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Ludwig van Beethoven

Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father, Johann van Beethoven. Beethoven was later taught by the composer and conductor Christian Gottlob Neefe, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795.

His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812).

After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After some months of bedridden illness, he died in 1827.

Birth and Death Data: Born December 16, 1770 (Bonn), Died March 26, 1827 (Vienna)

Date Range of DAHR Recordings: 1902 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 951-975 of 1023 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Gramophone 15846b 10-in. 9/14/1911 Ich liebe dich Alexander Heinemann Baritone vocal solo, with piano composer  
Gramophone 2EA1457 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1458 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1459 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1460 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1461 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1462 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1463 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2EA1464 12-in. 4/5/1935 Concerto no. 2 in B flat major London Philharmonic Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3235 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3236 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3237 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3238 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3239 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3240 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3241 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3242 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Gramophone 2B3243 12-in. 3/23/1932 Concerto no. 1, in C major London Symphony Orchestra ; Malcolm Sargent ; Artur Schnabel Piano and orchestra composer  
Odeon E2476 10-in. 4/17/1928 Minuet Agustín Barrios Mangoré Guitar solo composer  
Gennett 15075 10-in. 4/24/1929 Symphonies, no. 3, op. 55, E♭major. Excerpts Gennett Symphony Orchestra Orchestra composer  
Columbia (U.K.) WA5802 10-in. either May or June 1927 Sonata in G Kurt Ruhrseitz ; József Szigeti Violin solo, with piano composer  
Columbia (U.K.) WLX39 10-in. 2/9/1927 Overture Garde Républicaine Band Band composer  
Columbia (U.K.) WLX40 10-in. 2/9/1927 Overture Garde Républicaine Band Band composer  
Columbia (U.K.) WLX425 12-in. 6/9/1928 Air de Leonore : Infame! Quel noir dessein Élie Cohen ; Andrée Marilliet Soprano vocal solo, with orchestra composer  
Columbia (U.K.) WLX426 12-in. 6/9/1928 Air de Leonore: Infame! Quel noir dessein, Élie Cohen ; Andrée Marilliet Soprano vocal solo, with orchestra composer  
(Results 951-975 of 1023 records)

Citation

Discography of American Historical Recordings, s.v. "Beethoven, Ludwig van," accessed November 17, 2024, https://adpprod2.library.ucsb.edu/names/102527.

Beethoven, Ludwig van. (2024). In Discography of American Historical Recordings. Retrieved November 17, 2024, from https://adpprod2.library.ucsb.edu/names/102527.

"Beethoven, Ludwig van." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 17 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102527

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