Felix Mendelssohn-Bartholdy
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christian. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatory, which he founded, became a bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era. |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 301-325 of 619 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | BS-065238 | 10-in. | 5/8/1941 | On wings of song | Lew White | Organ solo, with violin, harp, and vocal chorus | composer | |
Victor | CS-071324 | 12-in. | 1/16/1942 | On wings of song | Richard Crooks ; Charles O'Connell ; Victor Symphony Orchestra | Tenor vocal solo, with instrumental ensemble | composer | |
Victor | CS-071327 | 12-in. | 1/16/1942 | Be thou faithful unto death | Richard Crooks ; Charles O'Connell ; Victor Symphony Orchestra | Tenor vocal solo, with instrumental ensemble | composer | |
Victor | E0RC-1965 | 12-in. | 12/18/1950 | Shepherd's complaint | William Kapell | Piano solo | composer | |
Victor | D5RC-1408 | 12-in. | 10/1/1945 | Lord God of Abraham | Norman Cordon ; Sylvan Levin ; RCA Victor Orchestra | Bass-baritone vocal solo, with orchestra | composer | |
Victor | D5RC-1415 | 12-in. | 10/3/1945 | Hear ye, Israel! | Sylvan Levin ; Dorothy Maynor ; RCA Victor Orchestra | Soprano vocal solo, with orchestra | composer | |
Victor | D6RC-5181 | 12-in. | 3/8/1946 | O God, have mercy on me | Norman Cordon ; Sylvan Levin ; RCA Victor Orchestra | Bass-baritone vocal solo, with orchestra | composer | |
Victor | D6RC-5182 | 12-in. | 3/8/1946 | It is enough | Norman Cordon ; Sylvan Levin ; RCA Victor Orchestra | Bass-baritone vocal solo, with orchestra | composer | |
Victor | D7VB-0220 | 10-in. | 4/1/1947 | On wings of song | Russ Case Orchestra ; Doris Stockton | Marimba solo, with instrumental ensemble | composer | |
Victor | D7VB-0553 | 10-in. | 5/26/1947 | Last night in a dream | Freddy Martin Orchestra ; Freddy Martin | Male vocal solo, with jazz/dance band | composer | |
Victor | D7RB-0913 | 12-in. | 5/23/1947 | New love | Dorothy Maynor ; George Schick | Soprano vocal solo, with piano | composer | |
Victor | D7RB-0914 | 12-in. | 5/23/1947 | On wings of song | Dorothy Maynor ; George Schick | Soprano vocal solo, with piano | composer | |
Victor | D7VB-1595 | 10-in. | 8/27/1947 | Hark! The herald angels sing | Dick Leibert | Organ solo | composer | |
Victor | D7VB-2283 | 10-in. | 11/24/1947 | Wedding march | Dick Leibert | Organ solo | composer | |
Victor | CS-Test-1931 | 12-in. | 5/22/1935 | O rest in the Lord | Ruth Carhart | Contralto vocal solo, with piano | composer | |
Victor | [Trial 1914-07-25-02] | Not documented | 7/25/1914 | Then shall the righteous shine forth | John P. Weber | Male vocal solo, with piano | composer | |
Victor | [Trial 1914 07-27-01] | Not documented | 7/27/1914 | I would that my love | Reginald Kassebaum ; Ed A. Rice | Male vocal duet, with piano | composer | |
Victor | [Trial 1914-10-06-06] | Not documented | 10/6/1914 | Lord God of Abraham | Warren C. Dawson | Male vocal solo, with piano | composer | |
Victor | [Trial 1914-11-30-03] | Not documented | 11/30/1914 | Jerusalem | Wm. J. Kelley | Boy soprano vocal solo, with piano | composer | |
Victor | [Trial 1915-10-05-05] | Not documented | 10/5/1915 | Scherzo | Victoria Boshko | Piano solo | composer | |
Victor | [Trial 1915-11-29-01] | Not documented | 11/29/1915 | Spring song | John C. Wetzel | Zither solo | composer | |
Victor | [Trial 1922-10-09-01] | 10-in. | 10/9/1922 | Der Jäger Abschied (Wer hat dich, du schöner Wald), part 1 | Kromer Male Quartet | Male vocal quartet, unaccompanied | composer | |
Victor | [Trial 1922-10-09-02] | 10-in. | 10/9/1922 | Der Jäger Abschied (Wer hat dich, du schöner Wald) | Kromer Male Quartet | Male vocal quartet, unaccompanied | composer | |
Victor | [Trial 1923-05-26-03] | 10-in. | 5/26/1923 | Scherzo | Shura Cherkassky | Piano solo | composer | |
Victor | [Trial 1926-06-04-03] | 12-in. | 6/4/1926 | It is enough | Alexander J. Kisselburgh | Male vocal solo, with piano | composer |
Citation
Discography of American Historical Recordings, s.v. "Mendelssohn-Bartholdy, Felix," accessed November 23, 2024, https://adpprod2.library.ucsb.edu/names/102614.
Mendelssohn-Bartholdy, Felix. (2024). In Discography of American Historical Recordings. Retrieved November 23, 2024, from https://adpprod2.library.ucsb.edu/names/102614.
"Mendelssohn-Bartholdy, Felix." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 23 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Felix Mendelssohn
Discogs: Felix Mendelssohn-Bartholdy
Allmusic: Felix Mendelssohn-Bartholdy
Apple Music: Felix Mendelssohn-Bartholdy
IMSLP: Felix Mendelssohn-Bartholdy
RILM: Felix Mendelssohn-Bartholdy
RISM: Felix Mendelssohn-Bartholdy
IMDb: Felix Mendelssohn-Bartholdy
Britannica: Felix Mendelssohn-Bartholdy
Linked Open Data Sources
LCNAR: Mendelssohn-Bartholdy, Felix, 1809-1847 - http://id.loc.gov/authorities/names/n79139515
Wikidata: Felix Mendelssohn - http://www.wikidata.org/entity/Q46096
VIAF: http://viaf.org/viaf/2665666
MusicBrainz: Felix Mendelssohn - https://musicbrainz.org/artist/0e85eb79-1c05-44ba-827c-7b259a3d941a
Getty ULAN: Mendelssohn-Bartholdy, Felix - http://vocab.getty.edu/ulan/500088371
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