Grant Clarke
Grant Clarke (May 14, 1891, Akron, Ohio – May 16, 1931, California) was an American songwriter. Clarke moved to New York City early in his career, where he worked as an actor and a staff writer for comedians. He began working on Tin Pan Alley, where he contributed music to films such as The Jazz Singer (1927), Weary River (1928), On with the Show (1929) and Is Everybody Happy? (1929). He wrote the lyrics to the show Dixie to Broadway, and also contributed to the 1921 Ziegfeld Follies and Bombo. Later in his career he became a charter member of ASCAP and was successful in the music publishing business. Clarke was the author of the lyrics to many popular songs of the 1910s and 1920s, working with composers such as George W. Meyer, Harry Akst, James V. Monaco, Al Piantadosi, Fred Fisher, Harry Warren, Arthur Johnston, James Hanley, Lewis F. Muir and Milton Ager. |
Birth and Death Data: Born May 14, 1891 (Akron), Died May 16, 1931 (California)
Date Range of DAHR Recordings: 1911 - 1949
Roles Represented in DAHR: lyricist, songwriter, composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | B-10937 | 10-in. | 9/8/1911 | Dat's harmony | Arthur Collins | Male vocal solo, with orchestra | lyricist | |
Victor | B-11596 | 10-in. | 2/15/1912 | That Coontown quartette | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-11906 | 10-in. | 4/23/1912 | Ragtime cowboy Joe | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Victor | B-11949 | 10-in. | 4/30/1912 | Whistle it | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-12628 | 10-in. | 11/19/1912 | In banjo land | Peerless Quartet ; Fred Van Eps | Male vocal quartet, with banjo and orchestra | lyricist | |
Victor | B-12987 | 10-in. | 3/12/1913 | There's one in a million like you | Edna Brown ; James F. Harrison | Female-male vocal duet, with orchestra | lyricist | |
Victor | B-13418 | 10-in. | 6/11/1913 | Oh you million dollar doll | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Victor | B-13560 | 10-in. | 7/10/1913 | Salvation Nell | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-13636 | 10-in. | 7/25/1913 | When you haven't a beautiful girl | Henry Burr ; Albert Campbell | Male vocal duet, with orchestra | lyricist | |
Victor | B-13697 | 10-in. | 8/13/1913 | Ever since you told me that you loved me | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Victor | B-13979 | 10-in. | 10/22/1913 | There's a girl in Arizona | Frank Croxton ; Byron G. Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-14009 | 10-in. | 10/29/1913 | Down in Monkeyville | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Victor | B-14076 | 10-in. | 11/14/1913 | He'd have to get under, get out and get under | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-14106 | 10-in. | 11/21/1913 | At that bully wooly Wild West show | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-14165 | 10-in. | 12/9/1913 | Sit down (You're rocking the boat) | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-14391 | 10-in. | 1/28/1914 | On the steps of the great white Capitol (Stood Martha and George) | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-14527 | 10-in. | 3/3/1914 | I love the ladies | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Victor | B-14779 | 10-in. | 4/30/1914 | He's a devil in his own home town | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-14781 | 10-in. | 4/30/1914 | The 20th century rag | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-14837 | 10-in. | 5/18/1914 | All he does is follow them around | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Victor | B-14912 | 10-in. | 5/28/1914 | I love the ladies | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-15035 | 10-in. | 7/2/1914 | He'd push it along | Elizabeth Murray | Female vocal solo, with orchestra | lyricist | |
Victor | C-15049 | 12-in. | 7/9/1914 | Broadway favorites | Victor Light Opera Company | Vocal chorus and soloists, with orchestra | lyricist | |
Victor | B-15073 | 10-in. | 7/17/1914 | I can't believe you really love me (It's like a wonderful dream) | Billy Watkins | Male vocal solo, with orchestra | lyricist | |
Victor | B-15139 | 10-in. | 8/21/1914 | They start the Victrola and go dancing around the floor | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-15272 | 10-in. | 10/9/1914 | Back to the Carolina you love | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-15862 | 10-in. | 4/7/1915 | I want to be there | Herbert Stuart | Male vocal solo, with orchestra | lyricist | |
Victor | B-16333 | 10-in. | 8/9/1915 | When you're in love with someone who is not in love with you | Charles Harrison | Male vocal solo, with orchestra | lyricist | |
Victor | B-16737 | 10-in. | 11/2/1915 | All I can do is just love you | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Victor | B-16746 | 10-in. | 11/4/1915 | What's the use of going home (When there's nobody there to love) | Irving Kaufman ; Billy Murray | Male vocal duet, with orchestra | lyricist | |
Victor | B-16793 | 10-in. | 11/18/1915 | Beatrice Fairfax, tell me what to do | Ada Jones | Female vocal solo, with orchestra | lyricist | |
Victor | B-17015 | 10-in. | 1/17/1916 | You can't get along when you're with 'em or without 'em | Dan W. Quinn | Male vocal solo, with orchestra | lyricist | |
Victor | B-17298 | 10-in. | 3/13/1916 | You can't get along with 'em or without 'em | Billy Murray | Tenor vocal solo, with orchestra | lyricist | |
Victor | B-17542 | 10-in. | 4/27/1916 | The Honolulu blues | Peerless Quartet | Male vocal quartet, with mandolin and orchestra | lyricist | |
Victor | B-17843 | 10-in. | 6/12/1916 | You're a dangerous girl | Avon Comedy Four | Male vocal quartet, with orchestra | lyricist | |
Victor | B-18324 | 10-in. | 9/5/1916 | There's a little bit of bad in every good little girl | Billy Murray | Male vocal solo, with orchestra | lyricist | |
Victor | B-18327 | 10-in. | 9/7/1916 | I know I got more than my share | John H. Meyer ; M. J. O'Connell | Male vocal duet, with orchestra | songwriter | |
Victor | B-18555 | 10-in. | 10/17/1916 | I know I got more than my share | Irving Kaufman | Male vocal solo, with celeste and orchestra | lyricist | |
Victor | B-18559 | 10-in. | 10/18/1916 | Honolulu, America loves you | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | C-19102 | 12-in. | 1/18/1917 | Honolulu, America loves you | Victor Military Band | Band | songwriter | |
Victor | B-19513 | 10-in. | 3/26/1917 | I called you my sweetheart | James F. Harrison | Male vocal solo, with orchestra | lyricist | |
Victor | B-21464 | 10-in. | 2/21/1918 | I hate to lose you | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-21993 | 10-in. | 6/18/1918 | France (We have not forgotten you) | Lambert Murphy | Male vocal solo, with violin duet and orchestra | lyricist | |
Victor | B-22176 | 10-in. | 7/25/1918 | Everything is peaches down in Georgia | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-22222 | 10-in. | 9/5/1918 | You'll find old Dixieland in France | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Victor | B-22493 | 10-in. | 12/31/1918 | In the land of beginning again (Where broken dreams come true) | Charles Harrison | Male vocal solo, with orchestra | lyricist | |
Victor | B-22666 | 10-in. | 3/31/1919 | Anything is nice if it comes from Dixieland | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-23111 | 10-in. | 8/6/1919 | Regretful blues | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Victor | B-23146 | 10-in. | 9/10/1919 | Just for me and Mary ('Twas a beautiful wedding day) | Henry Burr | Male vocal solo, with celeste and orchestra | lyricist | |
Victor | B-23484 | 10-in. | 11/20/1919 | I'll dance my way right back to Dixieland | Esther Walker | Female vocal solo, with orchestra | lyricist | |
Victor | B-23777 | 10-in. | 3/19/1920 | I'll always keep a corner in my heart for Tennessee | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-23787 | 10-in. | 3/29/1920 | Mother's hands | Henry Burr | Male vocal solo, with violin and orchestra | lyricist | |
Victor | B-23788 | 10-in. | 3/29/1920 | My Sahara Rose | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-23795 | 10-in. | 3/31/1920 | My Sahara Rose | Victor Roberts [i.e., Billy Jones] | Male vocal solo, with orchestra | lyricist | |
Victor | B-23999 | 10-in. | 5/6/1920 | I love the land of Old Black Joe | American Quartet | Male vocal quartet, with orchestra | lyricist | |
Victor | B-24327 | 10-in. | 7/16/1920 | Tired of me | Henry Burr | Male vocal solo, with bells and orchestra | lyricist | |
Victor | B-24372 | 10-in. | 8/10/1920 | My little bimbo down on the bamboo isle | Aileen Stanley | Female vocal solo, with orchestra | lyricist | |
Victor | B-24606 | 10-in. | 9/30/1920 | You're just a little too late | Esther Walker | Female vocal solo, with violin and orchestra | lyricist | |
Victor | B-24640 | 10-in. | 10/20/1920 | Rock-a-bye lullaby mammy | Peerless Quartet | Male vocal quartet, with oboe solo and orchestra | lyricist | |
Victor | B-24956 | 10-in. | 2/21/1921 | Rosie (You are working too hard) | Victor Roberts [i.e., Billy Jones] | Male vocal solo, with xylophone and orchestra | lyricist | |
Victor | B-25751 | 10-in. | 11/8/1921 | Second hand Rose | Fanny Brice | Female vocal solo, with orchestra | lyricist | |
Victor | B-26188 | 10-in. | 3/30/1922 | Don't feel sorry for me | Victor Roberts [i.e., Billy Jones] | Male vocal solo, with orchestra | lyricist | |
Victor | B-28451 | 10-in. | 8/29/1923 | Dirty hands! Dirty face! | Isabelle Patricola | Female vocal solo, with violin and orchestra | lyricist | |
Victor | B-28584 | 10-in. | 9/21/1923 | Dirty hands! Dirty face! | Belle Baker | Female vocal solo, with orchestra | lyricist | |
Victor | B-29303 | 10-in. | 1/11/1924 | So this is Venice! | Paul Whiteman Orchestra | Jazz/dance band, with male vocal solo and accordion | lyricist | |
Victor | B-29655 | 10-in. | 3/12/1924 | Home in Pasadena | Billy Murray ; Ed Smalle | Male vocal duet, with orchestra | lyricist | |
Victor | B-30050 | 10-in. | 5/6/1924 | Oh! Eva (Ain't you coming out to-night?) | The Happiness Boys | Male vocal duet, with orchestra | lyricist | |
Victor | B-30559 | 10-in. | 8/12/1924 | Out of a million, you're the only one | Pennsylvanians ; Fred Waring ; Tom Waring | Jazz/dance band, with male vocal solo | lyricist | |
Victor | B-30586 | 10-in. | 8/18/1924 | You'll never get to heaven with those eyes | Billy Murray ; Aileen Stanley | Female-male vocal duet, with orchestra | lyricist | |
Victor | B-30697 | 10-in. | 9/4/1924 | Mandy, make up your mind | Brox Sisters | Female vocal trio, with piano | lyricist | |
Victor | BVE-40560 | 10-in. | 11/9/1927 | Mother, I still have you | Henry Burr | Male vocal solo, with instrumental ensemble | lyricist | |
Victor | BVE-41070 | 10-in. | 11/28/1927 | Mother of mine, I still have you | The Silver-Masked Tenor [i.e., Joseph M. White] | Male vocal solo, with orchestra | lyricist | |
Victor | BVE-48743 | 10-in. | 12/13/1928 | Avalon town | Roy Cropper ; Johnny Hamp ; Kentucky Serenaders | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-49646 | 10-in. | 1/15/1929 | Weary river | Gene Austin | Male vocal solo, with orchestra | lyricist | |
Victor | BVE-49926 | 10-in. | 2/6/1929 | Weary river | Connecticut Yankees ; Rudy Vallée | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-53431 | 10-in. | 5/23/1929 | Let me have my dreams | Frank Munn ; Nathaniel Shilkret ; Victor Orchestra | Orchestra, with male vocal solo | lyricist | |
Victor | BVE-53433 | 10-in. | 5/23/1929 | Am I blue? | Don Howard ; Nathaniel Shilkret ; Victor Orchestra | Orchestra, with male vocal solo | lyricist | |
Victor | BVE-53460 | 10-in. | 6/6/1929 | Wishing and waiting for love | Belle Mann ; Nathaniel Shilkret ; Victor Orchestra | Jazz/dance band, with female vocal solo | lyricist | |
Victor | BVE-53475 | 10-in. | 6/28/1929 | I'm the medicine man for the blues | Johnny Marvin ; Nathaniel Shilkret ; Victor Orchestra | Orchestra, with male vocal solo | lyricist | |
Victor | BVE-53584 | 10-in. | 6/26/1929 | Birmingham Bertha | Bill Moore's Syncopators | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-53585 | 10-in. | 6/26/1929 | Am I blue? | Bill Moore's Syncopators | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-53902 | 10-in. | 7/3/1929 | Am I blue? | Grace Hayes | Female vocal solo, with orchestra | lyricist | |
Victor | BVE-55516 | 10-in. | 7/27/1929 | Birmingham Bertha | Jean Goldkette Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-55608 | 10-in. | 7/15/1929 | Wouldn't it be wonderful | Nathaniel Shilkret ; Victor Orchestra | Orchestra, with male vocal solo | lyricist | |
Victor | BVE-55688 | 10-in. | 9/13/1929 | Nobody cares if I'm blue | Johnny Hamp ; Kentucky Serenaders | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BVE-55818 | 10-in. | 8/30/1929 | Weary river | Onofré Vidal | Male vocal solo, with instrumental ensemble | lyricist | |
Victor | BVE-55842 | 10-in. | 9/13/1929 | Manso arroyo | Juan Pulido | Male vocal solo, with orchestra | lyricist | |
Victor | BVE-57120 | 10-in. | 10/24/1929 | Am I blue? | Victor Salon Orchestra | Orchestra, with male vocal quartet | lyricist | |
Victor | BVE-59699 | 10-in. | 4/15/1930 | Nobody cares if I'm blue | Gene Austin | Male vocal solo, with orchestra | lyricist | |
Victor | PBVE-61075 | 10-in. | 3/2/1931 | Thanks to you | Cocoanut Grove Orchestra ; Bing Crosby | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BRC-70209 | 10-in. | 9/3/1931 | Now that I need you, you're gone | Paul Small ; The Troubadours | Jazz/dance band, with male vocal solo | songwriter | |
Victor | BS-92904 | 10-in. | 8/1/1935 | Am I blue? | Bill Staffon Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Victor | BS-99399 | 10-in. | 2/27/1936 | Ragtime Cowboy Joe | Tune Wranglers | String band, with male vocal solo and male vocal trio | lyricist | |
Victor | BS-053147 | 10-in. | 6/18/1940 | Ragtime Cowboy Joe | Connie Barleau ; Bernie Cummins Orchestra ; Chet James | Jazz/dance band, with female-male duet and vocal ensemble | lyricist | |
Victor | D7VB-1917 | 10" | 10/24/1947 | I hate to lose you (I'm so used to you now) | Don Cornell ; Kaydets ; Swing and Sway with Sammy Kaye | Male vocal solo, with female vocal group and jazz/dance band | lyricist | |
Victor | D9VB-1265 | 10-in. | 4/11/1949 | Am I blue? | Four Tunes | Male vocal quartet, with jazz/dance band | lyricist | |
Victor | BVE-Test-194 | 10-in. | 11/19/1929 | Am I blue? | Rita Burgess Gould | Female vocal solo, with piano | lyricist | |
Victor | PBVE-Test-314 | 10-in. | 5/1/1929 | Birmingham Bertha | Janet Adair | Female vocal solo, with piano | lyricist | |
Victor | BVE-Test-641 | 10-in. | 5/1/1929 | Weary river | Dorsey Byron | Female vocal solo, with piano | lyricist | |
Columbia | 19929 | 10-in. | 6/11/1912 | Whistle it | Ada Jones ; Peerless Quartet | Female vocal solo and male vocal quartet, with orchestra | lyricist | |
Columbia | 19974 | 10-in. | 6/19/1912 | Ragtime Cowboy Joe | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Columbia | 19980 | 10-in. | 6/20/1912 | Ragtime Cowboy Joe | Bob Roberts | Male vocal solo, with orchestra | lyricist | |
Columbia | 38881 | 10-in. | 5/24/1913 | There's one in a million like you | Peerless Quartet ; Manuel Romain | Male vocal solo and male vocal quartet, with orchestra | lyricist | |
Columbia | 38948 | 10-in. | 7/15/1913 | Salvation Nell | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 39018 | 10-in. | 9/16/1913 | Oh you million dollar doll | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 39037 | 10-in. | 10/10/1913 | Down in Monkeyville | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 39106 | 10-in. | 11/20/1913 | He'd have to get under, get out and get under | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Columbia | 39152 | 10-in. | 12/17/1913 | Sit down, you're rocking the boat | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Columbia | 39248 | 10-in. | 2/17/1914 | I love the ladies | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Columbia | 39288 | 10-in. | 3/18/1914 | He's a devil in his own home town | Ed Morton | Male vocal solo, with orchestra | lyricist | |
Columbia | 39300 | 10-in. | 3/25/1914 | He'd push it along | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Columbia | 39339 | 10-in. | 4/24/1914 | Do they love it | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Columbia | 39397 | 10-in. | 5/22/1914 | All he does is follow them around | William J. Halley | Male vocal solo, with orchestra | lyricist | |
Columbia | 39561 | 10-in. | 9/12/1914 | Along the Yukon Trail | J. W. Myers | Male vocal solo, with orchestra | lyricist | |
Columbia | 39567 | 10-in. | 9/19/1914 | Back to the Carolina you love | Al Jolson | Male vocal solo, with orchestra | lyricist | |
Columbia | 39695 | 10-in. | 12/15/1914 | Winter nights | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 39781 | 10-in. | 1/19/1915 | Good-bye, Virginia | Samuel Ash | Male vocal solo and male vocal quartet, with orchestra | lyricist | |
Columbia | 39797 | 10-in. | 1/26/1915 | He comes up smiling | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | 39974 | 10-in. | 3/22/1915 | I want to be there | Will C. Robbins | Male vocal solo, with orchestra | lyricist | |
Columbia | 45867 | 10-in. | 7/19/1915 | When you're in love with someone who is not in love with you | Henry Burr ; Miriam Clark [i.e., Grace Kerns] | Female-male vocal duet, with orchestra | lyricist | |
Columbia | 45870 | 10-in. | 7/20/1915 | All I can do is just love you | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 46049 | 10-in. | 9/23/1915 | Beatrice Fairfax, tell me what to do | Dan W. Quinn | Male vocal solo, with orchestra | lyricist | |
Columbia | 46192 | 10-in. | 11/10/1915 | I was never nearer heaven in my life | Samuel Ash | Male vocal solo, with orchestra | lyricist | |
Columbia | 46357 | 10-in. | 1/20/1916 | You can't get along with 'em or without 'em | Anna Chandler | Female vocal solo, with orchestra | lyricist | |
Columbia | 46463 | 10-in. | 2/28/1916 | Now he's got a beautiful girl | Al Jolson | Male vocal solo, with orchestra | lyricist | |
Columbia | 46725 | 10-in. | 4/19/1916 | The Honolulu blues | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 46783 | 10-in. | 5/16/1916 | The sweetest melody of all | Grace Nash [i.e., Grace Kerns] | Female vocal solo, with orchestra | lyricist | |
Columbia | 46787 | 10-in. | 5/17/1916 | You're a dangerous girl | Al Jolson | Male vocal solo, with orchestra | lyricist | |
Columbia | 46978 | 10-in. | 8/22/1916 | There's a little bit of bad in every good little girl | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | 47015 | 10-in. | 9/13/1916 | I know I got more than my share | Robert Lewis | Male vocal solo, with orchestra | songwriter | |
Columbia | 47074 | 10-in. | 10/17/1916 | Honolulu, America loves you | Knickerbocker Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 47274 | 10-in. | 1/6/1917 | There's just a little bit of monkey (Still left in you and me) | M. J. O'Connell | Male vocal solo, with orchestra | lyricist | |
Columbia | 47388 | 10-in. | 2/24/1917 | There's nothing sweeter than a girl from Dixieland | Willie Weston | Male vocal solo, with orchestra | lyricist | |
Columbia | 77091 | 10-in. | 6/1/1917 | I called you my sweetheart | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 77618 | 10-in. | 1/8/1918 | I hate to lose you | Robert Lewis | Male vocal solo, with orchestra | lyricist | |
Columbia | 77676 | 10-in. | 2/18/1918 | There'll be a hot time for the old men (while the young men are away) | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Columbia | 77777 | 10-in. | 4/20/1918 | If he can fight like he can love | Farber Sisters | Female vocal duet, with orchestra | lyricist | |
Columbia | 77868 | 10-in. | 6/3/1918 | France, we have not forgotten you | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 77954 | 10-in. | 7/22/1918 | Everything is peaches down in Georgia | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
Columbia | 78030 | 10-in. | 8/29/1918 | You'll find old Dixieland in France | Bert Williams | Male vocal solo, with orchestra | lyricist | |
Columbia | 78055 | 10-in. | 9/18/1918 | In the land of beginning again | Reed Miller | Male vocal solo, with orchestra | lyricist | |
Columbia | 78075 | 10-in. | 9/25/1918 | Some lonesome night | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | 78108 | 10-in. | 10/10/1918 | You'll find old Dixieland in France | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 78375 | 10-in. | 4/1/1919 | Anything is nice if it comes from Dixieland | Harry Fox | Male vocal solo, with orchestra | lyricist | |
Columbia | 78631 | 10-in. | 9/9/1919 | Just for me and Mary | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 78750 | 10-in. | 10/21/1919 | Everything is rosy now for Rosie | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 78770 | 10-in. | 10/29/1919 | Honolulu, America loves you | Peerless Quartet | Male vocal quartet, with orchestra | lyricist | |
Columbia | 78993 | 10-in. | 2/21/1920 | Mother's hands | Lewis James | Male vocal solo, with orchestra | lyricist | |
Columbia | 79017 | 10-in. | 3/3/1920 | I'll always keep a corner in my heart for Tennessee | Charles Harrison ; Reed Miller | Male vocal duet, with orchestra | lyricist | |
Columbia | 79079 | 10-in. | 3/26/1920 | Tired of me | Lewis James | Male vocal solo, with orchestra | lyricist | |
Columbia | 79172 | 10-in. | 5/11/1920 | I was never nearer heaven in my life | Fred Hughes | Male vocal solo, with orchestra | lyricist | |
Columbia | 79248 | 10-in. | 6/5/1920 | He'd have to get under, get out and get under | Frank Crumit | Male vocal solo, with orchestra | lyricist | |
Columbia | 79284 | 10-in. | 6/17/1920 | Rockabye lullaby mammy | Harry Fox | Male vocal solo, with orchestra | lyricist | |
Columbia | 79312 | 10-in. | 6/26/1920 | I love the land of Old Black Joe | Van and Schenck | Male vocal duet, with orchestra | lyricist | |
Columbia | 79344 | 10-in. | 7/13/1920 | My little bimbo down on the Bamboo Isle | Frank Crumit | Male vocal solo, with orchestra | lyricist | |
Columbia | 79428 | 10-in. | 9/22/1920 | I'll still remember when you forget | Henry Burr | Male vocal solo, with orchestra | lyricist | |
Columbia | 79453 | 10-in. | 10/6/1920 | I wish that I'd been born in Borneo | Frank Crumit | Male vocal solo, with orchestra | lyricist | |
Columbia | 79531 | 10-in. | 11/22/1920 | Rosie | Frank Crumit | Male vocal solo, with orchestra | lyricist | |
Columbia | 80212 | 10-in. | 2/21/1922 | Ha! Ha! Ha! | Frank Crumit | Male vocal solo, with orchestra | songwriter | |
Columbia | 80232 | 10-in. | 3/10/1922 | Oogie oogie wa wa | Al Jolson | Male vocal solo, with orchestra | lyricist | |
Columbia | 80278 | 10-in. | 4/5/1922 | Maybe you think you're fooling baby | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Columbia | 80439 | 10-in. | 7/5/1922 | Oh! Is she dumb | Eddie Cantor | Male vocal solo, with orchestra | lyricist | |
Columbia | 80616 | 10-in. | 10/17/1922 | He loves it | Frank Crumit | Male vocal solo, with orchestra | lyricist | |
Columbia | 80627 | 10-in. | 10/27/1922 | Blue | Dolly Kay | Female vocal solo, with orchestra | lyricist | |
Columbia | 80637 | 10-in. | 10/30/1922 | He loves it | Eddie Cantor | Male vocal solo, with orchestra | lyricist | |
Columbia | 81563 | 10-in. | 2/14/1924 | So this is Venice! | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | lyricist | |
Columbia | 81575 | 10-in. | 2/19/1924 | Home in Pasadena | Vernon Dalhart ; Ed Smalle | Male vocal duet, with orchestra | lyricist | |
Columbia | 81809 | 10-in. | 6/5/1924 | Oh! Eva | Ferera's Novelty Trio ; Billy Jones | Instrumental trio, with male vocal solo | lyricist | |
Columbia | 49343 | 12-in. | 3/14/1918 | Regretful blues | Nora Bayes | Female vocal solo, with orchestra | lyricist | |
Columbia | 49435 | 12-in. | 5/25/1918 | If he can fight like he can love (Goodnight Germany) | Prince's Band | Band | composer | |
Columbia | W143192 | 10-in. | 12/17/1926 | When they're beautiful they're bound to get by | Edith Clifford | Female vocal solo, with piano | lyricist | |
Columbia | 145287 | 10-in. | 12/9/1927 | Mother of mine, I still have you | Irving Kaufman | Male vocal solo, with orchestra | lyricist | |
Columbia | W146350 | 10-in. | 5/26/1928 | Dirty hands! Dirty face! | Vaughn De Leath | Female vocal solo, with violin, cello, and piano | lyricist | |
Columbia | W147034 | 10-in. | 10/1/1928 | Avalon town | Clicquot Club Eskimos ; Harry Reser | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W147410 | 10-in. | 12/9/1928 | Avalon town | Ford and Glenn | Male vocal duet, with piano | lyricist | |
Columbia | 147861 | 10-in. | 1/18/1929 | Avalon town | Arthur Ross and his Westerners ; Tom Frawley | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W147866 | 10-in. | 1/18/1929 | Weary river | Jan Garber Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 147911 | 10-in. | 2/1/1929 | Weary river | Golden Gate Orchestra [California Ramblers] ; John Ryan | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | [W]147954 | 10-in. | 2/11/1929 | Weary river | Jack Miller ; New England Yankees [Selvin's Orchestra] | Male vocal solo, with jazz/dance band | lyricist | |
Columbia | W147967 | 10-in. | 2/19/1929 | Weary river | Goodrich Silvertown Quartet | Male vocal quartet, with piano | lyricist | |
Columbia | W148531 | 10-in. | 5/14/1929 | Birmingham Bertha | Ethel Waters | Female vocal solo, with orchestra | lyricist | |
Columbia | W148532 | 10-in. | 5/14/1929 | Am I blue? | Ethel Waters | Female vocal solo, with orchestra | lyricist | |
Columbia | W148560 | 10-in. | 5/26/1929 | I'm the medicine man for the blues | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W148561 | 10-in. | 5/26/1929 | Wouldn't it be wonderful? | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W148567 | 10-in. | 5/30/1929 | New Orleans | Ted Lewis and his Band | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W148576 | 10-in. | 6/4/1929 | Samoa | Ted Lewis and his Band | Jazz/dance band, with female vocal solo | lyricist | |
Columbia | 148607 | 10-in. | 5/21/1929 | Birmingham Bertha | George Kay ; Original Indiana Five ; Tom Morton Orchestra | Jazz/dance band, with jazz/dance quintet and male vocal solo | lyricist | |
Columbia | 148630 | 10-in. | 5/27/1929 | Am I blue? | Golden Gate Orchestra [California Ramblers] ; Marvin Young [Irving Kaufman] | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 148631 | 10-in. | 5/27/1929 | Wishing and waiting for love | Golden Gate Orchestra [California Ramblers] ; Marvin Young [Irving Kaufman] | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | [W]148647 | 10-in. | 5/31/1929 | Am I blue? | Annette Hanshaw ; The New Englanders | Female vocal solo, with jazz/dance band | lyricist | |
Columbia | 148651 | 10-in. | 6/3/1929 | Let me have my dreams | Bar Harbor Society Orchestra [Selvin's Orchestra] ; Arthur Seelig | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 148682 | 10-in. | 6/11/1929 | I'm the medicine man for the blues | Jerome Conrad Orchestra ; Marvin Young [Irving Kaufman] | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | 148683 | 10-in. | 6/11/1929 | Wouldn't it be wonderful? | Jerome Conrad Orchestra ; Marvin Young [Irving Kaufman] | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W148693 | 10-in. | 6/12/1929 | Wishing and waiting for love | Fred Rich Orchestra ; The Rollickers | Jazz/dance band, with male vocal quartet | lyricist | |
Columbia | W148788 | 10-in. | 7/5/1929 | Am I blue? | Ben Selvin and his Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W149132 | 10-in. | 10/11/1929 | My strongest weakness is you | Ipana Troubadours ; Sam Lanin | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W149696 | 10-in. | 12/6/1929 | The sacred flame | James Melton | Male vocal solo, with orchestra | lyricist | |
Columbia | [W]150507 | 10-in. | 4/29/1930 | Nobody cares if I'm blue | Frank Auburn and his Orchestra [Lloyd Keating and his Music] ; Robert Wood | Jazz/dance band, with male vocal solo | lyricist | |
Columbia | W150624 | 10-in. | 7/7/1930 | Nobody cares if I'm blue | Blue Grass Boys ; Lee Morse | Female vocal solo, with jazz/dance band | lyricist | |
Columbia | [W]150652 | 10-in. | 7/21/1930 | Nobody cares if I'm blue | Gay Ellis | Female vocal solo | lyricist | |
Columbia | W152018 | 10-in. | 11/3/1931 | So this is Venice | Dan Hornsby and his Lion's Den Trio | Male vocal quartet, with guitar | lyricist | |
Columbia | 75321 | 12-in. | approximately 1916 | You're a dog-gone dangerous girl | Ella Shields | Female vocal solo, with orchestra | lyricist | |
Columbia | C2143 | 10-in. | 2/28/1938 | Ragtime Cowboy Joe | Girls of the Golden West | Female vocal duet, with guitar | lyricist | |
Columbia | 30459 | 10-in. | 5/09/1941 | Am I blue? | Billie Holiday | Jazz/dance band, with female vocal solo | lyricist | |
OKeh | 209 | 10-in. | ca. June 1918 | I hate to lose you | Elaine Gordon | Female vocal solo, with orchestra | lyricist | |
OKeh | 298 | 10-in. | ca. Aug. 1918 | Everything is peaches down in Georgia | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
OKeh | 334 | 10-in. | ca. Sept. 1918 | You'll find old Dixieland in France | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
OKeh | 824 | 10-in. | ca. June 1919 | McCarthy, he's a Frenchman now | Fanny Watson | Female vocal solo, with orchestra | songwriter | |
OKeh | S-7113 | 10-in. | ca. Dec. 1919-Jan. 1920 | Just for me and Mary ('Twas a beautiful wedding day) | Sterling Trio | Male vocal trio, with orchestra | lyricist | |
OKeh | S-7446 | 10-in. | May 1920 | I love the land of Old Black Joe | American Quartet | Male vocal quartet | lyricist | |
OKeh | S-7525 | 10-in. | Aug. 1920 | My little bimbo down on the Bamboo Isle | Billy Jones | Male vocal solo, with orchestra | lyricist | |
OKeh | S-70160 | 10-in. | Sept. 1921 | Second hand Rose | Vaughn De Leath | Female vocal solo, with orchestra | lyricist | |
OKeh | S-70505 | 10-in. | Feb. 1922 | Blue bird, where are you? | Sophie Tucker | Female vocal solo, with orchestra | lyricist | |
OKeh | S-70557 | 10-in. | Mar. 1922 | Oogie-oogie-wa-wa | Elsie Clark | Female vocal solo, with orchestra | lyricist | |
OKeh | S-70605 | 10-in. | Apr. 1922 | Maybe you think you're fooling baby | Vaughn De Leath | Female vocal solo, with orchestra | lyricist | |
OKeh | S-70804 | 10-in. | Aug. 1922 | Oh! Is she dumb | Ernest Hare ; Billy Jones | Male vocal duet, with orchestra | lyricist | |
OKeh | S-70914 | 10-in. | Oct. 1922 | He loves it | Elsie Clark | Female vocal solo, with orchestra | lyricist | |
OKeh | S-72363 | 10-in. | Feb. 1924 | So this is Venice! | Billy Jones | Male vocal solo, with orchestra | lyricist | |
OKeh | S-73026 | 10-in. | 12/17/1924 | Mandy, make up your mind | Clarence Williams’ Blue Five ; Eva Taylor | Jazz/dance quintet, with female vocal solo | lyricist | |
OKeh | S-73027 | 10-in. | 12/17/1924 | I'm a little blackbird looking for a bluebird | Clarence Williams’ Blue Five ; Eva Taylor | Jazz/dance quartet, with female vocal solo | lyricist | |
OKeh | W81158 | 10-in. | 7/9/1927 | I want to be there | Frank McCravy ; James McCravy | Male vocal duet, with fiddle (violin) and piano | lyricist | |
OKeh | W82000 | 10-in. | 12/2/1927 | Ballin' the jack | Chicago Footwarmers | Jazz/dance quartet | composer | |
OKeh | W401480 | 10-in. | 12/22/1928 | Avalon town | Charles W. Hamp | Male vocal solo, with jazz/dance band | lyricist | |
OKeh | W401585 | 10-in. | 1/2/1929 | Weary river | Smith Ballew ; New Yorkers ; Joe Venuti | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | W402228 | 10-in. | 1/10/1929 | Avalon Town | Cocoanut Grove Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | W402465 | 10-in. | 6/19/1929 | Am I blue? | Dorsey Brothers Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
OKeh | W402880 | 10-in. | 8/23/1929 | Am I blue? | Smith Ballew ; Roy Smeck’s Trio | Instrumental trio, with male vocal solo | lyricist | |
OKeh | W403048 | 10-in. | 10/10/1929 | Wouldn't it be wonderful? | Ed Kirkeby Orchestra | Jazz/dance band, with vocal trio | lyricist | |
OKeh | W403967 | 10-in. | 4/22/1930 | Nobody cares if I'm blue | Ed Kirkeby Orchestra | Jazz/dance band, with vocal | lyricist | |
OKeh | W404975 | 10-in. | 9/10/1931 | Now that I need you you're gone | Joe Venuti’s Rhythm Boys | Jazz/dance band, with male vocal solo | songwriter | |
OKeh | [OK cat 1187-b] | 10-in. | approximately 1919 | Anything is nice if it comes from Dixieland | Bert Harvey | Male vocal solo | lyricist | |
OKeh | [OK cat 40144-b] | 10-in. | 1924 | You'll never get to heaven with those eyes | Earl Rickard | Male vocal solo | lyricist | |
Brunswick | 4055 | 10-in. | approximately Aug. 1920 | My little bimbo | Ernest Hare | Male vocal solo, with orchestra | lyricist | |
Brunswick | 7517 | 10-in. | approximately Mar. 1922 | Maybe you think you're fooling baby | Margaret Young | Female vocal solo, with orchestra | lyricist | |
Brunswick | 7714 | 10-in. | approximately Mar. 1922 | Oogie oogie wa-wa | Margaret Young | Female vocal solo, with orchestra | lyricist | |
Brunswick | 8323-8325 | 10-in. | approximately June 1922 | Oh! Is she dumb | Margaret Young | Female vocal solo, with orchestra | lyricist | |
Brunswick | 8481-8483 | 10-in. | approximately July 1922 | Blue | Marion Harris ; Isham Jones Orchestra | Female vocal solo, with jazz/dance band | lyricist | |
Brunswick | 8913-8914 | 10-in. | approximately Oct. 1922 | He loves it | Margaret Young | Female vocal solo, with orchestra | lyricist | |
Brunswick | 10721-10723 | 10-in. | 5/23/1923 | Now that I need you, you’re gone | Joseph C. Smith's Orchestra | Jazz/dance band | songwriter | |
Brunswick | 10833-10835 | 10-in. | 6/13/1923 | Dirty hands, dirty face | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Brunswick | 12007-12009 | 10-in. | 11/30/1923 | So this is Venice! | Benny Krueger’s Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | E29024 | 10-in. | 1/3/1929 | Avalon town | Colonial Club Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | E29182 | 10-in. | 2/20/1929 | Weary river | Randolph’s Royal Hawaiians | Vocal and instrumental ensemble | lyricist | |
Brunswick | E29467 | 10-in. | 3/31/1929 | Always in my heart | The Eight Radio Stars ; Scrappy Lambert | Jazz/dance band, with male vocal solo and whistling; without vocal (take G) | lyricist | |
Brunswick | E30296 | 10-in. | 7/10/1929 | Am I blue? | Libby Holman | Female vocal solo, with jazz/dance band | lyricist | |
Brunswick | E32770 | 10-in. | 5/13/1930 | Nobody cares if I’m blue | Meyer Davis' Hotel Astor Orchestra | Jazz/dance band, with male vocal solo | lyricist | |
Brunswick | E32836 | 10-in. | May 1930 | Nobody cares if I’m blue | Marion Harris | Female vocal solo, with orchestra | lyricist | |
Brunswick | E25183-E25185 | 10-in. | 11/11/1927 | Mother of mine, I still have you | Al Jolson | Male vocal solo, with jazz/dance band | lyricist | |
Brunswick | XE31249-XE31250 | 12-in. | Oct. 1929 | On with the show—Medley | Colonial Club Orchestra | Jazz/dance band, with female vocal solo; without vocal (take G) | lyricist | |
Brunswick | C1832 | 10-in. | 3/31/1928 | Dirty hands! Dirty face! | Abe Lyman’s California Orchestra ; Al Jolson | Male vocal solo, with jazz/dance band | lyricist | |
Brunswick | C3844 | 10-in. | 7/11/1929 | Birmingham Bertha | Jimmie Noone’s Apex Club Orchestra | Jazz/dance band, with female vocal solo | lyricist | |
Brunswick | C3845 | 10-in. | 7/11/1929 | Am I blue? | Jimmie Noone’s Apex Club Orchestra | Jazz/dance band, with female vocal solo | lyricist | |
Brunswick | C3942 | 10-in. | 7/25/1929 | Birmingham Bertha | Walter Barnes ; Royal Creolians | Jazz/dance band, with female vocal solo; without vocal (take G) | lyricist | |
Brunswick | C3975 | 10-in. | 7/31/1929 | I’m the medicine man for the blues | Oriole Orchestra ; Dan A. Russo | Jazz/dance band, with vocal | lyricist | |
Brunswick | C4019 | 10-in. | 8/9/1929 | Wouldn’t it be wonderful? | Oriole Orchestra ; Dan A. Russo | Jazz/dance band, with vocal; without vocal (take G) | lyricist | |
Brunswick | Ch83-Ch84 | 10-in. | 2/24/1924 | Home in Pasadena | Al Jolson | Male vocal solo, with jazz/dance band | lyricist | |
Brunswick | 108Ch-110Ch | 10-in. | 3/14/1924 | Home in Pasadena | Isham Jones Orchestra ; Al Jolson | Male vocal solo and whistling, with jazz/dance band | lyricist | |
Brunswick | LAE308 | 10-in. | 10/30/1928 | Avalon Town | Tom Gerunovich Roof Garden Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | LTR317 | 10-in. | 7/13/1930 | One little drink | First National Orchestra and Singers | Radio transcription disc : Orchestra | lyricist | |
Brunswick | LAE412 | 10-in. | 2/1/1929 | Avalon town | Earl Burtnett Biltmore Trio | Male vocal trio, with instrumental ensemble | lyricist | |
Brunswick | LAE533 | 10-in. | 6/15/1929 | Am I blue (Estoy triste) | Tom Gerunovich Roof Garden Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | LAE534 | 10-in. | 6/15/1929 | Let me have my dreams (Dejame tener mis sueños) | Tom Gerunovich Roof Garden Orchestra | Jazz/dance band, with male vocal solo; without vocal (take G) | lyricist | |
Brunswick | LAE802 | 10-in. | 5/22/1930 | One little drink | Noah Beery ; Louis Silvers | Male vocal solo, with orchestra | lyricist | |
Brunswick | NO133 | 10-in. | Mar. 1929 | Weary river | Jung Hotel Orchestra ; Ellis Stratakos | Jazz/dance band, with vocal | lyricist | |
Brunswick | DB196 | 10-in. | 5/2/1929 | Weary river | Melville Gideon | Male vocal solo, with piano | lyricist | |
Edison | 3522 | 10-in. | 1/15/1915 | Back to the Carolina you love | Owen J. McCormack | Baritone vocal solo and mixed vocal quartet, with orchestra | lyricist | |
Edison | 4048 | 10-in. | 8/18/1915 | Rosie | James Doherty | Male vocal solo, with orchestra | lyricist | |
Edison | 4167 | 10-in. | 10/4/1915 | Good bye, Virginia | George Wilton Ballard | Male vocal solo and male vocal trio, with orchestra | lyricist | |
Edison | 4629 | 10-in. | 4/4/1916 | What's the use of going home | Helen Clark ; Joseph A. Phillips | Female-male vocal duet, with orchestra | lyricist | |
Edison | 4825 | 10-in. | 6/27/1916 | The lily and the frog | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 4834 | 10-in. | 6/29/1916 | You're a dangerous girl | Helen Clark ; Joseph A. Phillips | Female-male vocal duet, with orchestra | lyricist | |
Edison | 4928 | 10-in. | 8/17/1916 | I was never nearer heaven in my life | Mayo and Tally | Male vocal duet, with orchestra | lyricist | |
Edison | 5027 | 10-in. | 9/28/1916 | There's a little bit of bad in every good little girl | Gladys Rice | Female vocal solo and vocal ensemble, with chorus | lyricist | |
Edison | 5150 | 10-in. | 11/16/1916 | Honolulu, America loves you (We've got to hand it to you) | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Edison | 5536 | 10-in. | 5/3/1917 | I called you my sweetheart | George Wilton Ballard | Male vocal solo, with orchestra | lyricist | |
Edison | 6192 | 10-in. | between 5/24/1918 and 5/30/1918 | If he can fight like he can love | Elaine Gordon | Female vocal solo, with orchestra | lyricist | |
Edison | 6286 | 10-in. | 7/31/1918 | Everything is peaches down in Georgia | Collins and Harlan | Male vocal duet, with orchestra | lyricist | |
Edison | 6351 | 10-in. | between 9/5/1918 and 9/6/1918 | You'll find old Dixieland in France | Arthur Fields | Male vocal solo, with orchestra | lyricist | |
Edison | 6570 | 10-in. | 1/17/1919 | In the land of beginning again (Where broken dreams come true) | George Wilton Ballard | Male vocal solo, with orchestra | lyricist | |
Edison | 6647 | 10-in. | 3/4/1919 | Anything is nice if it comes from Dixieland | Premier Quartet | Male vocal quartet, with orchestra | lyricist | |
Edison | 7039 | 10-in. | 12/2/1919 | It's the smart little feller who stocked up his cellar that's getting the beautiful girls | Maurice Burkhart | Male vocal solo, with orchestra | lyricist | |
Edison | 7292 | 10-in. | 4/16/1920 | I'll always keep a corner in my heart for Tennessee | Premier Quartet | Male vocal quartet, with orchestra | lyricist | |
Edison | 7340 | 10-in. | 5/4/1920 | I love the land of Old Black Joe | Vaughn De Leath | Female vocal solo, with orchestra | lyricist | |
Edison | 7400 | 10-in. | 6/11/1920 | Tired of me | George Wilton Ballard | Male vocal solo, with orchestra | lyricist | |
Edison | 7499 | 10-in. | 8/12/1920 | My little bimbo (Down on Bamboo Isle) | Aileen Stanley | Female vocal solo, with orchestra | lyricist | |
Edison | 8638 | 10-in. | 10/18/1922 | He loves it | Billy Jones | Male vocal solo and male vocal chorus | lyricist | |
Edison | 8986 | 10-in. | 5/17/1923 | Now that I need you, you're gone | Kaplan's Melodists | Jazz/dance band | songwriter | |
Edison | 9581 | 10-in. | 6/24/1924 | You'll never get to heaven with those eyes | Atlantic Dance Orchestra ; Billy Jones | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 9837 | 10-in. | 11/8/1924 | Out of a million (You're the only one) | Charles Hart ; Merry Sparklers | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 18062 | 10-in. | 11/28/1927 | Mother, I still have you | Will Donaldson ; J. Donald Parker | Male vocal solo, with piano | lyricist | |
Edison | 19048 | 10-in. | 2/14/1929 | Weary river | Happy Jack ; Piccadilly Players | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 19219 | 10-in. | 5/28/1929 | Birmingham Bertha | Lucky Strike Orchestra ; B. A. Rolfe | Jazz/dance band, with female vocal solo | lyricist | |
Edison | 19220 | 10-in. | 5/28/1929 | Am I blue? | Lucky Strike Orchestra ; B. A. Rolfe | Jazz/dance band, with female vocal solo | lyricist | |
Edison | 19234 | 10-in. | 6/4/1929 | Wishing and waiting for love | California Ramblers | Jazz/dance band, with male vocal solo | lyricist | |
Edison | 19261 | 10-in. | 6/18/1929 | Let me have my dreams | Helen Clark | Female vocal solo, with orchestra | lyricist | |
Edison | N-739 | 10-in. | 2/14/1929 | Weary river | Happy Jack ; Piccadilly Players | Jazz/dance band, with male vocal solo | lyricist | |
Edison | N-923 | 10-in. | 5/28/1929 | Birmingham Bertha | Lucky Strike Orchestra ; B. A. Rolfe | Jazz/dance band, with female vocal solo | lyricist | |
Edison | N-924 | 10-in. | 5/28/1929 | Am I blue? | Lucky Strike Orchestra ; B. A. Rolfe | Jazz/dance band, with female vocal solo | lyricist | |
Edison | N-938 | 10-in. | 6/4/1929 | Wishing and waiting for love | California Ramblers | Jazz/dance band, with male vocal solo | lyricist | |
Edison | N-966 | 10-in. | 6/18/1929 | Let me have my dreams | Helen Clark | Female vocal solo, with orchestra | lyricist | |
Edison | N-1074 | 10-in. | 8/16/1929 | Wouldn't it be wonderful? | Lucky Strike Orchestra ; B. A. Rolfe | Jazz/dance band, with male vocal trio | lyricist | |
Edison | N-1081 | 10-in. | 8/21/1929 | Gems from On with the show | Edison All-Star Ensemble | Mixed vocal ensemble, with piano | lyricist | |
Edison | N-1082 | 10-in. | 8/21/1929 | Gems from On with the show | Edison All-Star Ensemble | Mixed vocal ensemble, with piano | lyricist | |
Arto | [Arto Cat 9150A] | 10-in. | 5/12/1922 | Don't feel sorry for me | Arthur Fields | Male vocal solo, with orchestra | lyricist |
Citation
Discography of American Historical Recordings, s.v. "Clarke, Grant," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/103128.
Clarke, Grant. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/103128.
"Clarke, Grant." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Grant Clarke
Discogs: Grant Clarke
Allmusic: Grant Clarke
IMSLP: Grant Clarke
IMDb: Grant Clarke
Linked Open Data Sources
LCNAR: Clarke, Grant - http://id.loc.gov/authorities/names/n81046661
Wikidata: Grant Clarke - http://www.wikidata.org/entity/Q5596141
VIAF: http://viaf.org/viaf/5116122
MusicBrainz: Grant Clarke - https://musicbrainz.org/artist/b5b8ed30-8bd6-4264-96d3-f7e9c246b3cf
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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