Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosia, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.

Birth and Death Data: Born March 31, 1685 (Eisenach), Died July 28, 1750 (Leipzig)

Date Range of DAHR Recordings: 1904 - 1950

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 76-100 of 607 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Victor CVE-47972 12-in. 5/2/1929 Choral prelude, "Aus der Tiefe rufe ich" (concluded) Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-47974 12-in. 5/2/1929 Prelude in B minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-48765 12-in. 12/17/1928 Suite no. 2, in B minor Chicago Symphony Orchestra ; Frederick Stock Orchestra composer  
Victor CVE-48766 12-in. 12/17/1928 Suite no. 2, in B minor Chicago Symphony Orchestra ; Frederick Stock Orchestra composer  
Victor CVE-48767 12-in. 12/17/1928 Suite no. 2, in B minor Chicago Symphony Orchestra ; Frederick Stock Orchestra composer  
Victor CVE-48768 12-in. 12/17/1928 Suite no. 2, in B minor Chicago Symphony Orchestra ; Frederick Stock Orchestra composer  
Victor CVE-48914 12-in. 1/16/1929 Suite for orchestra : Air Willem Mengelberg ; New York Philharmonic Orchestra composer  
Victor CVE-48927 12-in. 1/28/1929 Passacaglia, in C minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-48928 12-in. 1/28/1929 Passacaglia, in C minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-48929 12-in. 1/28/1929 Passacaglia, in C minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-48930 12-in. 1/28/1929 Passacaglia, in C minor Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-48931 12-in. 1/28/1929 Wir glauben all' an einen Gott Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor BVE-51034 10-in. 3/15/1929 Sonata in G major : Vivace ; Adagio ; Presto Hazel Gertrude Kinscella Piano solo, with violin and flute composer  
Victor CVE-51825 12-in. 4/25/1929 Arioso Philadelphia Chamber String Sinfonietta ; Fabien Sevitzky String orchestra composer  
Victor CVE-51924 12-in. 4/25/1929 Komm süsser Tod Hulda Lashanska Soprano vocal solo, with mixed vocal chorus and orchestra composer  
Victor BVE-55392 10-in. 9/6/1929 Waltz in A flat Bruno Reibold ; Victor Orchestra Orchestra composer  
Victor CVE-55669 12-in. 9/4/1929 Ave Maria Rosario Bourdon ; Victor Concert Orchestra Orchestra composer  
Victor BVE-55998 10-in. 10/31/1929 Adagio Bruno Reibold ; Victor Orchestra Orchestra composer  
Victor CVE-59797 12-in. 5/20/1930 Gavotte in D Walter Damrosch ; National Symphony Orchestra (Washington, D.C.) Orchestra composer  
Victor BAVE-60076 10-in. Winter 1930 Loure Maria Luisa Anido Guitar solo composer  
Victor BAVE-60113 10-in. 4/7/1930 Preludio Maria Luisa Anido Guitar solo composer  
Victor CVE-62658 12-in. 6/19/1930 Organ fugue in G minor Olga Samaroff Stokowski Piano solo composer  
Victor CVE-64077 12-in. 3/17/1931 Fugue in G minor (The little) Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
Victor CVE-67405 12-in. 1/20/1931 My heart ever faithful Ernestine Schumann-Heink Contralto vocal solo, with orchestra composer  
Victor CVE-69005 12-in. 4/4/1931 Choral prelude, "Christ lag in Todesbanden" Philadelphia Orchestra ; Leopold Stokowski Orchestra composer  
(Results 76-100 of 607 records)

Citation

Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed November 16, 2024, https://adpprod2.library.ucsb.edu/names/102304.

Bach, Johann Sebastian. (2024). In Discography of American Historical Recordings. Retrieved November 16, 2024, from https://adpprod2.library.ucsb.edu/names/102304.

"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 16 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102304

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