George Frideric Handel

George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven.

Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)

Date Range of DAHR Recordings: 1898 - 1951

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 276-300 of 475 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 36782 12-in. ca. 1913 Every valley shall be exalted Reed Miller Tenor vocal solo, with orchestra composer  
Columbia 37130 12-in. 1/15/1915 Largo Pablo Casals Cello solo, with piano composer  
Columbia 37325 12-in. ca. 1915 Oh sleep, why dost thou leave me Corinne Rider-Kelsey Soprano vocal solo, with orchestra composer  
Columbia 37365 12-in. ca. 1915 Here let my tears flow Julia Claussen Mezzo-soprano vocal solo, with orchestra composer  
Columbia 37388 12-in. 9/17/1915 Worthy is the lamb Columbia Oratorio Chorus Vocal chorus, with orchestra composer  
Columbia 37415 12-in. 9/30/1915 Largo Gatty Sellars Organ solo composer  
Columbia 37429 12-in. 10/14/1915 Largo Prince's Orchestra Orchestra composer  
Columbia 48636 12-in. 3/17/1916 Hallelujah chorus Columbia Oratorio Chorus Mixed vocal chorus, with orchestra composer  
Columbia 48644 12-in. 3/22/1916 Sound an alarm Morgan Kingston Tenor vocal solo, with orchestra composer  
Columbia 48686 12-in. ca. 1916 Come, my beloved Lucy Gates Soprano vocal solo, with orchestra composer  
Columbia 49432 12-in. approximately May 25, 1918 Where e'er you walk Paul Dufault Male vocal solo, with orchestra composer  
Columbia 49802 12-in. 4/23/1920 Largo Pablo Casals Cello solo, with orchestra composer  
Columbia 49805 12-in. 4/24/1920 Sweet bird that shunst the noise of folly Maria Barrientos Soprano vocal solo, with orchestra composer  
Columbia 49994 12-in. 10/10/1921 Ombra mai fu Carmela Ponselle Mezzo-soprano vocal solo, with orchestra composer  
Columbia 98026 12-in. 5/1/1922 Angels ever bright and fair Lucy Gates Soprano vocal solo, with orchestra composer  
Columbia 98053 12-in. 1/12/1923 I know that my Redeemer liveth Margaret Romaine Soprano vocal solo, with orchestra composer  
Columbia 98114 12-in. 12/21/1923 I know that my Redeemer liveth Nevada Van der Veer Contralto vocal solo, with orchestra composer  
Columbia W140915 10-in. 9/8/1925 Largo Melchiorre Mauro-Cottone Organ solo composer  
Columbia W148535 10-in. 5/16/1929 Care selve Anna Case Soprano vocal solo, with orchestra composer  
Columbia W148705 10-in. 6/18/1929 Amor commanda Anna Case Soprano vocal solo, with piano composer  
Columbia W148706 10-in. 6/18/1929 Care selve Anna Case Soprano vocal solo, with piano composer  
Columbia W150128 10-in. 3/26/1930 Care selve Anna Case Soprano vocal solo, with piano composer  
Columbia W150129 10-in. 3/26/1930 Amor commanda Anna Case Soprano vocal solo, with piano composer  
Columbia W98213 12-in. 1/26/1926 Angels ever bright and fair Corinne Rider-Kelsey Soprano vocal solo, with orchestra composer  
Columbia W98231 12-in. 2/26/1926 O sleep, why dost thou leave me? Corinne Rider-Kelsey Soprano vocal solo, with orchestra composer  
(Results 276-300 of 475 records)

Citation

Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed November 22, 2024, https://adpprod2.library.ucsb.edu/names/102593.

Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved November 22, 2024, from https://adpprod2.library.ucsb.edu/names/102593.

"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 22 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102593

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