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Cole Porter

Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.

Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs.

After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It won the first Tony Award for Best Musical.

Porter's other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Anything Goes, Can-Can and Silk Stockings. His numerous hit songs include "Night and Day", "Begin the Beguine", "I Get a Kick Out of You", "Well, Did You Evah!", "I've Got You Under My Skin", "My Heart Belongs to Daddy" and "You're the Top". He also composed scores for films from the 1930s to the 1950s, including Born to Dance (1936), which featured the song "You'd Be So Easy to Love"; Rosalie (1937), which featured "In the Still of the Night"; High Society (1956), which included "True Love"; and Les Girls (1957).

Birth and Death Data: Born 1891 (Peru), Died October 15, 1964 (Santa Monica)

Date Range of DAHR Recordings: 1916 - 1956

Roles Represented in DAHR: composer, lyricist, vocalist, piano, songwriter

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 251-275 of 325 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 29987 10-in. 3/21/1941 Let's do it Eddie Heywood Orchestra ; Billie Holiday Jazz/dance band, with female vocal solo composer, lyricist  
Columbia W703410 10-in. October 1930 Un no se que... : Fox trot Perla Violeta Amado ; Enrique Madriguera ; Notas Mágicas Jazz/dance band, with female vocal solo composer  
OKeh S-7236 10-in. Feb. 1920 Old fashioned garden Samuel Ash Male vocal solo, with orchestra composer, lyricist  
OKeh W80870 10-in. 5/12/1927 I'm in love again Russell Douglas ; Sol S. Wagner Orchestra Jazz/dance band, with male vocal solo composer, lyricist  
OKeh W401425 10-in. 12/4/1928 Let's do it (Let's fall in love) Beth Challis Female vocal solo, with orchestra composer, lyricist  
OKeh W401561 10-in. 1/26/1929 Let's do it (Let's fall in love) Dorsey Brothers Orchestra Jazz/dance band, with male vocal solo composer, lyricist  
OKeh W403726 10-in. 2/4/1930 You've got that thing Tommy Bohn Penn-Sirens Orchestra Jazz/dance band, with vocal trio composer, lyricist  
OKeh W403794 10-in. 3/3/1930 What is this thing called love? Seger Ellis Male vocal solo, with jazz/dance band composer, lyricist  
OKeh W404595 10-in. 12/30/1930 Where have you been? Ed Kirkeby Orchestra Jazz/dance band, with male vocal solo composer, lyricist  
OKeh W404834 10-in. 2/9/1931 Love for sale Fred Rich Orchestra Jazz/dance band, with male vocal solo composer, lyricist  
OKeh W490035 10-in. 2/4/1930 You've got that thing Tommy Bohn Penn-Sirens Orchestra Jazz/dance band composer  
Brunswick E27338 10-in. 4/12/1928 Let’s misbehave Banjo Buddy Male vocal solo and banjo, with orchestra composer, lyricist  
Brunswick E28398 10-in. approximately Nov. 1928 Let’s do it (Let’s fall in love) William Wirges Orchestra Jazz/dance band composer  
Brunswick E28752 10-in. 11/14/1928 Let’s do it (Let’s fall in love) The Cross Roads Inn Orchestra Jazz/dance band composer  
Brunswick E28899 10-in. 12/18/1928 Let’s do it (Let's fall in love) Dick Robertson Male vocal solo, with orchestra composer, lyricist  
Brunswick E31690 10-in. Dec. 1929 Find me a primitive man Colonial Club Orchestra ; Libby Holman Jazz/dance band, with female vocal solo; without vocal (take G) composer, lyricist  
Brunswick E31957 10-in. 1/21/1930 What is this thing called love? James P. Johnson Piano solo composer  
Brunswick E31974 10-in. Jan. 1930 What is this thing called love? Libby Holman Female vocal solo, with orchestra composer, lyricist  
Brunswick E32316 10-in. Mar. 1930 What is this thing called love? Lew White Organ solo, with piano and xylophones composer  
Brunswick E32773 10-in. 5/14/1930 You do something to me Marion Harris Female vocal solo, with orchestra composer, lyricist  
Brunswick E35666 10-in. 12/8/1930 Where have you been? Emil Coleman Orchestra Jazz/dance band, with male vocal solo composer, lyricist  
Brunswick E35667 10-in. 12/8/1930 I’m getting myself ready for you Emil Coleman Orchestra Jazz/dance band, with male vocal solo composer, lyricist  
Brunswick E35973 10-in. 2/2/1931 Love for sale Libby Holman Female vocal solo, with orchestra composer, lyricist  
Brunswick E36133 10-in. 2/21/1931 Love for sale Ralph Bennett and his Seven Aces (All Eleven of 'Em) [Fred Rich Orchestra] Jazz/dance band, with female vocal solo composer, lyricist  
Brunswick E4684-E4686 10-in. 3/15/1927 I’m in love again Peggy English Female vocal solo, with piano composer, lyricist  
(Results 251-275 of 325 records)

Citation

Discography of American Historical Recordings, s.v. "Porter, Cole," accessed October 2, 2024, https://adpprod2.library.ucsb.edu/names/102688.

Porter, Cole. (2024). In Discography of American Historical Recordings. Retrieved October 2, 2024, from https://adpprod2.library.ucsb.edu/names/102688.

"Porter, Cole." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 2 October 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102688

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