Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father, Johann van Beethoven. Beethoven was later taught by the composer and conductor Christian Gottlob Neefe, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795. His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812). After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After some months of bedridden illness, he died in 1827. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 51-75 of 1023 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | B-16922 | 10-in. | 4/6/1916 | Second movement : Andante cantabile | Victor Orchestra | Orchestra | composer | |
Victor | C-16922 | 12-in. | 12/21/1915 | Symphony no. 1 | Victor Orchestra | Orchestra | composer | |
Victor | B-16923 | 10-in. | 4/6/1916 | Second movement : Andante cantabile | Victor Orchestra | Orchestra | composer | |
Victor | C-16923 | 12-in. | 12/21/1915 | Symphony no. 1 | Victor Orchestra | Orchestra | composer | |
Victor | C-16924 | 12-in. | 12/21/1915 | Symphony no. 1 | Victor Orchestra | Orchestra | composer | |
Victor | B-16925 | 10-in. | 12/22/1915 | Symphony no. 1 | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-16926 | 10-in. | 12/22/1915 | Symphony no. 1 | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-16927 | 12-in. | 12/22/1915 | Symphony no. 1 | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-16935 | 10-in. | 12/27/1915 | Quartet in F major : Scherzo | Victor String Quartet | String quartet | composer | |
Victor | B-17693 | 10-in. | 5/16/1916 | Fifth symphony : First movement : Allegro con brio | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-17694 | 10-in. | 5/16/1916 | Fifth symphony : First movement : Allegro con brio | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-17793 | 10-in. | 6/5/1916 | Minuet in G, no. 2 | Maud Powell | Violin solo, with piano | composer | |
Victor | C-17802 | 12-in. | 6/5/1916 | The heavens resound | Victor Oratorio Chorus | Mixed vocal chorus, with orchestra | composer | |
Victor | C-17880 | 12-in. | 6/16/1916 | Moonlight sonata : First movement (Adagio) | Julius L. Schendel | Piano solo | composer | |
Victor | C-17892 | 12-in. | 6/19/1916 | Fifth symphony : Second movement : Andante con moto | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-17893 | 12-in. | 6/19/1916 | Fifth symphony : Second movement : Andante con moto | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-18787 | 12-in. | 12/12/1916 | Marche Turque | Victor Band | Band | composer | |
Victor | B-19196 | 10-in. | 2/19/1917 | Fifth symphony : Third movement : Allegro (Scherzo) | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-19342 | 10-in. | 3/6/1917 | Fifth symphony : Third movement : Allegro (Scherzo) | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-19343 | 10-in. | 3/6/1917 | Turkish march | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-19348 | 12-in. | 3/7/1917 | Fifth symphony : Fourth movement : Finale (Allegro) | Victor Concert Orchestra | Orchestra | composer | |
Victor | C-19349 | 12-in. | 3/7/1917 | Fifth symphony : Fourth movement : Finale (Allegro) | Victor Concert Orchestra | Orchestra | composer | |
Victor | B-19873 | 10-in. | 5/18/1917 | Minuet | Kitty Cheatham | Female vocal solo, with orchestra | composer | |
Victor | B-19993 | 10-in. | 6/8/1917 | I himlar sjungen | William Gustafson | Male vocal solo, with orchestra | composer | |
Victor | B-20820 | 10-in. | 10/4/1917 | Symphony in A major : Finale | Boston Symphony Orchestra | Orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Beethoven, Ludwig van," accessed November 23, 2024, https://adpprod2.library.ucsb.edu/names/102527.
Beethoven, Ludwig van. (2024). In Discography of American Historical Recordings. Retrieved November 23, 2024, from https://adpprod2.library.ucsb.edu/names/102527.
"Beethoven, Ludwig van." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 23 November 2024.
DAHR Persistent Identifier
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Linked Open Data Sources
LCNAR: Beethoven, Ludwig van, 1770-1827 - http://id.loc.gov/authorities/names/n79107741
Wikidata: Ludwig van Beethoven - http://www.wikidata.org/entity/Q255
VIAF: http://viaf.org/viaf/32182557
MusicBrainz: Ludwig van Beethoven - https://musicbrainz.org/artist/1f9df192-a621-4f54-8850-2c5373b7eac9
Getty ULAN: Beethoven, Ludwig van - http://vocab.getty.edu/ulan/500339269
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