William Vincent Wallace
William Vincent Wallace (11 March 1812 – 12 October 1865) was an Irish composer and pianist. In his day, he was famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as Maritana (1845) and Lurline (1847/60), but he also wrote a large amount of piano music (including some virtuoso pieces) that was much in vogue in the 19th century. His more modest output of songs and ballads, equally wide-ranging in style and difficulty, was also popular in his day, some numbers being associated with famous singers of the time. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Berliner | 216 | 7-in. | 6/19/1897 | Scenes that are brightest | W. Paris Chambers | Cornet solo | composer | |
Berliner | 4156 | 7-in. | Before Oct. 1898 | Scenes that are brightest | Simone Mantia | Euphonium solo | composer | |
Berliner | 0298 | 7-in. | 6/28/1899 | Let me like a soldier fall | Ferruccio Giannini | Tenor vocal solo | composer | |
Berliner | 0778 | 7-in. | 12/2/1899 | Scenes that are brightest | George Schweinfest | Piccolo solo | composer | |
Victor | [Pre-matrix A-]126 | 7-in. | 7/13/1900 | In happy moments | Albert C. Sweet | Cornet solo | composer | |
Victor | [Pre-matrix A-]240 | 7-in. | 10/13/1900 | Scenes that are brightest | George Schweinfest | Flute solo | composer | |
Victor | [Pre-matrix B-]756 | 10-in. | 5/1/1901 | In happy moments | Addison Dashiell Madeira | Male vocal solo | composer | |
Victor | [Pre-matrix A-]756 | 7-in. | 5/1/1901 | In happy moments | Addison Dashiell Madeira | Male vocal solo | composer | |
Victor | [Pre-matrix B-]1211 | 10-in. | 1/21/1902 | Scenes that are brightest | Charles D'Almaine | Violin solo, with piano | composer | |
Victor | [Pre-matrix A-]1211 | 7-in. | 1/21/1902 | Scenes that are brightest | Charles D'Almaine | Violin solo, with piano | composer | |
Victor | [Pre-matrix C-]2006 | 12-in. | 1903 | Maritana overture | Victor Grand Concert Band | Band | composer | |
Victor | [Pre-matrix B-]3300 | 10-in. | 5/1/1901 | In happy moments | Addison Dashiell Madeira | Male vocal solo | composer | |
Victor | [Pre-matrix C-]31013 | 12-in. | either 1901 or 1902 | Overture | Victor Grand Concert Band | Band | composer | |
Victor | B-1357 | 10-in. | 5/26/1904 | Scenes that are brightest | Charles D'Almaine | Violin solo, with piano | composer | |
Victor | A-1357 | 7-in. | 5/26/1904 | Scenes that are brightest | Charles D'Almaine | Violin solo, with piano | composer | |
Victor | C-1713 | 12-in. | 9/28/1904 | Scenes that are brightest | Corinne Morgan | Female vocal solo, with orchestra | composer | |
Victor | B-1713 | 10-in. | 9/28/1904 | Scenes that are brightest | Corinne Morgan | Female vocal solo, with orchestra | composer | |
Victor | C-2013 | 12-in. | 12/5/1904 | Maritana overture | Victor Band [i.e., Pryor's Band] ; Victor Grand Concert Band | Band | composer | |
Victor | B-2377 | 10-in. | 3/14/1905 | Sweet spirit, hear my prayer | Mina Hickman | Female vocal solo | composer | |
Victor | C-2615 | 12-in. | 6/6/1905 | In happy moments | Corinne Morgan | Female vocal solo, with piano | composer | |
Victor | B-3207 | 10-in. | 3/23/1906 | In happy moments | Alan Turner | Male vocal solo, with orchestra | composer | |
Victor | B-4291 | 10-in. | 3/8/1907 | Sweet spirit, hear my prayer | Charles D'Almaine ; Darius Lyons | Flute and violin duet, with orchestra | composer | |
Victor | C-4306 | 12-in. | 3/14/1907 | Holy Mother, guide his footsteps | Corinne Morgan ; Elise Stevenson | Female vocal duet, with orchestra | composer | |
Victor | B-4677 | 10-in. | 7/12/1907 | Scenes that are brightest | Helene Noldi | Female vocal solo, with orchestra | composer | |
Victor | B-4711 | 10-in. | 7/25/1907 | Let me like a soldier fall | John A. Finnegan | Tenor vocal solo, with orchestra | composer | |
Victor | B-6321 | 10-in. | 7/24/1908 | Let me like a soldier fall | William T. Evans [i.e., Evan Williams] | Tenor vocal solo, with orchestra | composer | |
Victor | B-6341 | 10-in. | 8/11/1908 | Alas! Those chimes so sweetly stealing | Corinne Morgan | Female vocal solo, with orchestra | composer | |
Victor | B-6827 | 10-in. | 2/20/1909 | Sweet spirit | Darius Lyons ; Howard Rattay | Flute and violin duet, with orchestra | composer | |
Victor | C-8253 | 12-in. | 9/23/1909 | Maritana : Selection | Arthur Pryor's Band | Band | composer | |
Victor | B-8399 | 10-in. | 11/23/1909 | Sweet spirit, hear my prayer | Darius Lyons ; Howard Rattay | Flute and cello duet, with orchestra | composer | |
Victor | C-9064 | 12-in. | 6/7/1910 | Lurline overture | Arthur Pryor's Band | Band | composer | |
Victor | C-9593 | 12-in. | 10/31/1910 | Gems from Maritana | Victor Light Opera Company | Vocal chorus and soloists, with orchestra | composer | |
Victor | B-11366 | 10-in. | 12/14/1911 | Sweet spirit, hear my prayer | Neapolitan Trio | Instrumental trio | composer | |
Victor | B-12356 | 10-in. | 9/10/1912 | Let me like a soldier fall | Arthur Pryor's Band | Band | composer | |
Victor | B-12710 | 10-in. | 12/11/1912 | There is a flower | John McCormack | Tenor vocal solo, with orchestra | composer | |
Victor | B-18947 | 10-in. | 12/29/1916 | Sweet spirit, hear my prayer | Elsie Baker | Female vocal solo, with orchestra | composer | |
Victor | B-21786 | 10-in. | 4/18/1918 | Dolce spirito ascolta la mia preghiera | Rev. Francis Auriemma | Male vocal solo, with orchestra | composer | |
Victor | B-27378 | 10-in. | 1/8/1923 | Sweet spirit, hear my prayer | Merle Alcock | Female vocal solo, with orchestra | composer | |
Victor | [Trial 1915-12-31-02] | Not documented | 12/31/1915 | Fantasia : Scenes that are brightest | H. Benne Henton | Saxophone solo, with piano | composer | |
Columbia | 3497 | 10-in. | between January and October 1906 | Let me like a soldier fall | George Alexander | Tenor vocal solo, with orchestra | composer | |
Columbia | 4319 | 10-in. | between 1909 and February 1910 | Sweet spirit, hear my prayer | Mrs. A. Stewart Holt | Female vocal solo, with orchestra | composer | |
Columbia | 38148 | 10-in. | 7/19/1912 | Let me like a soldier fall | Charles Harrison | Tenor vocal solo, with orchestra | composer | |
Columbia | 77874 | 10-in. | 6/5/1918 | Scenes that are brightest | Thomas Hughes | Clarinet solo, with orchestra | composer | |
Columbia | 80321 | 10-in. | 4/26/1922 | Sweet spirit, hear my prayer | Lucy Gates | Soprano vocal solo, with orchestra | composer | |
Columbia | 30337 | 12-in. | 1/15/1910 | Scenes that are brightest | Marshall P. Lufsky ; Charles Schuetze ; George Stehl | Instrumental trio | composer | |
Columbia | 30554 | 12-in. | ca. 1910-Jan. 1911 | In happy moments | Vernon Archibald | Male vocal solo, with orchestra | composer | |
Columbia | 30674 | 12-in. | Jan.-Sept. 1911 | Scenes that are brightest | Grace Kerns | Soprano vocal solo, with orchestra | composer | |
Columbia | 30781 | 12-in. | 5/29/1911 | There is a flower that bloometh | Charles Harrison | Tenor vocal solo, with orchestra | composer | |
Columbia | 36761 | 12-in. | ca. 1913 | In happy moments | Henri Scott | Bass vocal solo, with orchestra | composer | |
Columbia | 37219 | 12-in. | 3/16/1915 | Angels that around us hover | Columbia Opera Chorus | Vocal chorus, with orchestra | composer | |
Columbia | 49982 | 12-in. | ca. 1921 | Scenes that are brightest | Rosa Ponselle | Soprano vocal solo, with orchestra | composer | |
Columbia | 98027 | 12-in. | 5/1/1922 | Sweet spirit, hear my prayer | Lucy Gates | Soprano vocal solo, with orchestra | composer | |
Columbia | W98391 | 12-in. | 9/13/1927 | Maritana : Overture | Robert Hood Bowers ; Columbia Symphony Orchestra | Orchestra | composer | |
Columbia | W98392 | 12-in. | 9/13/1927 | Maritana : Overture | Robert Hood Bowers ; Columbia Symphony Orchestra | Orchestra | composer | |
Columbia | 6000 | 12-in. | approximately 1908 | Sweet spirit, hear my prayer | Walter Gilbert Webber | Male vocal solo, with orchestra | composer | |
Columbia | 6336 | 12-in. | approximately 1913 | Yes, let me like a soldier fall | Morgan Kingston | Male vocal solo, with orchestra | composer | |
Columbia | 26320 | 10-in. | approximately 1908 | In happy moments | George Platt | Male vocal solo | composer | |
Columbia | 27171 | 10-in. | approximately 1910 | There is a flower that bloometh | Walter Wheatley | Male vocal solo, with orchestra | composer | |
Columbia | 27172 | 10-in. | approximately 1910 | Yes, let me like a soldier fall | Walter Wheatley | Tenor vocal solo, with orchestra | composer | |
Columbia | 75393 | 12-in. | approximately 1917 | The bellringer | Norman Allin | Male vocal solo, with piano | composer | |
Columbia | 76888 | 12-in. | 2/27/1923 | Maritana : Vocal gems | Columbia Light Opera Company [U.K.] ; Albert W. Ketelbey | Vocal chorus and soloists, with orchestra | composer | |
Columbia | 76898 | 12-in. | 3/8/1923 | Maritanta : Overture | Court Symphony Orchestra [U.K.] ; Albert W. Ketelbey | Orchestra | composer | |
Edison | 158 | Not documented | 8/5/1910 | Sweet spirit, hear my prayer | Marie Narelle | Soprano vocal solo, with orchestra | composer | |
Edison | 997 | 10-in. | 4/15/1912 | In happy moments | Thomas Chalmers | Male vocal solo, with orchestra | composer | |
Edison | 1069 | 10-in. | 6/11/1912 | Scenes that are brightest | Agnes Kimball | Soprano vocal solo, with orchestra | composer | |
Edison | 1097 | 10-in. | 6/21/1912 | Sweet spirit, hear my prayer | Marie Narelle | Soprano vocal solo, with orchestra | composer | |
Edison | 1208 | 10-in. | 9/3/1912 | Sweet spirit, hear my prayer | Venetian Instrumental Quartet | String quartet | composer | |
Edison | 2083 | 10-in. | 1/7/1913 | Scenes that are brightest | Albert Weston | Violin solo, with piano | composer | |
Edison | 2091 | 10-in. | 1/13/1913 | Lurline overture | Brass orchestra (unidentified; Edison Records) | Brass orchestra | composer | |
Edison | 2253 | 10-in. | 4/28/1913 | Sweet spirit, hear my prayer | Mrs. Shaw | Female vocal solo, with orchestra | composer | |
Edison | 2311 | 10-in. | 5/29/1913 | Maritana overture | Sodero's Band | Band | composer | |
Edison | 2368 | 10-in. | 7/14/1913 | Hear me, gentle Maritana | Vernon Archibald | Baritone vocal solo, with orchestra | composer | |
Edison | 2432 | 10-in. | 8/28/1913 | In happy moments | Thomas Chalmers | Male vocal solo, with orchestra | composer | |
Edison | 2464 | 10-in. | 9/23/1913 | Of fairy wand had I the power | Vernon Archibald ; Marie De Kyser | Vocal duet (baritone and soprano), with orchestra | composer | |
Edison | 2471 | 10-in. | 9/26/1913 | In turn, what do you say? | Vernon Archibald ; Marie De Kyser | Vocal duet (soprano and baritone), with orchestra | composer | |
Edison | 2504 | 10-in. | 10/21/1913 | Maritana overture | Sodero's Band | Band | composer | |
Edison | 2907 | 10-in. | 3/25/1914 | Idle spirit | Thomas Chalmers | Male vocal solo, with orchestra | composer | |
Edison | 2930 | 10-in. | between 4/1/1914 and 4/6/1914 | Scenes that are brightest | Clementine de Vere | Soprano vocal solo, with orchestra | composer | |
Edison | 2952 | 10-in. | between 4/9/1914 and 4/15/1914 | As in the cup the bead flies up | Albert G. Janpolski | Baritone vocal solo, with orchestra | composer | |
Edison | 2953 | 10-in. | 4/15/1914 | This heart by woe o'ertaken | Thomas Chalmers | Male vocal solo, with orchestra | composer | |
Edison | 2962 | 10-in. | Mar. 1914 | 'Tis the harp in the air | Elizabeth Spencer | Soprano vocal solo, with orchestra | composer | |
Edison | 3071 | 10-in. | May-June 1914 | Maritana overture | Sodero's Band | Band | composer | |
Edison | 3783 | 10-in. | 5/13/1915 | Oh Maritana | Louis Katzman ; Simone Mantia | Cornet and trombone duet | composer | |
Edison | 3802 | 10-in. | 5/20/1915 | Sweet spirit, hear my prayer | Elizabeth Spencer | Soprano vocal solo, with orchestra | composer | |
Edison | 3837 | 10-in. | 6/1/1915 | Sweet spirit, hear my prayer | Venetian Instrumental Quartet | Instrumental quartet | composer | |
Edison | 6188 | 10-in. | between 5/21/1918 and 5/24/1918 | What mystery, why thus control | Benjamin Klatzkin ; Simone Mantia | Trombone and cornet duet, with orchestra | composer | |
Edison | 7206 | 10-in. | 3/10/1920 | Scenes that are brightest | Leeta Corder | Soprano vocal solo, with orchestra | composer | |
Edison | 7365 | 10-in. | 5/24/1920 | The wind that wafts my sighs to thee | Thomas Chalmers | Male vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Wallace, William Vincent," accessed November 22, 2024, https://adpprod2.library.ucsb.edu/names/103738.
Wallace, William Vincent. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod2.library.ucsb.edu/names/103738.
"Wallace, William Vincent." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: William Vincent Wallace
Discogs: William Vincent Wallace
Grove: William Vincent Wallace
IMSLP: William Vincent Wallace
RISM: William Vincent Wallace
Linked Open Data Sources
LCNAR: Wallace, William Vincent, 1812-1865 - http://id.loc.gov/authorities/names/n82098305
Wikidata: William Vincent Wallace - http://www.wikidata.org/entity/Q2245188
VIAF: http://viaf.org/viaf/49423983
MusicBrainz: William Vincent Wallace - https://musicbrainz.org/artist/a83cb875-950c-46c1-bd1a-2b6fcbf9196e
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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