Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosia, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.

Birth and Death Data: Born March 31, 1685 (Eisenach), Died July 28, 1750 (Leipzig)

Date Range of DAHR Recordings: 1904 - 1950

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 501-525 of 607 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Brunswick LTR234 10-in. 10/28/1929 Ave Maria Edwin H. Lemare Mustel organ solo, with piano composer  
Brunswick LAT1019 10-in. 5/14/1931 Gigue Jimmy Marsh Instrumental solo composer  
Brunswick TC2996 10-in. 2/20/1929 Organ concerto for piano Edward Goll Piano solo composer  
Brunswick [Br (U.K.) cat 123-a] 10-in. approximately Aug. 1927 Air on G string Maude Gold Violin solo composer  
Brunswick DB203 10-in. 6/14/1929 Méditation Miklos Rakosi Violin solo, with piano composer  
Brunswick 662bi 12-in. 1927 Organ concerto, A minor Samuel Feinberg Piano solo composer  
Brunswick 663bi 12-in. 1927 Choral prelude G major Samuel Feinberg Piano solo composer  
Brunswick 728½bm 12-in. 1927 Der aber die Herzen forschet Choir of St. Thomas Church, Leipzig ; Karl Straube Male vocal chorus composer  
Brunswick 729½bm 12-in. 1927 Du heilige Brunst, süsser Trost Choir of St. Thomas Church, Leipzig ; Karl Straube Male vocal chorus composer  
Brunswick 730bm 12-in. 1927 Sing unto the Lord (Chorale) Choir of St. Thomas Church, Leipzig ; Karl Straube Male vocal chorus composer  
Brunswick 731½bm 12-in. 1927 Let everything that hath breath praise the Lord (Finale) Choir of St. Thomas Church, Leipzig ; Karl Straube Male vocal chorus composer  
Brunswick 740bi 12-in. 1928 Hark to the soft chorus of flutes Hedwig von Debicka ; Julius Prüwer ; The State Opera Orchestra, Berlin Soprano vocal solo, with orchestra composer  
Brunswick 799bi 12-in. 1929 Come God, Creator, Holy Ghost Jascha Horenstein ; Philharmonic Orchestra of Berlin, The Orchestra composer  
Brunswick 860bi 12-in. 6/13/1929 Air from Suite in D major Wilhelm Furtwängler ; Philharmonic Orchestra of Berlin, The Orchestra composer  
Brunswick 893½bm 12-in. 1928 St. Matthew’s passion Bruno Kittel Choir ; Philharmonic Orchestra of Berlin, The Mixed vocal chorus and soloists, with orchestra composer  
Brunswick 894½bm 12-in. 1928 St. Matthew’s passion Bruno Kittel Choir ; Philharmonic Orchestra of Berlin, The Mixed vocal chorus and soloists, with orchestra composer  
Brunswick 895½bm 12-in. 1928 St. Matthew’s passion Bruno Kittel Choir ; Emmi Leisner ; Lotte Leonard ; Philharmonic Orchestra of Berlin, The Mixed vocal chorus and soloists, with orchestra composer  
Brunswick 896½bm 12-in. 1928 St. Matthew’s passion Bruno Kittel Choir ; Philharmonic Orchestra of Berlin, The Mixed vocal chorus and soloists, with orchestra composer  
Brunswick 1104bi 12-in. 1931 Brandenburg concerto no. 3 Wilhelm Furtwängler ; Philharmonic Orchestra of Berlin, The Orchestra composer  
Brunswick 1105½bi 12-in. 1931 Brandenburg concerto no. 3 Wilhelm Furtwängler ; Philharmonic Orchestra of Berlin, The Orchestra composer  
Brunswick 1106½bi 12-in. 1931 Brandenburg concerto no. 3 Wilhelm Furtwängler ; Philharmonic Orchestra of Berlin, The Orchestra composer  
Brunswick 1784bk 12-in. 1930 Ave Maria Karin Branzell ; Manfred Gurlitt ; Wilhelm Thomas Contralto vocal solo, with orchestra and violin solo composer  
Brunswick [Br (U.K.) cat 20074-b] 12-in. approximately Sept. 1928 My heart ever faithful Master Frederick Firth Male vocal solo, with organ composer  
Edison 944 10-in. Feb. 1912 Ave Maria Marie Rappold Soprano vocal solo, with orchestra composer  
Edison 1044 10-in. 5/25/1912 Air on the G string Kathleen Parlow Violin solo, with piano composer  
(Results 501-525 of 607 records)

Citation

Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/102304.

Bach, Johann Sebastian. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/102304.

"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102304

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