un angiol di Dio | Alessandro Bonci | Tenor vocal solo, with orchestra | composer | |
Columbia | 38586 | 10-in. | 1/22/1913 | Quanto è bella | Alessandro Bonci | Tenor vocal solo, with orchestra | composer | |
Columbia | 47486 | 10-in. | 4/13/1917 | Sextette | Organist (unidentified; Columbia Records) | Organ solo | composer | |
Columbia | 77345 | 10-in. | 9/14/1917 | An aesthetic wrangle | Harry Thomas | Piano solo | composer | |
Columbia | 80499 | 10-in. | 8/4/1922 | Sextette from Lucia di Lammermoor | Paul Specht Hotel Astor Orchestra [i.e., Paul Specht Orchestra] | Jazz/dance band | composer | |
Columbia | 30042 | 12-in. | 1906 | Sextette | Prince's Military Band | Band | composer | |
Columbia | 30065 | 12-in. | ca. 1906-1910 | Una furtiva lagrima | Edouardo Castellano | Tenor vocal solo, with orchestra | composer | |
Columbia | 30225 | 12-in. | ca. Jan.-July 1909 | Spirto gentil | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 30227 | 12-in. | 3/25/1909 | Una furtiva lagrima | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 30246 | 12-in. | 4/17/1909 | Angelo casto e bel | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 30247 | 12-in. | 4/17/1909 | Tu che a Dio, spiegasti l'ali | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 30439 | 12-in. | 4/15/1910 | Verranno a te sull'aura | Eugenie Bronskaja ; Florencio Constantino | Vocal duet (soprano and baritone), with orchestra | composer | |
Columbia | 30443 | 12-in. | ca. Jan.-Mar. 1910 | Lucia di Lammermoor : Sextette | Ramon Blanchart ; Eugenie Bronskaja ; Luigi Cilla ; Florencio Constantino ; Bettina Freeman ; José Mardones | Mixed vocal sextet, with orchestra | composer | |
Columbia | 30447 | 12-in. | 4/15/1910 | Regnava nel silenzio | Eugenie Bronskaja | Soprano vocal solo, with orchestra | composer | |
Columbia | 30462 | 12-in. | 4/21/1910 | Fra poco a me ricovero | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Columbia | 30489 | 12-in. | 5/4/1910 | Lucia di Lammermoor : Selections | Prince's Military Band | Band | composer | |
Columbia | 30709 | 12-in. | 4/1/1911 | Sextette | Columbia Italian Opera Company | Mixed vocal chorus, with orchestra | composer | |
Columbia | 30717 | 12-in. | ca. Jan.-Oct. 1911 | Ardon gl'incensi | Lydia Lipkowska ; Marshall P. Lufsky | Soprano vocal solo, with flute and orchestra | composer | |
Columbia | 30880 | 12-in. | 10/30/1911 | O luce di quest 'anima | Bernice De Pasquali | Soprano vocal solo, with orchestra | composer | |
Columbia | 30925 | 12-in. | ca. 1911 | Ah verranno a et | Alice Nielsen ; Giovanni Zenatello | Vocal duet (soprano and baritone) | composer | |
Columbia | 36424 | 12-in. | 7/30/1912 | Una furtiva lagrima | Orville Harrold | Tenor vocal solo, with orchestra | composer | |
Columbia | 36460 | 12-in. | 10/9/1912 | Una furtiva lagrima | Alessandro Bonci | Tenor vocal solo, with orchestra | composer | |
Columbia | 36656 | 12-in. | 2/27/1913 | Spirto gentil | Alessandro Bonci | Tenor vocal solo, with orchestra | composer | |
Columbia | 37076 | 12-in. | ca. 1914 | O mio Fernando | Eleanora de Cisneros | Contralto vocal solo, with orchestra | composer | |
Columbia | 37135 | 12-in. | 1/19/1915 | Oh, summer night | Caroline Hudson-Alexander ; Andrea Sarto | Vocal duet (soprano and baritone), with orchestra | composer | |
Columbia | 37344 | 12-in. | 7/13/1915 | What from vengeance | Columbia Operatic Sextette | Mixed vocal sextet, with orchestra | composer | |
Columbia | 48627 | 12-in. | 3/14/1916 | Ardon gl'incensi | Maria Barrientos ; Marshall P. Lufsky ; Giorgio Polacco | Soprano vocal solo, with flute obbligato and orchestra | composer | |
Columbia | 48628 | 12-in. | 3/14/1916 | Regnava nel silenzio | Maria Barrientos ; Giorgio Polacco | Soprano vocal solo, with orchestra | composer | |
Columbia | 48629 | 12-in. | 2/14/1916 | Lucia di Lammermoor : Cavatina, part II | Maria Barrientos | Soprano vocal solo, with orchestra | composer | |
Columbia | 48748 | 12-in. | 4/28/1916 | Spirto gentil | Hipólito Lázaro | Tenor vocal solo, with orchestra | composer | |
Columbia | 48749 | 12-in. | 4/28/1916 | Una vergine, un angiol di Dio | Hipólito Lázaro | Tenor vocal solo, with orchestra | composer | |
Columbia | 49310 | 12-in. | 2/16/1918 | Lucia di Lammermoor : Sextette | Prince's Band | Band | composer | |
Columbia | 49721 | 12-in. | 12/13/1919 | Lucia di Lammermoor : Selections | Giuseppe Bamboschek ; Metropolitan Opera Orchestra | Orchestra | composer | |
Columbia | 49766 | 12-in. | 3/11/1920 | Verrano a te sull'aure | Maria Barrientos ; Charles Hackett | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia | 49768 | 12-in. | 3/18/1920 | Lucia di Lammermoor : Sextette | Maria Barrientos ; Charles Hackett ; José Mardones ; George Meader ; Emma Noe ; Riccardo Stracciari | Mixed vocal sextet, with orchestra | composer | |
Columbia | 49821 | 12-in. | 5/1/1920 | O mio Fernando | Cyrena Van Gordon | Contralto vocal solo, with orchestra | composer | |
Columbia | 49848 | 12-in. | 6/21/1920 | O luce di quest'anima | Florence Macbeth | Soprano vocal solo, with orchestra | composer | |
Columbia | 49895 | 12-in. | 9/20/1920 | Una furtiva lagrima | Charles Hackett | Tenor vocal solo, with orchestra | composer | |
Columbia | 98086 | 12-in. | 5/31/1923 | Mad scene | Florence Macbeth ; Ellis McDiarmid | Female vocal solo, with flute obbligato and orchestra | composer | |
Columbia | 98094 | 12-in. | 9/23/1923 | Spirto gentil | Charles Hackett | Tenor vocal solo, with orchestra | composer | |
Columbia | W98323 | 12-in. | 3/25/1927 | Una furtiva lagrima | Charles Hackett | Tenor vocal solo, with orchestra | composer | |
Columbia | W98381 | 12-in. | 8/30/1927 | Brindisi | Sophie Braslau | Contralto vocal solo, with orchestra | composer | |
Columbia | W98664 | 12-in. | 5/21/1929 | Spirto gentil | Charles Hackett | Tenor vocal solo, with orchestra | composer | |
Columbia | 6178 | 12-in. | approximately December 1911 | Lucia di Lammermoor : Sextette | Ellery Band | Band | composer | |
Columbia | 6896 | 12-in. | approximately 1916 | Il segreto per essere felici | Clara Butt ; Henry J. Wood | Contralto vocal solo, with orchestra | composer | |
Columbia | 10038 | 10-in. | approximately 1903 to 1908 | Don Pasquale : Bella siccome un angelo | Vincenzo Reschiglian | Baritone vocal solo | composer | |
Columbia | 10042 | 10-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Cruda funesta smania | Vincenzo Reschiglian | Baritone vocal solo | composer | |
Columbia | 10043 | 10-in. | approximately 1903 to 1908 | Favorita : Vien Leonora | Vincenzo Reschiglian | Baritone vocal solo | composer | |
Columbia | 10057 | 10-in. | approximately 1903 to 1908 | La favorita : I mio Fernando | Tina Alasia | Mezzo-soprano vocal solo | composer | |
Columbia | 10061 | 10-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Delle sue stanze | Ettore Brancaleoni | Bass vocal solo | composer | |
Columbia | 10067 | 10-in. | approximately 1903 to 1908 | Lucrezia Borgia : Vieni la mia vendetta | Ettore Brancaleoni | Bass vocal solo | composer | |
Columbia | 10078 | 10-in. | approximately 1903 to 1908 | Favorita : Spirto gentil | Emilio Venturini | Tenor vocal solo | composer | |
Columbia | 10103 | 10-in. | approximately 1903 to 1908 | Elisir d'amore : Una furtiva lagrima | Emilio Venturini | Tenor vocal solo | composer | |
Columbia | 10118 | 10-in. | approximately 1903 to 1908 | Favorita : Una vergine un angel di dio | Emilio Venturini | Tenor vocal solo | composer | |
Columbia | 10123 | 10-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Verrano a te sull'aure | Leonilda Gabbi Paini ; Oreste Mieli | Vocal duet (soprano and baritone) | composer | |
Columbia | 10145 | 10-in. | approximately 1903 to 1908 | A tanto amore | Filippo Aldobrandi | Baritone vocal solo | composer | |
Columbia | 10240 | 10-in. | approximately 1903 to 1908 | Elisir d'amore : Udite, udite o rustici | Emilio Riguzzi | Baritone vocal solo | composer | |
Columbia | 10275 | 7-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Cruda funesta smania | Nicolò Fossetta | Baritone vocal solo | composer | |
Columbia | 10281 | 7-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Fra poco a me ricovero | Gerolamo Galbiero | Tenor vocal solo | composer | |
Columbia | 10325 | 10-in. | approximately 1903 to 1908 | Una furtiva lagrima | U. Pini-Corsi | Male vocal solo | composer | |
Columbia | 10335 | 7-in. | approximately 1903 to 1908 | Favorita : Vien Leonora | Luigi Baldassare | Baritone vocal solo | composer | |
Columbia | 10355 | 10-in. | approximately 1903 to 1908 | Favorita : Spirto gentil | Angelo Santini | Tenor vocal solo | composer | |
Columbia | 10356 | 10-in. | approximately 1903 to 1908 | Don Pasquale : Serenata | Angelo Santini | Tenor vocal solo | composer | |
Columbia | 10370 | 7-in. | approximately 1903 to 1908 | Lucrezia Borgia : Qualunque sia l'effetto | Ettore Brancaleoni | Bass vocal solo | composer | |
Columbia | 10393 | 10-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Verranno a te | Angelo Santini ; Eva Tetrazzini | Vocal duet (soprano and tenor) | composer | |
Columbia | 10407 | 7-in. | approximately 1903 to 1908 | Lucia di Lammermoor : Maledizione | Giovanni Genzardi | Tenor vocal solo | composer | |
Columbia | 10519 | 10-in. | approximately 1903 to 1908 | Favorita : Una vergine un angel di dio | Umberto Sacchetti | Tenor vocal solo | composer | |
Columbia | 10529 | 10-in. | approximately 1903 to 1908 | Spirto gentil | Roméo Berti | Tenor vocal solo, with piano | composer | |
Columbia | 10533 | 10-in. | approximately 1903 to 1908 | Tu che a Dio | Roméo Berti | Tenor vocal solo, with piano | composer | |
Columbia | 10541 | 10-in. | either 1905 or 1906 | Una furtiva lagrima | Roméo Berti | Tenor vocal solo, with orchestra | composer | |
Columbia | 10568 | 12-in. | approximately 1903 to 1908 | Fra poco a me ricovero | Roméo Berti | Tenor vocal solo, with orchestra | composer | |
Columbia | 10577 | 10-in. | approximately 1903 to 1908 | Vien' Leonora | Taurino Parvis | Baritone vocal solo, with orchestra | composer | |
Columbia | 10578 | 10-in. | approximately 1903 to 1908 | Cruda, funesta smania | Taurino Parvis | Baritone vocal solo, with orchestra | composer | |
Columbia | 10585 | 10-in. | approximately 1903 to 1908 | Don Sebastino : O Lisbona, O patria mia | Taurino Parvis | Baritone vocal solo, with orchestra | composer | |
Columbia | 10681 | 10-in. | approximately 1903 to 1908 | Serenata | Isidoro Agnoletto | Tenor vocal solo, with orchestra | composer | |
Columbia | 10699 | 10-in. | approximately 1903 to 1908 | Una vergine | Isidoro Agnoletto | Tenor vocal solo, with orchestra | composer | |
Columbia | 10829 | 10-in. | between 1908 and 1914 | La favorita : Spirto gentil | Quarto Santarelli | Tenor vocal solo, with orchestra | composer | |
Columbia | 10905 | 10-in. | approximately 1908 to 1914 | Di pescatore ignobile | Mario Matrojani | Tenor vocal solo, with orchestra | composer | |
Columbia | 10950 | 10-in. | approximately 1908 to 1914 | Vieni la mia vendetta | Luigi Rossato | Bass vocal solo, with orchestra | composer | |
Columbia | 11122 | 10-in. | between 1903 and 1914 | O mio Fernando | Fanny Anitua | Mezzo-soprano vocal solo, with orchestra | composer | |
Columbia | 11200 | 10-in. | approximately 1908 to 1914 | Ah! Tardai troppo | Ida Cattorini | Soprano vocal solo, with orchestra | composer | |
Columbia | 11201 | 10-in. | approximately 1908 to 1914 | O luce di quest'anima | Ida Cattorini | Soprano vocal solo, with orchestra | composer | |
Columbia | 11254 | 10-in. | approximately 1908 to 1914 | Tu che a Dio | Angelo Bendinelli | Tenor vocal solo, with orchestra | composer | |
Columbia | 11268 | 10-in. | approximately 1908 to 1914 | Una furtiva lagrima | Angelo Bendinelli | Tenor vocal solo, with orchestra | composer | |
Columbia | 11305 | 10-in. | approximately 1908 to 1914 | Serenata | Alessandro Ravazzolo | Tenor vocal solo | composer | |
Columbia | 36321 | 10-in. | approximately 1913 | Een Engel, een bovenaardsch wezen | Louis Goldsteen | Tenor vocal solo, with orchestra | composer | |
Columbia | 41894 | 10-in. | approximately 1904-1915 | Quanto è bella | Giuseppe Paganelli | Tenor vocal solo, with orchestra | composer | |
Columbia | 41895 | 10-in. | approximately 1904-1915 | Spirto gentil | Giuseppe Paganelli | Tenor vocal solo, with orchestra | composer | |
Columbia | 41910 | 10-in. | approximately 1904-1915 | Il segreto per esser felici | Eugenia Nuñez-Lopez | Mezzo-soprano vocal solo and male vocal chorus, with orchestra | composer | |
Columbia | 41912 | 10-in. | between 1913 and 1919 | Tornami a dir che m'ami | Ida Cattorini ; Giuseppe Paganelli | Vocal duet (soprano and tenor), with orchestra | composer | |
Columbia | 41940 | 10-in. | 1913 | Di pescatore ignobile | Edoardo Garbin | Tenor vocal solo, with orchestra | composer | |
Columbia | 41948 | 10-in. | approximately 1904-1914 | Udite, udite o rustici | Ferruccio Corradetti | Baritone vocal solo and vocal chorus, with orchestra | composer | |
Columbia | 41949 | 10-in. | approximately 1904-1914 | Udite, udite o rustici | Ferruccio Corradetti | Baritone vocal solo and vocal chorus, with orchestra | composer | |
Columbia | 41956 | 10-in. | between 1904 and 1919 | Tomba degli avi miei | Manfredi Polverosi | Male vocal solo, with orchestra | composer | |
Columbia | 41957 | 10-in. | between 1904 and 1919 | Fra poco a me ricovero | Manfredi Polverosi | Tenor vocal solo, with orchestra | composer | |
Columbia | 41966 | 10-in. | approximately 1904-1914 | Ell' é un giglio di puro candor | Ferruccio Corradetti | Baritone vocal solo and male vocal chorus, with orchestra | composer | |
Columbia | 41968 | 10-in. | approximately 1904-1915 | Io son ricco e tu sel bella | Ida Cattorini ; Ferruccio Corradetti | Vocal duet (soprano and baritone), with orchestra | composer | |
Columbia | 42201 | 10-in. | between 1913 and 1915 | Regnava nel silenzio | Albertina Cassani | Soprano vocal solo, with orchestra | composer | |
Columbia | 42202 | 10-in. | between 1910 and 1919 | Ohimè! Sorge il tremendo fantasma | Albertina Cassani | Soprano vocal solo | composer | |
Columbia | 42205 | 10-in. | between 1913 and 1915 | Quando rapita in estasi | Albertina Cassani | Soprano vocal solo, with orchestra | composer | |
Columbia | 42226 | 10-in. | between 1910 and 1919 | Alfin son tua | Albertina Cassani | Soprano vocal solo | composer | |
Columbia | 42339 | 10-in. | before 1920 | Don Pasquale : Serenata | Italo Cristali | Tenor vocal solo, with orchestra | composer | |
Columbia | 42341 | 10-in. | before 1920 | Don Pasquale : Sogno soave e casto | Italo Cristali | Tenor vocal solo, with orchestra | composer | |
Columbia | 42345 | 10-in. | between 1915 and 1919 | Pompe e feste | Francesco Dominici | Tenor vocal solo, with orchestra | composer | |
Columbia | 44730 | 10-in. | approximately November 1916 | Ne pouvant réprimer | Mme. Zanco di Primo | Tenor vocal solo, with orchestra | composer | |
Columbia | 50698 | 10-in. | between 1903 and 1906 | Ange si pur | Roméo Berti | Tenor vocal solo, with piano | composer | |
Columbia | 50701 | 10-in. | between 1903 and 1906 | Un ange, une femme inconnue | Roméo Berti | Tenor vocal solo, with piano | composer | |
Columbia | 70412 | 10-in. | between 1920 and 1923 | Tu che a dio | Luigi Abrate | Tenor vocal solo | composer | |
Columbia | 75607 | 12-in. | approximately 1913 | Cavatine | Carel Butter | Baritone vocal solo, with orchestra | composer | |
Columbia | 87395 | 10-in. | approximately May 1921 | La favorite : Ange si pur | Pierre A. Asselin | Tenor vocal solo, with orchestra | composer | |
Columbia | 90157 | 10-in. | July 1920 | Rataplan | Columbia Miniature Orchestra | Orchestra | composer | |
Columbia | W111719 | 10-in. | February 1930 | Sestetto | Banda Italiana Columbia | Band | composer | |
OKeh | S-7314 | 10-in. | Feb. 1920 | Cavatina | Marina Campanari | Soprano vocal solo, with orchestra | composer | |
OKeh | S-70316 | 10-in. | Nov. 1921 | Sextette | Ferdinand Himmelreich | Piano solo | composer | |
OKeh | [OK cat 5005-A] | 10-in. | Feb.-May 1920 | Mad scene (Ardon gl'incensi) | Marina Campanari | Soprano vocal solo, with orchestra | composer | |
Brunswick | 608 | 10-in. | approximately early 1917 | Lucia : Sextette | Instrumentalist(s) (Unidentified; Brunswick Records) | Instrumental trio | composer | |
Brunswick | [Br cat 20155-a] | 12-in. | approximately Sept. 1917 | Spirito gentil | Ralph Errolle | Tenor vocal solo | composer | |
Brunswick | [Br cat 20163-a] | 12-in. | approximately Oct. 1917 | Una furtiva lagrima | Mme. Barone Eugenie Fonariova | Mezzo-soprano vocal solo | composer | |
Brunswick | 4288 | 10-in. | approximately Oct. 1920 | Sextette | Vessella's Italian Band | Band | composer | |
Brunswick | 14288 | 12-in. | approximately 1921 | Lucia sextet | Vessella's Italian Band | Band | composer | |
Brunswick | 9382-9383 | 10-in. | approximately Dec. 1922 | Brindisi | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Brunswick | X9928-X9929 | 12-in. | 2/15/1923 | Una furtiva lagrima | Mario Chamlee | Tenor vocal solo, with orchestra | composer | |
Brunswick | X10068-X10069 | 12-in. | 3/7/1923 | Una furtiva lagrima | Giacomo Lauri-Volpi | Tenor vocal solo, with orchestra | composer | |
Brunswick | X15265-X15267 | 12-in. | 3/23/1925 | Leonora | Karin Branzell | Mezzo-soprano vocal solo, with orchestra | composer | |
Brunswick | XE27289 | 12-in. | 4/5/1928 | O mio Fernando | Karin Branzell | Mezzo-soprano vocal solo, with orchestra | composer | |
Brunswick | E28483 | 10-in. | 10/19/1928 | Soft beams the light | Mario Chamlee | Tenor vocal solo, with orchestra | composer | |
Brunswick | E28484 | 10-in. | 10/19/1928 | Spirito gentil | Mario Chamlee | Tenor vocal solo, with orchestra | composer | |
Brunswick | XE17009-XE17011 | 12-in. | 12/2/1925 | Sextette | Vessella's Italian Band | Band | composer | |
Brunswick | E18331-E18332 | 10-in. | 3/10/1926 | Brindisi | Sigrid Onégin | Contralto vocal solo, with orchestra | composer | |
Brunswick | XC7920 | 12-in. | 7/29/1931 | Mad scene | Helene Eck | Soprano vocal solo, with flute and piano | composer | |
Brunswick | TC2193 | 10-in. | 8/10/1928 | Un furtiva lagrima | Giuseppe Piliego | Tenor vocal solo, with piano | composer | |
Brunswick | 769bi | 12-in. | 1928 | Vado corro | Coristas de La Scala de Milán | Vocal chorus, with orchestra | composer | |
Edison | 114 | Not documented | between 3/15/1910 and 3/19/1910 | O mio Fernando | Marie Delna | Contralto vocal solo with orchestra | composer | |
Edison | 130 | Not documented | between 4/14/1910 and 4/15/1910 | Furtiva lagrima | Florencio Constantino | Tenor vocal solo, with orchestra | composer | |
Edison | 196 | Not documented | approximately July 1931 | Serenata | Luigi Marini | Tenor vocal solo, with orchestra | composer | |
Edison | 209 | 12-in. | approximately July 1910 | Vien Leonora a piedi tuoi | Edoardo Faticanti | Baritone vocal solo, with orchestra | composer | |
Edison | 215 | Not documented | approximately July 1910 | Vien Leonora | Oreste Benedetti | Baritone vocal solo, with orchestra | composer | |
Edison | 218 | Not documented | approximately July 1910 | Una vergine, un angiol di Dio | Aristodemo Giorgini | Tenor vocal solo, with orchestra | composer | |
Edison | 237 | 12-in. | approximately Aug. 1910 | Spirto gentil | Attilio Salvaneschi | Tenor vocal solo, with orchestra | composer | |
Edison | 238 | Not documented | approximately Aug. 1910 | Verranno a te sull'aure | Attilio Salvaneschi | Tenor vocal solo, with orchestra | composer | |
Edison | 316 | 12-in. | approximately Sept. 1910 | Chi mi frena in tal momento | Canozza ; Alfredo Costa ; Guiseppina Finzi-Magrini ; Rinalda Pavoni ; Andrés de Segurola ; Aldo Stanzani | Mixed vocal sextet, with orchestra | composer | |
Edison | 323 | Not documented | approximately Sept. 1910 | Ardon gl'incensi! | Guiseppina Finzi-Magrini | Soprano vocal solo, with orchestra | composer | |
Edison | 328 | Not documented | approximately Sept. 1910 | Ardon gl'incensi | Guiseppina Finzi-Magrini | Soprano vocal solo, with orchestra | composer | |
Edison | 341 | Not documented | approximately Sept.-Oct. 1910 | O mio Fernando | Tina De Angelo | Mezzo-soprano vocal solo, with orchestra | composer | |
Edison | 344 | Not documented | approximately Sept.-Oct. 1910 | Una furtiva lagrima | Franco de Gregorio | Tenor vocal solo, with orchestra | composer | |
Edison | 349 | Not documented | approximately Sept.-Oct. 1910 | Tu che a Dio | Franco de Gregorio | Tenor vocal solo, with orchestra | composer | |
Edison | 354 | Not documented | approximately Sept.-Oct. 1910 | Su crudeli e chi v'arresta? | Tina De Angelo | Mezzo-soprano vocal solo, with orchestra | composer | |
Edison | 365 | 12-in. | approximately Oct. 1910 | Spirto gentil | Franco de Gregorio | Tenor vocal solo, with orchestra | composer | |
Edison | 370 | 12-in. | approximately Oct. 1910 | Quando le soglie paterne | Alfredo Costa ; Tina De Angelo | Vocal duet (mezzo-soprano and baritone), with orchestra | composer | |
Edison | 378 | Not documented | approximately Nov. 1910 | Bella siccome un angelo | Romano Rasponi | Baritone vocal solo, with orchestra | composer | |
Edison | 382 | Not documented | approximately Nov. 1910 | Bella è di sol vestita | Romano Rasponi | Baritone vocal solo, with orchestra | composer | |
Edison | 393 | Not documented | approximately Nov. 1910 | Serenata : Com'e gentil | Franco de Gregorio | Tenor vocal solo, with orchestra | composer | |
Edison | 403 | 12-in. | approximately Nov. 1910 | Sulla tomba che rinserra | Maria Galvany ; Umberto Macnez | Vocal duet (soprano and tenor), with orchestra | composer | |
Edison | 404 | 12-in. | approximately Nov. 1910 | O Lisbona | Romano Rasponi | Baritone vocal solo, with orchestra | composer | |
Edison | 408 | 12-in. | approximately Nov. 1910 | Quando le soglie paterne | Luisa Garibaldi ; Romano Rasponi | Vocal duet (mezzo-soprano and baritone), with orchestra | composer | |
Edison | 576 | 10-in. | 3/28/1911 | Bella siccome un angelo | Giovanni Polese | Baritone vocal solo, with orchestra | composer | |
Edison | 606 | 12-in. | 4/12/1911 | O mio Fernando | Eleanora de Cisneros | Mezzo-soprano vocal solo, with orchestra | composer | |
Edison | 629 | Not documented | approximately Apr. 1911 | Tu che a Dio spiegasti | Elvino Ventura | Tenor vocal solo, with orchestra | composer | |
Edison | 648 | Not documented | approximately Apr. 1911 | Spirto gentil | Elvino Ventura | Tenor vocal solo, with orchestra | composer | |
Edison | 912 | Not documented | approximately Dec. 1911 | Vien, Leonora, a piedi tuoi | Romano Rasponi | Baritone vocal solo, with orchestra | composer | |
Edison | 917 | 10-in. | approximately Dec. 1911 | Bella siccome un angelo | Romano Rasponi | Baritone vocal solo, with orchestra | composer | |
Edison | 987 | 10-in. | 4/9/1912 | Ambo nati in questa valle | Giovanni Polese | Baritone vocal solo, with orchestra | composer | |
Edison | 990 | Not documented | 4/9/1912 | Brindisi | Eleanora de Cisneros | Mezzo-soprano vocal solo, with orchestra | composer | |
Edison | 1131 | 10-in. | July 1912 | A tanto amor | Domenico Viglione-Borghese | Baritone vocal solo, with orchestra | composer | |
Edison | 1133 | 10-in. | July 1912 | Di tua beltade immagine | Domenico Viglione-Borghese | Baritone vocal solo, with orchestra | composer | |
Edison | 1243 | 10-in. | between 9/4/1912 and 9/9/1912 | Spirto gentil | Elvino Ventura | Tenor vocal solo, with orchestra | composer | |
Edison | 1314 | Not documented | between 10/14/1912 and 10/24/1912 | Sextette | String orchestra (unidentified; Edison Records) | String orchestra | composer | |
Edison | 1332 | 10-in. | Nov. 1912 | O mio Fernando | Luisa Garibaldi | Mezzo-soprano vocal solo, with orchestra | composer | |
Edison | 1374 | 10-in. | Jan. 1913 | Spirto gentil | Giuseppe Anselmi | Tenor vocal solo, with orchestra | composer | |
Edison | 1377 | 10-in. | Jan. 1913 | Tu che a Dio spiegasti l'ali | Giuseppe Anselmi | Tenor vocal solo, with orchestra | composer | |
Edison | 1530 | 10-in. | 1921 | Scena della pazzia | Selma Kurz | Soprano vocal solo, with orchestra | composer | |
Edison | 2042 | 10-in. | 12/6/1912 | Lucia sextette : What from vengeance yet restrains me | Donald Chalmers ; Thomas Chalmers ; Agnes Kimball ; Elizabeth Spencer ; John Young | Mixed vocal sextet, with orchestra | composer | |
Edison | 2051 | 10-in. | 12/10/1912 | By the ashes of my father | Harry Anthony ; Agnes Kimball | Vocal duet (tenor and soprano), with orchestra | composer | |
Edison | 2086 | 10-in. | 1/9/1913 | Thou hast spread | Reed Miller | Tenor vocal solo, with orchestra | composer | |
Edison | 2088 | 10-in. | 1/10/1913 | Angel of light | Charles Harrison | Tenor vocal solo, with orchestra | composer | |
Edison | 2107 | 10-in. | 1/24/1913 | So anch'io la virtu magica | Lucrezia Bori | Soprano vocal solo, with orchestra | composer | |
Edison | 2111 | 10-in. | 1/28/1913 | Down her soft cheek a pearly tear | Charles Harrison | Tenor vocal solo, with orchestra | composer | |
Edison | 2277 | 10-in. | 5/8/1913 | Una furtiva lagrima | Alessandro Bonci | Tenor vocal solo, with orchestra | composer | |
Edison | 2279 | 10-in. | 5/9/1913 | Fra poco a me ricovero | Alessandro Bonci | Tenor vocal solo, with orchestra | composer | |
Edison | 2666 | 10-in. | between 12/29/1913 and 12/30/1913 | Sestetto [instrumental arrangement] | Instrumental ensemble (unidentified; Edison Records) | Instrumental ensemble | composer | |
Edison | 2764 | 10-in. | Dec. 1913 | O mon Fernand, tous les biens de la terre | Marie Delna | Contralto vocal solo, with orchestra | composer | |
Edison | 3160 | 10-in. | July 1914 | Sextette [instrumental arrangement] | Orchestra (unidentified; Edison Records) | Orchestra | composer | |
Edison | 3177 | 10-in. | July 1914 | Il segreto per esser felici | Margaret Keyes | Contralto vocal solo, with orchestra | composer | |
Edison | 3187 | 10-in. | June 1914 | Il pallor funesto, orrendo | Lucette Korsoff ; Taurino Parvis | Vocal duet (soprano and baritone), with orchestra | composer | |
Edison | 3195 | 10-in. | Jun. 1914 | A tanto amor | Taurino Parvis | Baritone vocal solo, with orchestra | composer | |
Edison | 3210 | 10-in. | July 1914 | Ardon gl'incensi | Lucette Korsoff | Soprano vocal solo, with orchestra | composer | |
Edison | 3664 | 10-in. | 3/26/1915 | Lucia sextette | Sodero's Band | Band | composer | |
Edison | 3805 | 10-in. | 5/20/1915 | Mad scene | Anna Case ; Julius Spindler | Soprano vocal solo, with piano | composer | |
Edison | 3835 | 10-in. | 6/1/1915 | Una furtiva lagrima | Karl Jörn | Tenor vocal solo, with orchestra | composer | |
Edison | 3939 | 10-in. | 7/6/1915 | Pronta io son | Arthur Middleton ; Anita Rio | Vocal duet (soprano and baritone), with orchestra | composer | |
Edison | 4379 | 10-in. | 12/29/1915 | Ah! Mon Fernand | Chais Bonheur, Celine | Contralto vocal solo, with orchestra | composer | |
Edison | 4416 | 10-in. | 1/12/1916 | Una furtiva lagrima | Karl Jörn | Tenor vocal solo, with orchestra | composer | |
Edison | 4452 | 10-in. | 1/29/1916 | Sextet | Lou Chiha Frisco | Xylophone solo | composer | |
Edison | 4627 | 10-in. | 4/3/1916 | Il segreto per esser felici | Margarete Matzenauer | Contralto vocal solo, with orchestra | composer | |
Edison | 4789 | 10-in. | 6/14/1916 | Se tradirmi tu potrai | Arthur Middleton ; Alice Verlet | Vocal duet (soprano and tenor), with orchestra | composer | |
Edison | 4802 | 10-in. | 6/19/1916 | Sextette | Mixed Vocal Sextet [Edison] | Mixed vocal sextet, with orchestra | composer | |
Edison | 4863 | 10-in. | 7/10/1916 | Mad scene | Yvonne de Tréville | Soprano vocal solo, with orchestra | composer | |
Edison | 4910 | 10-in. | 7/26/1916 | Sextette | Metropolitan Sextet | Mixed vocal sextet, with orchestra | composer | |
Edison | 5224 | 10-in. | 12/20/1916 | Sextet : Chi mi frena | Enrico Baroni ; Thomas Chalmers ; Margarete Matzenauer ; Arthur Middleton ; Marie Rappold ; Giovanni Zenatello | Vocal sextet (soprano, contralto, 2 Males, baritone, and bass), with orchestra | composer | |
Edison | 5433 | 10-in. | 3/7/1917 | Spirto gentil | Guido Ciccolini | Tenor vocal solo, with orchestra | composer | |
Edison | 5599 | 10-in. | 6/4/1917 | Salut à la France | Blanche Skrainka | Soprano vocal solo, with orchestra | composer | |
Edison | 5603 | 10-in. | 6/6/1917 | O luce di quest' anima | Blanche Skrainka | Soprano vocal solo, with orchestra | composer | |
Edison | 5609 | 10-in. | 6/8/1917 | Fra poco a me ricovero | Guido Ciccolini | Tenor vocal solo, with orchestra | composer | |
Edison | 5686 | 10-in. | 7/16/1917 | Salut à la France | Odette Le Fontenay | Soprano vocal solo, with orchestra | composer | |
Edison | 5787 | 10-in. | 9/14/1917 | Sextet : Chi mi frena | Merle Alcock ; Enrico Baroni ; Guido Ciccolini ; Arthur Middleton ; Henri Scott ; Alice Verlet | Vocal sextet (soprano, contralto, tenor, baritone, and 2 basses), with orchestra | composer | |
Edison | 6158 | 10-in. | between 5/1/1918 and 5/7/1918 | La zingara | Amy Ellerman | Contralto vocal solo, with orchestra | composer | |
Edison | 6172 | 10-in. | May 1918 | Vien Leonora | Taurino Parvis | Baritone vocal solo, with orchestra | composer | |
Edison | 6184 | 10-in. | 5/21/1918 | Lucia di Lammermoor : Sestetto | Ralph Errolle ; Metropolitan Male Chorus | Tenor vocal solo and male vocal chorus, with orchestra | composer | |
Edison | 6202 | 10-in. | between 6/5/1918 and 6/7/1918 | O mio Fernando | Marie Morrisey | Contralto vocal solo, with orchestra | composer | |
Edison | 6446 | 10-in. | 11/4/1918 | A tanto amor | Mario Laurenti | Tenor vocal solo, with orchestra | composer | |
Edison | 6543 | 10-in. | 1/2/1919 | Come Paride vezzoso | Mario Laurenti | Tenor vocal solo, with orchestra | composer | |
Edison | 6562 | 10-in. | 1/13/1919 | So anch'io la virtu magica | Consuelo Escobar de Castro | Soprano vocal solo, with orchestra | composer | |
Edison | 6586 | 10-in. | 1/24/1919 | Angel of light | Albert Lindquest | Tenor vocal solo, with orchestra | composer | |
Edison | 6617 | 10-in. | 2/10/1919 | In questo suolo | Mario Laurenti ; Carolina Lazzari | Vocal duet (contralto and tenor), with orchestra | composer | |
Edison | 6695 | 10-in. | 3/27/1919 | Evviva la Francia | Frieda Hempel | Soprano vocal solo, with orchestra | composer | |
Edison | 6901 | 10-in. | 8/6/1919 | O mio Fernando | Cyrena Van Gordon | Contralto vocal solo, with orchestra | composer | |
Edison | 7151 | 10-in. | 2/6/1920 | Chi mi frena | Operatic Sextette [Edison] | Mixed vocal sextet, with orchestra | composer | |
Edison | 7338 | 10-in. | 5/3/1920 | Il segreto per esser felici | Cecil Arden | Contralto vocal solo, with orchestra | composer | |
Edison | 7786 | 10-in. | 2/9/1921 | Sextette | Asta Doubravska ; Vasa Prihóda | Violin solo, with piano | composer | |
Edison | 8094 | 10-in. | 6/24/1921 | Chi mi frena | Mixed Vocal Sextet [Edison] | Mixed vocal sextet, with orchestra | composer | |
Edison | 8496 | 10-in. | 6/19/1922 | Verranno a te sull'aure | Anna Case ; Ralph Errolle | Vocal duet (soprano and tenor), with orchestra | composer | |
Edison | 8613 | 10-in. | 10/3/1922 | Lucia sextette | Ferdinand Himmelreich | Piano solo | composer | |
Edison | 10024 | 10-in. | 5/19/1924 | Lucia di Lammermoor | Anna Pinto | Harp solo | composer | |
Edison | 10999 | 10-in. | 5/24/1926 | Una furtiva lagrima | José Mojica | Tenor vocal solo, with orchestra | composer | |
Gramophone | CA10 | 12-in. | 5/24/1921 | Voce fatal di morte | Mattia Battistini ; Carlo Sabajno | Baritone vocal solo, with orchestra | composer | |
Gramophone | CA11 | 12-in. | 5/24/1921 | Vien, Leonora | Mattia Battistini ; Carlo Sabajno | Baritone vocal solo, with orchestra | composer | |
Gramophone | MELBA 12 | 12-in. | 3/27/1904 | Part of the Mad scene | Nellie Melba | Soprano vocal solo, with flute obbligato and piano | composer | |
Gramophone | CM27 | 12-in. | 5/26/1921 | Ah! Non avea piu lagrime | Mattia Battistini | Baritone vocal solo, with piano | composer | |
Gramophone | 281aj | 12-in. | 6/6/1911 | Bella è di sol vestite | Mattia Battistini | Baritone vocal solo, with orchestra | composer | |
Gramophone | 312z[L] | 10-in. | approximately 1902 | Aria from Donizetti's Lucia (Mad scene) | M. A. Mikhaĭlova ; A. N. Semenov | Soprano vocal solo, with piano accompaniment and flute obbligato | composer | |
Gramophone | 347L | 10-in. | 1902 | The Gypsy | Ekaterina Aleksandrovna Orelʹ | Soprano vocal solo, with piano | composer | |
Gramophone | 354aj | 12-in. | 7/28/1911 | L'oltraggio che scende | Giuseppina Bonetti ; Ugo Cannetti ; Vittorio De Goetzen ; Giuseppi Sala ; Salvatore Salvati | Vocal quintet (soprano, mezzo-soprano, tenor, baritone, and bass), with vocal chorus and orchestra | composer | |
Gramophone | 493½c | 12-in. | 1905 | Fia vero lasciarti | Clotilde Esposito ; Gino Martinez-Patti | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 503c | 12-in. | 1905 | Quant' e bello | Teresa Arkel | Soprano vocal solo, with orchestra | composer | |
Gramophone | 506c | 12-in. | 1905 | Splendono in ciel | Giuseppe Torres de Luna | Bass vocal solo, with chorus and orchestra | composer | |
Gramophone | 542½c | 12-in. | 1905 | Vien Leonora | Francesco Cigada | Baritone vocal solo, with orchestra | composer | |
Gramophone | 551c | 12-in. | 1905 | Una furtiva lagrima | Emilio Perea | Tenor vocal solo, with orchestra | composer | |
Gramophone | 553aj | 12-in. | 2/18/1913 | Tornami a dir che m'ami | Salvatore Salvati ; Serafina Scalfaro | Vocal duet (soprano and tenor) | composer | |
Gramophone | 561aj | 12-in. | 2/21/1913 | O mio Fernando | Ida Zizolfi | Female vocal solo | composer | |
Gramophone | 570c | 12-in. | 1905 | Coro dei servitori | Carlo Sabajno ; Teatro alla Scala Coro | Chorus, with orchestra | composer | |
Gramophone | 605c | 12-in. | May 1906 | Udite, udite o rustici | Antonio Pini-Corsi | Baritone vocal solo, with orchestra | composer | |
Gramophone | 606aj | 12-in. | 3/7/1913 | Splendon le sacri faci | Malvina Pereira | Soprano vocal solo | composer | |
Gramophone | 606c | 12-in. | May 1906 | Signorina in tanta fretta | Emilia Corsi ; Antonio Pini-Corsi | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | 607aj | 12-in. | 3/8/1913 | Verranno a te | Malvina Pereira ; Salvatore Salvati | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 609c | 12-in. | May 1906 | Son nov'ore | Ernesto Badini ; Antonio Pini-Corsi | Vocal duet (2 baritones), with orchestra | composer | |
Gramophone | 610aj | 12-in. | 3/8/1913 | Maledizione : Quartetto | Vincenzo Bettoni ; Franco de Gregorio ; Giuseppe Maggi ; Malvina Pereira | Vocal quartet (soprano, tenor, baritone, and bass), with orchestra | composer | |
Gramophone | 618c | 12-in. | approximately May 1906 | Quasi vinti da stanchezza | Renzo Minolfi ; Teatro alla Scala Coro | Baritone vocal solo, with vocal chorus and orchestra | composer | |
Gramophone | 631c | 12-in. | May 1906 | Quando le soglie | Lina Mileri ; Renzo Minolfi | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | 653c | 12-in. | ca. May 1906 | Pronta io son | Ernesto Badini ; Emilia Corsi | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | 657c | 12-in. | May 1906 | Don Pasquale symphonie | Orchestra Milano [i.e., Teatro alla Scala Orchestra] | Orchestra | composer | |
Gramophone | 718G[b] | 10-in. | 1901 | Pour tant d'amour | Maurice Renaud | Baritone vocal solo, with piano | composer | |
Gramophone | 801c | 12-in. | October 1906 | Com'è gentil | Aristodemo Giorgini | Tenor vocal solo, with chorus and orchestra | composer | |
Gramophone | 872a | 7-in. | July 1900 | Tombe degli avi miei | Carlo Caffetto | Tenor vocal solo, with orchestra | composer | |
Gramophone | 873a | 7-in. | July 1900 | Spirto gentil | Carlo Caffetto | Tenor vocal solo, with orchestra | composer | |
Gramophone | 884c | 12-in. | ca. Nov. 1906 | A tanto amor | Mattia Battistini | Baritone vocal solo, with orchestra | composer | |
Gramophone | 885c | 12-in. | approximately Nov. 1906 | O Lisbona | Mattia Battistini | Baritone vocal solo, with orchestra | composer | |
Gramophone | 891c | 12-in. | approximately 1906 | Favorita finale 2o | Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich | Vocal quartet (mezzo-soprano, baritone, and bass), with chorus and orchestra | composer | |
Gramophone | 892c | 12-in. | approximately 1906 | Favorita finale 2o | Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich | Vocal quartet (mezzo-soprano, baritone, and bass), with chorus and orchestra | composer | |
Gramophone | 904½c | 12-in. | approximately 1906 | O ciel di quest' alma | Giuseppe Acerbi ; Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich | Vocal quartet (mezzo-soprano, tenor, baritone, and bass), with chorus and orchestra | composer | |
Gramophone | 928c | 12-in. | approximately 1906 | Via da brava | Linda Brambilla ; Antonio Pini-Corsi ; Augusto Scipioni | Vocal trio (soprano, baritone, and bass), with orchestra | composer | |
Gramophone | 1189c | 12-in. | Spring 1907 | D'un guardo, un sorrisetto | Josephina Huguet | Soprano vocal solo, with orchestra | composer | |
Gramophone | 1198c | 12-in. | 1907 | Pronta io son | Ernesto Badini ; Josephina Huguet | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | BE1216 | 10-in. | 6/20/1923 | Non sai tu | Roberto D'Alessio ; Ezio Pinza | Vocal duet (tenor and bass), with orchestra | composer | |
Gramophone | 1389c | 12-in. | 1907 | Quando rapita in estasi | Graziella Pareto | Soprano vocal solo, with orchestra | composer | |
Gramophone | 1390½c | 12-in. | 1907 | Rondo | Graziella Pareto | Soprano vocal solo, with flute and orchestra | composer | |
Gramophone | 1417c | 12-in. | October 1907 | Di pescatore ignobile | Francesco Marconi | Tenor vocal solo, with piano | composer | |
Gramophone | 1454c | 12-in. | May 1908 | Spargi d'amaro pianto | Maria Galvany | Soprano vocal solo, with orchestra | composer | |
Gramophone | 1458c | 12-in. | May 1908 | Spirto gentil | Gennaro De Tura | Tenor vocal solo, with orchestra | composer | |
Gramophone | 1506½c | 12-in. | 1908 | So anch'io la virtù magica | Olimpia Boronat | Soprano vocal solo, with orchestra | composer | |
Gramophone | CF1580 | 12-in. | 3/10/1928 | Le ricchezze | Toti Dal Monte | Soprano vocal solo, with orchestra and male vocal chorus | composer | |
Gramophone | CF1581 | 12-in. | 3/10/1928 | Ciascun lo dice | Toti Dal Monte | Soprano vocal solo, with orchestra and male vocal chorus | composer | |
Gramophone | BK1819 | 10-in. | 12/17/1924 | Splendon piu belle | Ezio Pinza | Bass vocal solo, with orchestra | composer | |
Gramophone | 0W2038 | 10-in. | 10/4/1933 | Tornami a dir che m'ami | Toti Dal Monte ; Franco Ghione ; Tito Schipa ; Teatro alla Scala Orchestra | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 2176f | 12-in. | 12/20/1907 | Mad scene | Albert Fransella ; Luisa Tetrazzini | Soprano vocal solo, with orchestra and flute obbligato | composer | |
Gramophone | 02240v | 12-in. | 12/2/1911 | Salut à la France | Rose Heilbronner | Soprano vocal solo, with orchestra | composer | |
Gramophone | 02288v | 12-in. | 2/16/1912 | Chi mi frena | Vincenzo Bettoni ; Adelaide Di Anna ; Gino Giovanelli ; Gino Lussardi | Vocal sextet, with orchestra | composer | |
Gramophone | 02302v | 12-in. | 2/21/1912 | Ah paventa il furor | Vincenzo Bettoni ; A. Neumarker ; Teresa Principe ; Giuseppi Sala | Vocal quartet, with chorus and orchestra | composer | |
Gramophone | 2309c | 12-in. | 8/26/1911 | Wohl drang aus ihrem Herzen | Otakár Mařák | Tenor vocal solo, with orchestra | composer | |
Gramophone | 2703b | 10-in. | 10/26/1902 | Sextette | Jan Kubelík | Violin solo, with piano | composer | |
Gramophone | 2843b | 10-in. | Nov. 1902 | Una vergine | Edoardo Garbin | Tenor vocal solo, with piano | composer | |
Gramophone | 2867L | 10-in. | 1905 | Lucia 'Mad scene' | M. A. Michailova | Soprano vocal solo, with flute obbligato | composer | |
Gramophone | 2894ah | 10-in. | 11/12/1913 | Tu che a Dio spiegasti l'ali | Tito Schipa | Tenor vocal solo, with orchestra | composer | |
Gramophone | 3077f | 12-in. | 5/25/1909 | Regnava nel silenzio | Luisa Tetrazzini | Soprano vocal solo, with orchestra | composer | |
Gramophone | 3314c | 12-in. | 10/17/1918 | Duetto finale dell'opera | Elvira Casazza ; Beniamino Gigli | Vocal duet (mezzo-soprano and tenor), with orchestra | composer | |
Gramophone | 3325c | 12-in. | 11/9/1918 | Spirto gentil | Beniamino Gigli | Tenor vocal solo, with orchestra | composer | |
Gramophone | CF3695 | 12-in. | 12/8/1930 | Spirto gentil, ne' sogni miei | Gino Nastrucci ; Aureliano Pertile ; Teatro alla Scala Orchestra | Tenor vocal solo, with orchestra | composer | |
Gramophone | HO4416af | 12-in. | 5/29/1920 | Quel guardo, il cavaliere | Graziella Pareto | Soprano vocal solo, with orchestra | composer | |
Gramophone | z5286f | 12-in. | 8/3/1911 | Spirto gentil | Hipólito Lázaro | Tenor vocal solo, with orchestra | composer | |
Gramophone | z6933f | 12-in. | 12/24/1912 | Vien, Leonora, a piedi tuoi | Titta Ruffo | Baritone vocal solo, with orchestra | composer | |
Gramophone | 6984b | 10-in. | 1905 | Cavatina | Amelia Pollini | Soprano vocal solo, with orchestra | composer | |
Gramophone | 7021b | 10-in. | 1905 | A consolarmi affrettati | Alberto Caffo ; Emma Trentini | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 7047¾b | 10-in. | ca. 1905 | Sulla tomba che rinserra | Gino Martinez-Patti ; Emma Trentini | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 7051b | 10-in. | 1905 | Tu che a Dio spiegasti l'ali | Gino Martinez-Patti ; Carlo Sabajno | Tenor vocal solo, with orchestra | composer | |
Gramophone | 7056b | 10-in. | 1905 | Quant’ è bella | Emilio Perea | Tenor vocal solo, with orchestra | composer | |
Gramophone | 7058b | 10-in. | ca. Apr. 1905 | Esulti pur la barbara | Emilio Perea ; Emma Trentini | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 7069b | 10-in. | approximately 1905 | Verranno a te sull'aure | Gino Martinez-Patti ; Emma Trentini | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 7070b | 10-in. | 1905 | Pietoso al par d’un nume | Clotilde Esposito ; Gino Martinez-Patti | Vocal duet (soprano and tenor), with piano | composer | |
Gramophone | 7105b | 10-in. | 1905 | Sogno soave e casto | Giuseppe Acerbi | Tenor vocal solo, with orchestra | composer | |
Gramophone | 7135b | 10-in. | 1905 | Rischiarata è la finestra | Teatro alla Scala Coro | Chorus, with orchestra | composer | |
Gramophone | 7150b | 10-in. | approximately April 1905 | Di pescatore ignobile | Giuseppe Acerbi | Tenor vocal solo, with piano | composer | |
Gramophone | 7329b | 10-in. | 1905 | A tanto amor | Francesco Cigada | Baritone vocal solo, with orchestra | composer | |
Gramophone | 7335b | 10-in. | 1905 | Non sai tu che d'un giusto | Gino Martinez-Patti ; Cesare Preve | Vocal duet (tenor and bass), with orchestra | composer | |
Gramophone | 7350b | 10-in. | approximately 1905 | Coro introduzione | Carlo Sabajno ; Teatro alla Scala Coro ; Aristide Venturi | Vocal chorus, with orchestra | composer | |
Gramophone | 7560½b | 10-in. | 1905 | Aspetta, aspetta, cara sposina | Gaetano Pini-Corsi ; Giovanni Polese | Vocal duet (tenor and baritone), with orchestra | composer | |
Gramophone | 7566b | 10-in. | 1905 | Bei raggi | Ida Roselli ; Teatro alla Scala Coro | Soprano vocal solo, with piano and chorus | composer | |
Gramophone | 7577½b | 10-in. | ca. 1905 | Oh! Qual marchio di bassezza | Teatro alla Scala Coro | Chorus, with orchestra | composer | |
Gramophone | 7581b | 10-in. | 1905 | Io son ricco e tu sei bella | Maria Passeri ; Antonio Pini-Corsi | Vocal duet (soprano and baritone), with chorus and orchestra | composer | |
Gramophone | 8004b | 10-in. | May 1906 | Vieni, la mia vendetta | Giulio Rossi | Bass vocal solo, with orchestra | composer | |
Gramophone | 8009b | 10-in. | May 1906 | Fra poco a me ricovero | Pietro Lara | Tenor vocal solo, with orchestra | composer | |
Gramophone | 8037b | 10-in. | May 1906 | Un fuoco insolito | Ernesto Badini ; Antonio Pini-Corsi | Vocal duet (2 baritones), with orchestra | composer | |
Gramophone | 8099b | 10-in. | May 1906 | Vado, corro | Ernesto Badini ; Emilia Corsi | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | 9073b | 10-in. | Oct. 1906 | Splendon piu belle in ciel le stelle | Andrés de Segurola | Bass vocal solo, with chorus and orchestra | composer | |
Gramophone | 9077b | 10-in. | October 1906 | Vieni la mia vendetta | Andrés de Segurola | Baritone vocal solo, with orchestra | composer | |
Gramophone | 9361b | 10-in. | Nov. 1906 | O sole più rapido | Giuseppe Acerbi ; Renzo Minolfi | Vocal duet (tenor and baritone), with orchestra | composer | |
Gramophone | 9436b | 10-in. | Nov. 1906 | Ah! Paventa il fuor | Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich | Vocal trio (mezzo-soprano, baritone, and bass), with chorus and orchestra | composer | |
Gramophone | 9446b | 10-in. | Nov. 1906 | O qual funesto abbrnimento | Aristodemo Sillich | Bass vocal solo, with chorus and orchestra | composer | |
Gramophone | 9465b | 10-in. | Nov. 1906 | Per te d'immenso giubilo | Teatro alla Scala Coro | Chorus, with orchestra | composer | |
Gramophone | 9486½b | 10-in. | Nov. 1906 | Il pallor funesto | Linda Brambilla ; Francesco Cigada | Vocal duet (mezzo-soprano and baritone), with orchestra | composer | |
Gramophone | 9497b | 10-in. | November 1906 | Maledizione | Giuseppe Acerbi ; Linda Brambilla ; Francesco Cigada ; Aristodemo Sillich | Vocal quartet (mezzo-soprano, tenor, baritone, and bass), with chorus and orchestra | composer | |
Gramophone | 9502b | 10-in. | approximately Nov. 1906 | Il barcaiolo | Vocal chorus (unidentified; Gramophone Co., Milan, Italy) | Vocal chorus | composer | |
Gramophone | 9525b | 10-in. | ca. 1906 | Orsù, Fernando | Giuseppe Acerbi ; Maria Cappiello ; Francesco Cigada | Vocal trio (mezzo-soprano, tenor, and baritone), with orchestra | composer | |
Gramophone | 9554b | 10-in. | ca. 1906 | E rimasto la impietrato : Cuarteto | Linda Brambilla ; Antonio Pini-Corsi ; Gaetano Pini-Corsi ; Augusto Scipioni | Vocal quartet (mezzo-soprano, tenor, baritone, and bass), with orchestra | composer | |
Gramophone | 9556b | 10-in. | Dec. 1906 | Cheti, cheti | Antonio Pini-Corsi ; Augusto Scipioni | Vocal duet (bartione and bass), with orchestra | composer | |
Gramophone | 10513b | 10-in. | approximately May 1907 | Obbligato, obbligato | Ernesto Badini ; Fernando De Lucia | Vocal duet (tenor and baritone), with piano | composer | |
Gramophone | 10551b | 10-in. | 1907 | Se tradirni tu potrai | Francesco Cigada ; Josephina Huguet | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 10586b | 10-in. | 1907 | Vado, corro | Ernesto Badini ; Josephina Huguet | Vocal duet (soprano and tenor), with orchestra | composer | |
Gramophone | 10639b | 10-in. | June 1907 | Son tradito | Ernesto Badini ; Josephina Huguet ; Antonio Pini-Corsi ; Gaetano Pini-Corsi | Vocal quartet (soprano, tenor, and 2 baritones), with orchestra | composer | |
Gramophone | 10645b | 10-in. | June 1907 | Regnava nel silenzio | Josephina Huguet | Soprano vocal solo, with orchestra | composer | |
Gramophone | 10646b | 10-in. | June 1907 | Quando rapita in estasi | Josephina Huguet | Soprano vocal solo, with orchestra | composer | |
Gramophone | 10647b | 10-in. | June 1907 | O luce di quest’anima | Josephina Huguet | Soprano vocal solo, with orchestra | composer | |
Gramophone | 11190b | 10-in. | May 1908 | O luce di quest'anima | Maria Galvany | Soprano vocal solo | composer | |
Gramophone | 16564u | 10-in. | 7/11/1911 | Un ange, une femme inconnue | Léon Campagnola | Tenor vocal solo, with orchestra | composer | |
Gramophone | 16608u | 10-in. | 7/13/1911 | Ange si pur | Léon Campagnola | Tenor vocal solo, with orchestra | composer | |
Gramophone | 19845u | 10-in. | 9/11/1917 | Di pescatore | José Palet | Tenor vocal solo, with orchestra | composer | |
Gramophone | 2EA8402 | 12-in. | 11/9/1939 | Una furtiva lagrima | Enrico Caruso | Tenor vocal solo, with piano | composer | |
Odeon | Lxx3152 | 12-in. | 9/7/1909 | La favorita : Spirto gentil | John McCormack | Tenor vocal solo, with orchestra | composer | |
Atlanta | 65387 | 10-in. | 1914 | Lucía di Lammermour, 1a parte | Agustín Barrios Mangoré | Guitar solo | composer | |
Atlanta | 65388 | 10-in. | 1914 | Lucía di Lammermour, 2a parte | Agustín Barrios Mangoré | Guitar solo | composer | |
Columbia (U.K.) | A1898 | 10-in. | between May 1923 and October 1925 | Cruda funesta smania | Riccardo Stracciari | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | B26 | 10-in. | before June 1923 | Tornami a dir che | Dino Borgioli ; Ena Suriñach | Female-male vocal duet | composer | |
Columbia (U.K.) | WBX97 | 12-in. | 4/11/1927 | Una furtiva lagrima | Dino Borgioli | Tenor vocal solo | composer | |
Columbia (U.K.) | WBX98 | 12-in. | 4/11/1927 | Alfin son tua | Maria Gentile | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX104 | 12-in. | 4/14/1927 | Sestetto | Salvatore Baccaloni ; Dino Borgioli ; Maria Gentile ; Ida Mannarini ; Giuseppe Nessi ; G. Pedroni | Vocal sextet, with orchestra and chorus | composer | |
Columbia (U.K.) | WBX106 | 12-in. | January-May 1927 | Quando rapito in estasi | Anna-Maria Guglielmetti | Female vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX106 | 12-in. | 4/14/1927 | Regnava nel silenzio | Anna-Maria Guglielmetti | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX108 | 12-in. | 4/14/1927 | Regnava nel silenzio | Anna-Maria Guglielmetti | Female vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX108 | 12-in. | 4/15/1927 | Quando rapita | Anna-Maria Guglielmetti | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX136 | 12-in. | 8/19/1927 | Alfin son tua | Maria Gentile | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX144 | 12-in. | 8/24/1927 | Scena della pazzia | Anna-Maria Guglielmetti | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX146 | 12-in. | 8/24/1927 | Spargi d'amaro pianto | Anna-Maria Guglielmetti | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX180 | 12-in. | 11/2/1927 | Sparge un amaro pianto | Maria Gentile | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX192 | 12-in. | 11/7/1927 | Una furtiva lagrima | Roberto D'Alessio | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX500 | 12-in. | between January and July 1929 | Coro dei servitori | Teatro alla Scala Coro | Vocal chorus | composer | |
Columbia (U.K.) | B625 | 10-in. | between June 1924 and February 1926 | Hai tradito il cielo | Giuseppe Taccani | Tenor vocal solo | composer | |
Columbia (U.K.) | WBX713 | 12-in. | September-December 1929 | Ancor non giunse | Mercedes Capsir ; Ida Mannarini | Female vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX714 | 12-in. | September-December 1929 | Lucia fra poco a te verrà | Enrico Molinari ; Emilio Venturini | Male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX715 | 12-in. | September-December 1929 | Regnava nel silenzio | Mercedes Capsir ; Ida Mannarini | Female vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX716 | 12-in. | September-December 1929 | Quando rapito in estasi | Mercedes Capsir ; Ida Mannarini | Female vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX717 | 12-in. | September-December 1929 | Egli s'avanza | Mercedes Capsir ; Enzo De Muro Lomanto ; Ida Mannarini | Mixed vocal trio, with orchestra | composer | |
Columbia (U.K.) | WBX718 | 12-in. | September-December 1929 | Il pallor funesto orrendo | Mercedes Capsir ; Enrico Molinari | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX719 | 12-in. | September-December 1929 | Deh! Si placa... | Mercedes Capsir ; Enzo De Muro Lomanto | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX720 | 12-in. | September-December 1929 | Verranno a te sull'aure | Mercedes Capsir ; Enzo De Muro Lomanto | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX721 | 12-in. | September-December 1929 | Soffriva nel pianto | Mercedes Capsir ; Enrico Molinari | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX722 | 12-in. | September-December 1929 | M'odi, spento è Guglielmo | Mercedes Capsir ; Enrico Molinari | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WBX723 | 12-in. | September-December 1929 | Percorrete le spiaggie vicine | Emilio Venturini | Male vocal solo, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX724 | 12-in. | September-December 1929 | Tombe degli avi miei | Enzo De Muro Lomanto | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX725 | 12-in. | September-December 1929 | Chime! Sorge il tremendo fantasma | Mercedes Capsir | Female vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX726 | 12-in. | September-December 1929 | Tu sei turbato! | Salvatore Baccaloni ; Enrico Molinari ; Emilio Venturini | Male vocal trio, with orchestra | composer | |
Columbia (U.K.) | WBX727 | 12-in. | September-December 1929 | Fra poco a me ricovero | Enzo De Muro Lomanto | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX728 | 12-in. | September-December 1929 | Sestetto atto II | Salvatore Baccaloni ; Mercedes Capsir ; Enzo De Muro Lomanto ; Ida Mannarini ; Enrico Molinari ; Emilio Venturini | Mixed vocal sextet, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX731 | 12-in. | September-December 1929 | Oh! Lieta alfin son tua | Salvatore Baccaloni ; Mercedes Capsir ; Emilio Venturini | Mixed vocal trio, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX732 | 12-in. | September-December 1929 | Dov'è Lucia? | Salvatore Baccaloni ; Mercedes Capsir ; Enzo De Muro Lomanto ; Enrico Molinari ; Emilio Venturini | Mixed vocal quintet, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX735 | 12-in. | September-December 1929 | T'allontana sciagurato... | Salvatore Baccaloni ; Mercedes Capsir ; Enzo De Muro Lomanto ; Enrico Molinari ; Emilio Venturini | Mixed vocal quintet, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX736 | 12-in. | September-December 1929 | Oh! Qual funesto | Salvatore Baccaloni ; Mercedes Capsir | Female-male vocal duet, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX737 | 12-in. | September-December 1929 | Spargi d'amaro pianto | Salvatore Baccaloni ; Mercedes Capsir ; Enrico Molinari | Mixed vocal trio, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX738 | 12-in. | September-December 1929 | Tu che a Dio spiegasti l'ali | Salvatore Baccaloni ; Enzo De Muro Lomanto | Male vocal duet, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX739 | 12-in. | September-December 1929 | Per te d'immenso giubilo | Emilio Venturini | Male vocal solo, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX740 | 12-in. | September-December 1929 | Oh! Meschino | Salvatore Baccaloni ; Enzo De Muro Lomanto | Male vocal duet, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX741 | 12-in. | September-December 1929 | Il tuo dubbio è ormai certezza | Salvatore Baccaloni ; Enrico Molinari ; Emilio Venturini | Male vocal trio, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX742 | 12-in. | September-December 1929 | D'immenso giubilo | Salvatore Baccaloni | Male vocal solo, with vocal chorus and orchestra | composer | |
Columbia (U.K.) | WBX776 | 12-in. | January-December 1930 | Udite o rustici | Salvatore Baccaloni | Bass vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX786 | 12-in. | January-December 1930 | Vieni...ah! Vieni... | Aurora Buades ; Roberto D'Alessio | Vocal duet (mezzo-soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WBX787 | 12-in. | January-December 1930 | Duetto atto 1, parte 1 | Aurora Buades ; Roberto D'Alessio | Vocal duet (mezzo-soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WBX788 | 12-in. | January-December 1930 | Duetto atto 1, parte 2 | Aurora Buades ; Roberto D'Alessio | Vocal duet (mezzo-soprano and tenor), with orchestra | composer | |
Columbia (U.K.) | WBX915 | 12-in. | 11/18/1930 | Concertato finale atto II | Ida Mannarini ; Carmelo Maugeri ; Giuseppe Nessi ; Corrado Zambelli ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX916 | 12-in. | 11/18/1930 | Bell'alba forriera; Una vergine | Cristy Solari ; Corrado Zambelli | Opera | composer | |
Columbia (U.K.) | WBX917 | 12-in. | 11/19/1930 | Duetto finale parte I | Cristy Solari ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX918 | 12-in. | 11/19/1930 | Vien Leonora; Quando le soglie | Ida Mannarini ; Carmelo Maugeri ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX919 | 12-in. | 11/20/1930 | Sire io ti deggio; Concertato atto 3; O ciel di quell'alma | Carmelo Maugeri ; Giuseppe Nessi ; Cristy Solari ; Corrado Zambelli ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX920 | 12-in. | 11/20/1930 | Bei raggi lucenti; Ah! mio bene | Ida Mannarini ; Cristy Solari ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX922 | 12-in. | 11/21/1930 | Ah! l'alto ardor; Ah! paventa il furor | Carmelo Maugeri ; Giuseppe Nessi ; Corrado Zambelli ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX923 | 12-in. | 11/21/1930 | Leonora! Ei del suo cor; O mio Fernando | Carmelo Maugeri ; Cristy Solari ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX924 | 12-in. | 11/21/1930 | Duetto finale parte II | Cristy Solari ; Giuseppina Zinetti | Opera | composer | |
Columbia (U.K.) | WBX925 | 12-in. | 11/24/1930 | Splendon più belle; Spirto gentil | Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX944 | 12-in. | 1/26/1931 | Chiedi all'aura lusinghiera | Inès Alfani-Tellini ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX945 | 12-in. | 1/26/1931 | Venti scudi! e ben sonanti | Lorenzo Conati ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX946 | 12-in. | 1/27/1931 | Caro Elisir! Sei mio! | Inès Alfani-Tellini ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX947 | 12-in. | 1/27/1931 | Quanto amore ed ie spietata! | Inès Alfani-Tellini ; Edoardo Faticanti | Opera | composer | |
Columbia (U.K.) | WBX948 | 12-in. | 1/27/1931 | Una furtiva lagrima | Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX949 | 12-in. | 1/28/1931 | Coro d'introduzione; Quanto è bella quanto è cara | Inès Alfani-Tellini ; Ida Mannarini ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX950 | 12-in. | 1/28/1931 | Della crudele isotta; Come Paride vezsoso | Inès Alfani-Tellini ; Lorenzo Conati ; Ida Mannarini ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX951 | 12-in. | 1/28/1931 | Tran-tran in guerra ed in amore | Inès Alfani-Tellini ; Lorenzo Conati ; Ida Mannarini ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX952 | 12-in. | 1/29/1931 | Adina, credimi | Inès Alfani-Tellini ; Lorenzo Conati ; Ida Mannarini ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX953 | 12-in. | 1/29/1931 | Prendi, per me sei libero; El corregge ogni difetto | Inès Alfani-Tellini ; Lorenzo Conati ; Edoardo Faticanti ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX954 | 12-in. | 1/29/1931 | Voglio dire... | Edoardo Faticanti ; Cristy Solari | Opera | composer | |
Columbia (U.K.) | WBX955 | 12-in. | 1/30/1931 | Udite, udite o rustici | Edoardo Faticanti | Opera | composer | |
Columbia (U.K.) | WB1283 | 10-in. | April 1927 | Regnava nel silenzio | Maria Gentile | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB1294 | 10-in. | April 1927 | Quando rapita in estasi | Maria Gentile | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB1525 | 10-in. | August 1927 | Tu che a Dio | Cristy Solari | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1611 | 10-in. | between August and November 1927 | La favorita | Carmelo Maugeri | Baritone vocal solo | composer | |
Columbia (U.K.) | WB1639 | 10-in. | November 1927 | Cruda funesta smania | Enrico Molinari | Baritone vocal solo | composer | |
Columbia (U.K.) | WB1657 | 10-in. | November 1927 | Quando rapito in estasi | Elda Di Veroli | Soprano vocal solo | composer | |
Columbia (U.K.) | WB1727 | 10-in. | November 1927 | Alfin son tua | Elda Di Veroli | Soprano vocal solo | composer | |
Columbia (U.K.) | WB1731 | 10-in. | November 1927 | Spargi d'amaro pianto | Elda Di Veroli | Soprano vocal solo | composer | |
Columbia (U.K.) | WB1823 | 10-in. | 2/17/1928 | Tornami a dir che m'ami | Dino Borgioli ; Aurora Rettore | Vocal duet (soprano and tenor) | composer | |
Columbia (U.K.) | WB1828 | 10-in. | 2/18/1928 | Sogno soave è casto | Dino Borgioli | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1968 | 10-in. | 5/8/1928 | Quel guardo il cavaliere | Anna-Maria Guglielmetti | Soprano vocal solo | composer | |
Columbia (U.K.) | WB1970 | 10-in. | 5/8/1928 | So anch'io la virtù magica | Anna-Maria Guglielmetti | Soprano vocal solo | composer | |
Columbia (U.K.) | WB3696 | 10-in. | 9/27/1930 | Se tanto in ira | Cristy Solari | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB5254 | 10-in. | 3/24/1933 | Quanto è bella! | Luigi Fort | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB5255 | 10-in. | between January and July 1933 | Serenata | Luigi Fort | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | CLX1727 | 12-in. | 7/8/1933 | Jardins d'Alcazar | Eugène Bigot ; André Girard | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WL2968 | 10-in. | approximately April 10, 1931 | Ange si pur que dans un songe | Jean Anzani ; Eugène Bigot | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WL2969 | 10-in. | approximately April 10, 1931 | Un ange, une femme inconnue | Jean Anzani ; Eugène Bigot | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLBX134 | 12-in. | October 1932 | Une furtive larme | Andre d'Arkor ; Maurice Bastin ; Orchestre du Théâtre Royal de la Monnaie | Tenor vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed October 9, 2024, https://adpprod2.library.ucsb.edu/names/102598.
Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved October 9, 2024, from https://adpprod2.library.ucsb.edu/names/102598.
"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 9 October 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Gaetano Donizetti
Discogs: Gaetano Donizetti
Allmusic: Gaetano Donizetti
IMSLP: Gaetano Donizetti
RILM: Gaetano Donizetti
RISM: Gaetano Donizetti
IMDb: Gaetano Donizetti
Britannica: Gaetano Donizetti
Linked Open Data Sources
LCNAR: Donizetti, Gaetano, 1797-1848 - http://id.loc.gov/authorities/names/n79132358
Wikidata: Gaetano Donizetti - http://www.wikidata.org/entity/Q101698
VIAF: http://viaf.org/viaf/74037336
MusicBrainz: Gaetano Donizetti - https://musicbrainz.org/artist/b8ecf204-6be8-4041-ab11-6d9971ea2711
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