Johann Sebastian Bach

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.

The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosia, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.

Birth and Death Data: Born March 31, 1685 (Eisenach), Died July 28, 1750 (Leipzig)

Date Range of DAHR Recordings: 1904 - 1950

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 576-600 of 607 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia (U.K.) WLX155 12-in. 1/19/1928 Christ, roi des anges Conservatoire royal de musique de Bruxelles. Choeur ; Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Chorus, with orchestra and organ composer  
Columbia (U.K.) WLX156 12-in. 1/19/1928 Christ, roi des anges Conservatoire royal de musique de Bruxelles. Choeur ; Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Chorus, with orchestra and organ composer  
Columbia (U.K.) WLX157 12-in. 1/4/1928 Choeur final : Repose en paix Conservatoire royal de musique de Bruxelles. Choeur ; Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Chorus, with orchestra and organ composer  
Columbia (U.K.) WLX158 12-in. 1/4/1928 Crucifiez cet homme; Deux chorales Conservatoire royal de musique de Bruxelles. Choeur ; Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Chorus, with orchestra and organ composer  
Columbia (U.K.) WLX386 12-in. 5/30/1928 Fantaisie en sol mineur, 1re partie Édouard Commette Organ solo composer  
Columbia (U.K.) WLX387 12-in. 5/30/1928 Fantaisie en sol mineur, 2e partie Édouard Commette Organ solo composer  
Columbia (U.K.) WLX388 12-in. 5/30/1928 Fugue en sol mineur du IVe livre Édouard Commette Organ solo composer  
Columbia (U.K.) WL858 10-in. 1/20/1928 Polonaise Marcel Moyse ; Georges Truc Flute solo, with piano composer  
Columbia (U.K.) WLX944 12-in. 3/27/1929 Suite no. 3 in D major Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Orchestra composer  
Columbia (U.K.) WLX945 12-in. 3/27/1929 Suite no. 3 in D major Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Orchestra composer  
Columbia (U.K.) WLX946 12-in. 3/28/1929 Suite no. 3 in D major Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Orchestra composer  
Columbia (U.K.) WLX947 12-in. 3/28/1929 Suite no. 3 in D major Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Orchestra composer  
Columbia (U.K.) WLX948 12-in. 3/28/1929 Suite no. 3 in D major Conservatoire royal de musique de Bruxelles. Orchestre ; Désiré Defauw Orchestra composer  
Columbia (U.K.) WLX1020 12-in. 5/4/1929 1re partita en si bémol Blanche Selva Piano solo composer  
Columbia (U.K.) WLX1021 12-in. 5/4/1929 1re partita en si bémol Blanche Selva Piano solo composer  
Columbia (U.K.) WLX1022 12-in. 5/4/1929 1re partita en si bémol Blanche Selva Piano solo composer  
Columbia (U.K.) WLX1023 12-in. 5/4/1929 1re partita en si bémol Blanche Selva Piano solo composer  
Columbia (U.K.) WL1102 10-in. 5/30/1928 Chorale no. 13 : La faute d'Adam a tout perdu Édouard Commette Organ solo composer  
Columbia (U.K.) WL1107 10-in. 5/31/1928 Choral : Louez le dieu puissant Édouard Commette ; Abbe Lachassagne ; Maitrise de la Primatiale de Lyon Vocal chorus, with organ composer  
Columbia (U.K.) WLX1141 12-in. 10/9/1929 Ouverture de la 28e cantate Clément Doucet ; Jan Weiner Piano duet composer  
Columbia (U.K.) WLX1142 12-in. 10/9/1929 Final du concerto No. 2 Clément Doucet ; Jan Weiner Piano duet composer  
Columbia (U.K.) WL1613 10-in. 4/18/1929 Fugue en sol mineur Édouard Commette Organ solo composer  
Columbia (U.K.) WL1614 10-in. 4/18/1929 Fugue en sol mineur Édouard Commette Organ solo composer  
Columbia (U.K.) CLX1905 12-in. 4/27/1936 Air de l'oratorio de Noël: Sion tiens-toi prête Germaine Cernay Female vocal solo, with oboe d'amore and orchestra composer  
Columbia (U.K.) CLX1906 12-in. 4/27/1936 Air de Pomone de la cantate: École apaisé Germaine Cernay Female vocal solo, with oboe d'amore and orchestra composer  
(Results 576-600 of 607 records)

Citation

Discography of American Historical Recordings, s.v. "Bach, Johann Sebastian," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/102304.

Bach, Johann Sebastian. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/102304.

"Bach, Johann Sebastian." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102304

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