Harry Meyerson
Date Range of DAHR Recordings: 1939 - 1962
Roles Represented in DAHR: session supervisor, arranger
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 351-375 of 482 records)
| Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
|---|---|---|---|---|---|---|---|---|
| Victor | PBS-072517 | 10-in. | 7/28/1942 | Romance a la mode | Gloria DeHaven ; Jan Savitt Orchestra | Jazz/dance band, with female vocal solo | session supervisor | |
| Victor | PBS-072518 | 10-in. | 7/28/1942 | Manhattan serenade | Jan Savitt Orchestra ; Joe Martin | Jazz/dance band, with male vocal solo | session supervisor | |
| Victor | PBS-072519 | 10-in. | 7/28/1942 | If you ever, ever loved me (love me tonight) | Gloria DeHaven ; Jan Savitt Orchestra | Jazz/dance band, with female vocal solo | session supervisor | |
| Victor | PBS-072524 | 10-in. | 7/28/1942 | Hotcha cornia (Black eyes) | City Slickers ; Spike Jones ; Willie Spicer | Jazz/dance band, with sneezaphone (sound effects) | session supervisor | |
| Victor | PBS-072525 | 10-in. | 7/28/1942 | Der Fuehrer's face | City Slickers ; Carl Grayson ; Spike Jones ; Willie Spicer | Jazz/dance band, with male vocal solo and birdaphone (sound effects) | session supervisor | |
| Victor | PBS-072526 | 10-in. | 7/28/1942 | Oh! By jingo! (Oh! By gee! By gosh, by gum, by juv) | Boys in the Back Room ; City Slickers ; Spike Jones ; Del Porter ; Willie Spicer | Jazz/dance band, with male vocal solo, male vocal ensemble, and anvilaphone (sound effects) | session supervisor | |
| Victor | PBS-072527 | 10-in. | 7/28/1942 | The sheik of Araby | City Slickers ; Carl Grayson ; Spike Jones ; Del Porter ; Willie Spicer | Jazz/dance band, with male vocal duet and hiccuphone (sound effects) | session supervisor | |
| Victor | PBS-072528 | 10-in. | 7/28/1942 | I wanna go back to West Virginia | Boys in the Back Room ; City Slickers ; Spike Jones ; Del Porter ; Willie Spicer | Jazz/dance band, with male vocal solo, male vocal ensemble, and trainaphone (sound effects) | session supervisor | |
| Victor | PBS-072544 | 10-in. | 7/30/1942 | When you wish upon a star | Bob Carroll ; David Rose Orchestra | Male vocal solo, with instrumental ensemble | session supervisor | |
| Victor | PBS-072545 | 10-in. | 7/30/1942 | The continental | David Rose Orchestra | Instrumental ensemble | session supervisor | |
| Victor | PBS-072546 | 10-in. | 7/30/1942 | The last time I saw Paris | Bob Carroll ; David Rose Orchestra | Male vocal solo, with instrumental ensemble | session supervisor | |
| Victor | PBS-072547 | 10-in. | 7/30/1942 | Over the rainbow | David Rose Orchestra | Instrumental ensemble | session supervisor | |
| Victor | PBS-072550 | 10-in. | 7/30/1942 | Soft hearted | Freddy Martin Orchestra ; Gene Grounds | Male vocal solo, with jazz/dance band | session supervisor | |
| Victor | PBS-072551 | 10-in. | 7/30/1942 | A touch of Texas | Freddy Martin Orchestra ; Glenn Hughes ; Martin Men ; Eddie Stone | Male vocal duet, with male vocal group jazz/dance band | session supervisor | |
| Victor | PBS-072554 | 10-in. | 7/30/1942 | Can't get out of this mood | Freddy Martin Orchestra ; Bob Haymes ; Martin Men | Male vocal solo, with male vocal group jazz/dance band | session supervisor | |
| Victor | PBS-072558 | 10-in. | 7/30/1942 | (As long as you're not in love with anyone else) Why don't you fall in love with me | Dinah Shore ; Paul Wetstein | Female vocal solo, with jazz/dance band | session supervisor | |
| Victor | PBS-072559 | 10-in. | 7/30/1942 | Dearly beloved | Dinah Shore ; Paul Wetstein | Female vocal solo, with jazz/dance band | session supervisor | |
| Victor | PBS-072560 | 10-in. | 7/30/1942 | (Nobody knows better than I) He's my guy | Dinah Shore ; Paul Wetstein | Female vocal solo, with jazz/dance band | session supervisor | |
| Victor | PBS-072561 | 10-in. | 7/30/1942 | You'd be so nice to come home to | Dinah Shore ; Paul Wetstein ; Paul Wetstein | Female vocal solo, with jazz/dance band | session supervisor | |
| Victor | PBS-072562 | 10-in. | 7/31/1942 | The way you look tonight | David Rose Orchestra | Instrumental ensemble | session supervisor | |
| Victor | PBS-072563 | 10-in. | 7/31/1942 | Thanks for the memory | Pauline Byrne ; David Rose Orchestra | Female vocal solo, with instrumental ensemble | session supervisor | |
| Victor | PBS-072564 | 10-in. | 7/31/1942 | Lullaby of Broadway | Pauline Byrne ; David Rose Orchestra | Female vocal solo, with instrumental ensemble | session supervisor | |
| Victor | PBS-072565 | 10-in. | 7/31/1942 | Sweet Leilani | David Rose Orchestra | Instrumental ensemble | session supervisor | |
| Victor | PBS-072570 | 10-in. | 7/31/1942 | I get the neck of the chicken | Freddy Martin Orchestra ; Eddie Stone | Jazz/dance band, with male vocal solo | session supervisor | |
| Victor | PBS-072571 | 10-in. | 7/31/1942 | I wanna go back to West Virginia | Freddy Martin Orchestra ; Martin Men ; Eddie Stone | Jazz/dance band, with male vocal solo and male vocal ensemble | session supervisor |
Citation
Discography of American Historical Recordings, s.v. "Meyerson, Harry," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/206762.
Meyerson, Harry. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/206762.
"Meyerson, Harry." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.
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