Carlo Sabajno
Carlo Sabajno (1874 in Rosasco, Italy – 1938 in Milan) was an Italian conductor. From 1904 to 1932, he was the Gramophone Company's chief conductor and artistic director in Italy, responsible for some of the earliest full-length opera recordings, most of them with the orchestra of La Scala, Milan and prominent singers there. Particularly outstanding among these are his stately, authoritative late-1920s and early-1930s electrical recordings of Don Pasquale (with Tito Schipa in his only complete opera recording as Ernesto), Traviata (sadly limited by more than the usual cuts, but with silvery-voiced Alessandro Ziliani as Alfredo), Aida (with Irene Minghini-Cattaneo's Amneris and Aureliano Pertile's Radamès), Otello (with Apollo Granforte as a formidable Iago) and Bohème (a superb understated, but highly distinguished, collaboration with excellent, if lesser-known, singers). |
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 176-200 of 354 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Gramophone | CF1628 | 12-in. | 4/10/1928 | Sola nei miei prim'anni | Carlo Sabajno ; Teatro alla Scala Orchestra | Soprano vocal solo, with orchestra | conductor | |
Gramophone | 1786c | 12-in. | 4/17/1909 | Solenne in quest’ora | Carlo Barrera ; Giuseppe Maggi | Vocal duet (tenor and baritone), with orchestra | conductor | |
Gramophone | 1789c | 12-in. | 4/21/1909 | Le minaccie i fieri accenti | Carlo Barrera ; Giuseppe Maggi | Vocal duet (tenor and baritone), with orchestra | conductor | |
Gramophone | 1792c | 12-in. | 4/21/1909 | Rivedrai le foreste | Giuseppe Maggi ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and baritone), with orchestra | conductor | |
Gramophone | 1794c | 12-in. | 4/21/1909 | Già i sacerdoti | Carlo Barrera ; Karolina Pietraszewska | Vocal duet (soprano and tenor), with orchestra | conductor | |
Gramophone | BK1819 | 10-in. | 12/17/1924 | Splendon piu belle | Ezio Pinza | Bass vocal solo, with orchestra | conductor | |
Gramophone | BK1820 | 10-in. | 12/17/1924 | Del suo cor calmai | Ezio Pinza | Bass vocal solo, with orchestra | conductor | |
Gramophone | 1852c | 12-in. | 5/14/1909 | Ei m'ama | Celestina Boninsegna | Soprano vocal solo, with orchestra | conductor | |
Gramophone | 1860c | 12-in. | 11/1/1909 | Fu la sorte dell'armi | Bianca Lavin de Casas ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and contralto), with orchestra | conductor | |
Gramophone | 1861c | 12-in. | 11/1/1909 | Ebben, qual nuovo fremito | Bianca Lavin de Casas ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and contralto), with orchestra | conductor | |
Gramophone | 1862c | 12-in. | 11/1/1909 | Ah! Pietà ti prenda... | Bianca Lavin de Casas ; Elena Ruszcowska | Vocal duet (soprano and mezzo-soprano), with orchestra | conductor | |
Gramophone | 1863c | 12-in. | 11/1/1909 | Ohimè! di guerra fremere | Egidio Cunego ; Bianca Lavin de Casas ; Helena Zboińska-Ruszkowska | Vocal trio (soprano, contralto and tenor), with orchestra | conductor | |
Gramophone | 1864c | 12-in. | 11/1/1909 | L'amo come il fulgor del creato | Bianca Lavin de Casas ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and contralto), with orchestra | conductor | |
Gramophone | 1866c | 12-in. | 11/2/1909 | Qual occhio al mondo | Egidio Cunego ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and tenor), with orchestra | conductor | |
Gramophone | 1867c | 12-in. | 11/2/1909 | Amaro sol per te m'era il morire | Egidio Cunego ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and tenor), with orchestra | conductor | |
Gramophone | 1868c | 12-in. | 11/2/1909 | Non la sospiri la nostra casseta | Egidio Cunego ; Helena Zboińska-Ruszkowska | Vocal duet (soprano and tenor), with orchestra | conductor | |
Gramophone | 1870c | 12-in. | 11/3/1909 | Preludio, atto 3 | Teatro alla Scala Orchestra | Orchestra, with bells | conductor | |
Gramophone | 1871c | 12-in. | 11/6/1909 | Ohimè! morir mi sento | Bianca Lavin de Casas ; Rizzo Sant'Elia | Mezzo-soprano vocal solo, with chorus and orchestra | conductor | |
Gramophone | 1876c | 12-in. | 11/8/1909 | Credo in un Dio crudel | Ernesto Badini | Baritone vocal solo, with orchestra | conductor | |
Gramophone | 1881c | 12-in. | 11/12/1909 | Quest' assisa ch'io vesto | Ernesto Badini ; Egidio Cunego ; Elena Fabris ; Bianca Lavin de Casas ; Rizzo Sant'Elia | Vocal quintet (soprano, contralto, tenor, baritone, and bass), with chorus and orchestra | conductor | |
Gramophone | 1887½c | 12-in. | 11/23/1909 | Mattutino | Carlo Sabajno ; Teatro alla Scala Coro | Vocal chorus, with orchestra | conductor | |
Gramophone | 1892c | 12-in. | 11/23/1909 | Parean mill' anni | Francesco Federici ; Carlo Sabajno ; Teatro alla Scala Orchestra | Baritone vocal solo, with orchestra | conductor | |
Gramophone | BK1902 | 10-in. | 11/23/1926 | O signor che deal tetto natio | Teatro alla Scala Coro | Vocal chorus, with orchestra | conductor | |
Gramophone | 1911ah | 10-in. | 9/3/1912 | 'Torna a Surriento | Titta Ruffo | Baritone vocal solo, with orchestra | conductor | |
Gramophone | 1912ah | 10-in. | 9/3/1912 | Maria, marì | Titta Ruffo | Baritone vocal solo, with orchestra | conductor |
Citation
Discography of American Historical Recordings, s.v. "Sabajno, Carlo," accessed October 9, 2024, https://adpprod2.library.ucsb.edu/names/103658.
Sabajno, Carlo. (2024). In Discography of American Historical Recordings. Retrieved October 9, 2024, from https://adpprod2.library.ucsb.edu/names/103658.
"Sabajno, Carlo." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 9 October 2024.
DAHR Persistent Identifier
Linked Open Data Sources
LCNAR: Sabajno, Carlo - http://id.loc.gov/authorities/names/n82075458
Wikidata: Carlo Sabajno - http://www.wikidata.org/entity/Q5041601
VIAF: http://viaf.org/viaf/223729525
MusicBrainz: Carlo Sabajno - https://musicbrainz.org/artist/01e33c88-0b95-4af3-9cd4-80c4e7fab4fc
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