George Frideric Handel
George Frideric (or Frederick) Handel (; baptised Georg Friedrich Händel, German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (listen); 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular. One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey. Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order." His music was admired by Classical-era composers, especially Mozart, Haydn and Beethoven. |
Birth and Death Data: Born January 1, 1685 (Halle (Saale)), Died April 14, 1759 (London)
Date Range of DAHR Recordings: 1898 - 1951
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 201-225 of 475 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Victor | LCS-100349 | 12-in. (33-1/3 rpm) | 4/6/1936 | Vittoria, mio core | Martin W. Bush ; Mable Allen Smails | Soprano vocal solo, with piano | composer | |
Victor | LCS-100355 | 12-in. (33-1/3 rpm) | 4/6/1936 | Care selve | Martin W. Bush ; Mable Allen Smails | Female vocal solo, with piano | composer | |
Victor | CS-101250 | 12-in. | 5/8/1936 | Concerto no. 12 : Larghetto | Boston Symphony Orchestra ; Serge Koussevitzky | Orchestra | composer | |
Victor | C-[Unnumbered 1918-03-15-01] | 12-in. | 3/15/1918 | He shall feed his flock like a shepherd | Elsie Baker | Female vocal solo | composer | |
Victor | C-[Unnumbered 1923-10-26-01] | 12-in. | 10/26/1923 | Forgeron harmonieux | Wanda Landowska | Harpsichord solo | composer | |
Victor | PBVE-148 | 10-in. | 9/22/1925 | Largo | Edward P. Kimball | Pipe organ solo | composer | |
Victor | CS-018446 | 12-in. | 2/2/1938 | Sonata no. 6, in G minor | Mitch Miller ; Yella Pessl | Oboe and harpsichord duet | composer | |
Victor | CS-018447 | 12-in. | 2/2/1938 | Sonata no. 6, in G minor | Mitch Miller ; Yella Pessl | Oboe and harpsichord duet | composer | |
Victor | BS-022363 | 10-in. | 5/8/1938 | Largo | Charles M. Courboin | Pipe organ solo | composer | |
Victor | CS-024488 | 12-in. | 8/11/1938 | Fantasie in A minor | Yella Pessl | Harpsichord solo | composer | |
Victor | BS-026903 | 10-in. | 9/8/1938 | Joy to the world | Lew White | Mixed vocal chorus, with violin, organ, and harp | composer | |
Victor | BS-035480 | 10-in. | 4/13/1939 | Organ concerto no. 11, in G minor | Arthur Fiedler Sinfonietta ; E. Power Biggs | Organ solo, with orchestra | composer | |
Victor | BS-035481 | 10-in. | 4/13/1939 | Organ concerto no. 11, in G minor | Arthur Fiedler Sinfonietta ; E. Power Biggs | Organ solo, with orchestra | composer | |
Victor | BS-043279 | 10-in. | 11/2/1939 | Alma mia | Lucy Monroe | Soprano vocal solo, with piano | composer | |
Victor | CS-043570 | 12-in. | 11/6/1939 | Oh, sleep! why dost thou leave me | Boston Symphony Orchestra ; Serge Koussevitzky ; Dorothy Maynor | Soprano vocal solo, with orchestra | composer | |
Victor | BS-047789 | 10-in. | 3/8/1940 | Alma mia | Lily Pons ; Renaissance Quintet | Soprano vocal solo, with string quintet | composer | |
Victor | BS-047793 | 10-in. | 3/9/1940 | Lusinghe più care | Lily Pons ; Renaissance Quintet | Soprano vocal solo, with string quintet | composer | |
Victor | BS-056117 | 10-in. | 9/16/1940 | Alma mia | Richard Crooks | Tenor vocal solo, with piano | composer | |
Victor | CS-066350 | 12-in. | 7/1/1941 | Sonata in E major : Adagio | André Benoist ; William Primrose ; Albert Spalding | Violin and viola duet, with piano | composer | |
Victor | CS-071326 | 12-in. | 1/16/1942 | Total eclipse | Richard Crooks ; Charles O'Connell ; Victor Symphony Orchestra | Tenor vocal solo, with instrumental ensemble | composer | |
Victor | BS-071755 | 10-in. | 1/31/1942 | I know that my Redeemer liveth | Emile Coté ; Frank Parker ; Victor Mixed Chorus | Male vocal solo, with mixed vocal chorus and organ | composer | |
Victor | BS-071756 | 10-in. | 1/31/1942 | Where'er you walk | Emile Coté ; Frank Parker ; Victor Mixed Chorus | Male vocal solo, with mixed vocal chorus and organ (take 2); with mixed chorus and piano (take 1) | composer | |
Victor | E0RC-0015 | 12-in. | 1/3/1950 | Come to me, soothing sleep | Marian Anderson ; Franz Rupp | Contralto vocal solo, with iano | composer | |
Victor | E0RC-0016 | 12-in. | 1/3/1950 | O what pleasure! (Vanne, segui'l mio desio) [from Floridante] | Marian Anderson ; Franz Rupp | Contralto solo, with piano | composer | |
Victor | E1FB-1107 | 10-in. | 2/9/1951 | Paz en la tierra | Los Ruiseñores | Vocal chorus, with percussion and organ | composer |
Citation
Discography of American Historical Recordings, s.v. "Handel, George Frideric," accessed November 25, 2024, https://adpprod2.library.ucsb.edu/names/102593.
Handel, George Frideric. (2024). In Discography of American Historical Recordings. Retrieved November 25, 2024, from https://adpprod2.library.ucsb.edu/names/102593.
"Handel, George Frideric." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 25 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: George Frideric Handel
Discogs: George Frideric Handel
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Linked Open Data Sources
LCNAR: Handel, George Frideric, 1685-1759 - http://id.loc.gov/authorities/names/n79129204
Wikidata: George Frideric Handel - http://www.wikidata.org/entity/Q7302
VIAF: http://viaf.org/viaf/5126950
MusicBrainz: George Frideric Handel - https://musicbrainz.org/artist/27870d47-bb98-42d1-bf2b-c7e972e6befc
Getty ULAN: Handel, George Frideric - http://vocab.getty.edu/ulan/500449411
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