Albert W. Ketèlbey
Albert William Ketèlbey (; born Ketelbey; 9 August 1875 – 26 November 1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. For many years Ketèlbey worked for a series of music publishers, including Chappell & Co and the Columbia Graphophone Company, making arrangements for smaller orchestras, a period in which he learned to write fluent and popular music. He also found great success writing music for silent films until the advent of talking films in the late 1920s. The composer's early works in conventional classical style were well received, but it was for his light orchestral pieces that he became best known. One of his earliest works in the genre, In a Monastery Garden (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as In a Persian Market (1920), In a Chinese Temple Garden (1923), and In the Mystic Land of Egypt (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. His celebrations of British scenes were equally popular: examples include Cockney Suite (1924) with its scenes of London life, and his ceremonial music for royal events. His works were frequently recorded during his heyday, and a substantial part of his output has been put on CD in more recent years. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. His work has been reappraised since his death; in a 2003 poll by the BBC radio programme Your Hundred Best Tunes, Bells Across the Meadows was voted the 36th most popular tune of all time. On the last night of the 2009 Proms season the orchestra performed his In a Monastery Garden, marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. |
Birth and Death Data: Born August 9, 1875 (Birmingham), Died November 26, 1959 (Cowes)
Date Range of DAHR Recordings: 1907 - 1950
Roles Represented in DAHR: conductor, composer, lyricist, arranger, organ, piano, pipe organ
Notes: Pseudonym for Albert Ketèlbey,
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 26-50 of 313 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia | 6071 | 12-in. | approximately 1910 | Hungarian dance no. 6 | Court Symphony Orchestra [U.K.] | Orchestra | conductor | |
Columbia | 6172 | 12-in. | approximately 1911 | 1912 pantomime pot-pourri, part 1 | Regt. Band of H. M. Scots Guards ; Frederick. W. Wood | Band | arranger | |
Columbia | 6173 | 12-in. | approximately 1911 | 1912 pantomime pot-pourri, part 2 | Regt. Band of H. M. Scots Guards ; Frederick. W. Wood | Band | arranger | |
Columbia | 6255 | 12-in. | approximately 1912 | When all was young | Carrie Herwin | Female vocal solo, with orchestra | conductor | |
Columbia | 6256 | 12-in. | approximately 1912 | Softly awakes my heart | Carrie Herwin | Female vocal solo, with orchestra | conductor | |
Columbia | 6294 | 12-in. | approximately 1912 | I call you from the shadows | Morgan Kingston | Male vocal solo, with orchestra | composer | |
Columbia | 6332 | 12-in. | approximately 1913 | Fragments of Wagnerian opera | Jean Schwiller | Cello solo, with piano | arranger | |
Columbia | 6333 | 12-in. | approximately 1913 | Fragments of Italian opera | Jean Schwiller | Cello solo, with piano | arranger | |
Columbia | 6388 | 12-in. | approximately 1913 | O flower of all the world | Thorpe Bates | Male vocal solo, with orchestra | conductor | |
Columbia | 6389 | 12-in. | approximately 1914 | Sincerity | Thorpe Bates | Male vocal solo, with orchestra | conductor | |
Columbia | 6401 | 12-in. | approximately 1914 | My heart still clings to you | Thorpe Bates | Male vocal solo, with orchestra | composer | |
Columbia | 6525 | 12-in. | approximately 1915 | In a monastery garden | Court Symphony Orchestra [U.K.] | Chorus, with orchestra | composer, conductor | |
Columbia | 6651 | 12-in. | approximately 1915 | Goodbye | Elsa Stralia | Soprano vocal solo, with orchestra | conductor | |
Columbia | 6655 | 12-in. | approximately 1915 | Ombra mai fu | Clara Butt | Female vocal solo, with orchestra | conductor | |
Columbia | 6724 | 12-in. | approximately 1916 | Fairy butterfly | Albert W. Ketelbey ; Florence Smithson | Female vocal solo, with orchestra | conductor, composer | |
Columbia | 6725 | 12-in. | approximately 1916 | King Cupid | Albert W. Ketelbey ; Florence Smithson | Female vocal solo, with orchestra | conductor, composer | |
Columbia | 6775 | 12-in. | approximately 1916 | Rend' il sereno | Clara Butt | Contralto vocal solo, with orchestra | conductor | |
Columbia | 6868 | 12-in. | approximately July 1916 | Some : Selections, part 1 | Albert W. Ketelbey ; Vaudeville Theatre Orchestra | Orchestra | conductor | |
Columbia | 6869 | 12-in. | approximately July 1916 | Some : Selections, part 2 | Albert W. Ketelbey ; Vaudeville Theatre Orchestra | Orchestra | conductor | |
Columbia | 6870 | 12-in. | approximately July 1916 | Oh, those naughty eyes! | Albert W. Ketelbey ; Clay Smith ; Lee White | Vocal duet, with orchestra | conductor | |
Columbia | 6871 | 12-in. | approximately July 1916 | And they called it Dixieland | Albert W. Ketelbey ; Clay Smith ; Lee White | Vocal duet, with orchestra | conductor | |
Columbia | 6872 | 12-in. | approximately July 1916 | Every little while | Albert W. Ketelbey ; Vaudeville Theatre Orchestra ; Lee White | Female vocal solo, with orchestra | conductor | |
Columbia | 6873 | 12-in. | approximately July 1916 | Jingle Johnnie | Albert W. Ketelbey ; Clay Smith ; Vaudeville Theatre Orchestra | Female vocal solo, with orchestra and chorus | conductor | |
Columbia | 6874 | 12-in. | approximately July 1916 | Have you seen the ducks? | Albert W. Ketelbey ; Vaudeville Theatre Orchestra ; Lee White | Female vocal solo, with orchestra and chorus | conductor | |
Columbia | 6875 | 12-in. | approximately July 1916 | When Maud put her new bathing costume on | Albert W. Ketelbey ; Lee White | Female vocal solo, with orchestra | conductor |
Citation
Discography of American Historical Recordings, s.v. "Ketèlbey, Albert W.," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/103225.
Ketèlbey, Albert W.. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/103225.
"Ketèlbey, Albert W.." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Albert Ketèlbey
Discogs: Albert W. Ketèlbey
Grove: Albert W. Ketèlbey
IMSLP: Albert W. Ketèlbey
RISM: Albert W. Ketèlbey
IMDb: Albert W. Ketèlbey
Linked Open Data Sources
LCNAR: Ketèlbey, Albert W. (Albert William), 1875-1959 - http://id.loc.gov/authorities/names/n81078907
Wikidata: Albert Ketèlbey - http://www.wikidata.org/entity/Q503005
VIAF: http://viaf.org/viaf/42025688
MusicBrainz: Albert Ketèlbey - https://musicbrainz.org/artist/ec4ba9cc-3b8e-41a3-859c-59737bbe01e1
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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