Camille Saint-Saëns
Charles-Camille Saint-Saëns (UK: , US: , French: [ʃaʁl kamij sɛ̃ sɑ̃(s)]; 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and expressionist schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. Saint-Saëns held only one teaching post, at the École de Musique Classique et Religieuse in Paris, and remained there for less than five years. It was nevertheless important in the development of French music: his students included Gabriel Fauré, among whose own later pupils was Maurice Ravel. Both of them were strongly influenced by Saint-Saëns, whom they revered as a genius. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 351-372 of 372 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia (U.K.) | WLX120 | 12-in. | 10/24/1927 | Septour: Gavotte et final | Bellanger ; William Cantrelle ; Maurice Faure ; Eugène Foveau ; Marneff ; Edouard Nanny ; Maurice Vieux | Instrumental septet | composer | |
Columbia (U.K.) | WLX180 | 12-in. | approximately February 13, 1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX181 | 12-in. | approximately February 13, 1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX182 | 12-in. | approximately February 13, 1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX183 | 12-in. | approximately February 13, 1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX210 | 12-in. | 2/20/1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX211 | 12-in. | 2/21/1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX212 | 12-in. | 2/21/1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX213 | 12-in. | 2/21/1928 | 3ème concerto pour violon & orchestre | Miguel Candela ; Philippe Gaubert ; Orchestre de la Société des concerts du Conservatoire | Violin, with orchestra | composer | |
Columbia (U.K.) | WLX372 | 12-in. | 5/12/1928 | Printemps qui commence | Abby Richardson ; Georges Truc | Mezzo-soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX373 | 12-in. | 5/12/1928 | Amour viens aider ma faiblesse | Abby Richardson ; Georges Truc | Mezzo-soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WL1190 | 10-in. | 6/18/1928 | Mon coeur s'ouvre à ta voix | Élie Cohen ; Dolorès de Silvera | Contralto vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX1325 | 12-in. | 4/4/1930 | Danse macabre, 1re partie | Philippe Gaubert ; Henri Merckel ; Orchestre Symphonique de Paris | Orchestra | composer | |
Columbia (U.K.) | WLX1326 | 12-in. | 4/4/1930 | Danse macabre, 2è partie | Philippe Gaubert ; Henri Merckel ; Orchestre Symphonique de Paris | Orchestra | composer | |
Columbia (U.K.) | WLX1355 | 12-in. | 5/8/1930 | Le pas d'armes du Roi Jean | Armand Narçon ; J. E. Szyfer | Bass vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX1629 | 12-in. | 6/7/1932 | Printemps qui commence | Germaine Cernay | Female vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX1631 | 12-in. | 6/7/1932 | La cloche | Germaine Cernay | Female vocal solo, with orchestra | composer | |
Columbia (U.K.) | CLX1687 | 12-in. | 4/28/1933 | Mon coeur s'ouvre à ta voix | Eugène Bigot ; Germaine Cernay ; Georges Thill | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | CLX1688 | 12-in. | 4/28/1933 | Mon coeur s'ouvre à ta voix | Eugène Bigot ; Germaine Cernay ; Georges Thill | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | CLX1903 | 12-in. | 4/24/1936 | Chanson de la Meule | Philippe Gaubert ; Georges Thill | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | CLX1904 | 12-in. | 4/24/1936 | Chanson de la Meule | Philippe Gaubert ; Georges Thill | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | WL3404 | 10-in. | between December 15 and 17 1931 | Le cygne | Marcel Gaveau ; Marcel Mule | Alto saxophone solo, with piano | composer |
Citation
Discography of American Historical Recordings, s.v. "Saint-Saëns, Camille," accessed October 5, 2024, https://adpprod2.library.ucsb.edu/names/102051.
Saint-Saëns, Camille. (2024). In Discography of American Historical Recordings. Retrieved October 5, 2024, from https://adpprod2.library.ucsb.edu/names/102051.
"Saint-Saëns, Camille." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 5 October 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Camille Saint‐Saëns
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Linked Open Data Sources
LCNAR: Saint-Saëns, Camille, 1835-1921 - http://id.loc.gov/authorities/names/n50041617
Wikidata: Camille Saint‐Saëns - http://www.wikidata.org/entity/Q150445
VIAF: http://viaf.org/viaf/7575200
MusicBrainz: Camille Saint‐Saëns - https://musicbrainz.org/artist/4137c070-15b2-4d00-a9f0-3517d02a9ba8
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