Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It won the first Tony Award for Best Musical. Porter's other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Anything Goes, Can-Can and Silk Stockings. His numerous hit songs include "Night and Day", "Begin the Beguine", "I Get a Kick Out of You", "Well, Did You Evah!", "I've Got You Under My Skin", "My Heart Belongs to Daddy" and "You're the Top". He also composed scores for films from the 1930s to the 1950s, including Born to Dance (1936), which featured the song "You'd Be So Easy to Love"; Rosalie (1937), which featured "In the Still of the Night"; High Society (1956), which included "True Love"; and Les Girls (1957). |
Birth and Death Data: Born 1891 (Peru), Died October 15, 1964 (Santa Monica)
Date Range of DAHR Recordings: 1916 - 1956
Roles Represented in DAHR: composer, lyricist, vocalist, piano, songwriter
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 301-325 of 325 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Decca | 69810 | 10-in. | 10/13/1941 | You irritate me so | Hildegarde | composer | ||
Decca | 69811 | 10-in. | 10/13/1941 | Ev'rything I love | Hildegarde | composer | ||
Decca | 69814 | 10-in. | 10/13/1941 | I hate you, darling | Hildegarde | composer | ||
Decca | 69815 | 10-in. | 10/13/1941 | Ace in the hole | Hildegarde | composer | ||
Decca | 69816 | 10-in. | 10/13/1941 | Farming | Hildegarde | composer | ||
Decca | 73009 | 10-in. | 8/14/1945 | What is this thing called love? | Billie Holiday | composer, lyricist | ||
Decca | 86930 | 10/13/1954 | Without love | Fred Waring and the Pennsylvanians | lyricist | |||
Decca | 86931 | 10/13/1954 | Silk stockings | Fred Waring and the Pennsylvanians | lyricist | |||
Decca | 86932 | 10/13/1954 | All of you | Fred Waring and the Pennsylvanians | lyricist | |||
Decca | 86933 | 10/13/1954 | As on through the seasons we sail | Fred Waring and the Pennsylvanians | lyricist | |||
Decca | L 9021 | 3/7/1956 | I get a kick out of you | Zizi Jeanmaire | lyricist | |||
Decca | L 9022 | 3/7/1956 | Anything goes | Mitzi Gaynor | lyricist | |||
Decca | L 9023 | 3/7/1956 | Dream ballet-1 | Joe Lilley Orchestra | lyricist | |||
Decca | L 9024 | 3/7/1956 | You can bounce right back | Donald O'Connor | lyricist | |||
Decca | L 9025 | 3/7/1956 | It's de-lovely | Mitzi Gaynor ; Donald O'Connor | lyricist | |||
Decca | L 9026 | 3/7/1956 | Ya gotta give the people hoke | Bing Crosby ; Donald O'Connor | lyricist | |||
Decca | L 9027 | 3/7/1956 | Blow Gabriel blow | Bing Crosby ; Mitzi Gaynor ; Zizi Jeanmaire ; Donald O'Connor | lyricist | |||
Decca | L 9028 | 3/7/1956 | A second hand turban and a ; crystal ball | Bing Crosby ; Donald O'Connor | lyricist | |||
Columbia (U.K.) | CB9052 | 10-in. | 11/29/1938 | Rosalie | Carlo Buti ; Orchestra Ferruzzi | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | CL4463 | 10-in. | 7/13/1933 | Tout le jour, toute la nuit | Armand Bernard ; Damia | Female vocal solo, with orchestra | composer | |
Columbia (U.K.) | CL4610 | 10-in. | 12/27/1933 | Wa da dala | Pills et Tabet | Male vocal duet, with piano | composer | |
Columbia (U.K.) | CL5177 | 10-in. | 1/7/1935 | Miss Otis regrets | Jean Sablon ; Garland Wilson | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | CL6116 | 10-in. | 3/31/1937 | Vous faites partie de moi | Josephine Baker ; Rogers ; Wal-Berg Orchestre | Female-male vocal duet, with instrumental ensemble | composer | |
Columbia (U.K.) | CL6117 | 10-in. | 3/31/1937 | C'est si facile de vous aimer | Josephine Baker ; Rogers ; Wal-Berg Orchestre | Female-male vocal duet, with instrumental ensemble | composer | |
Columbia (U.K.) | CL6128 | 10-in. | 4/6/1937 | Vous faites partie de moi | Bernard Celiot ; Wal-Berg Orchestre | Male vocal solo, with instrumental ensemble | composer |
Citation
Discography of American Historical Recordings, s.v. "Porter, Cole," accessed November 21, 2024, https://adpprod2.library.ucsb.edu/names/102688.
Porter, Cole. (2024). In Discography of American Historical Recordings. Retrieved November 21, 2024, from https://adpprod2.library.ucsb.edu/names/102688.
"Porter, Cole." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 21 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Cole Porter
Discogs: Cole Porter
Allmusic: Cole Porter
Apple Music: Cole Porter
RILM: Cole Porter
RISM: Cole Porter
IMDb: Cole Porter
Britannica: Cole Porter
Linked Open Data Sources
LCNAR: Porter, Cole, 1891-1964 - http://id.loc.gov/authorities/names/n80017862
Wikidata: Cole Porter - http://www.wikidata.org/entity/Q215120
VIAF: http://viaf.org/viaf/5118684
MusicBrainz: Cole Porter - https://musicbrainz.org/artist/4a94a6cb-e70a-418b-bb53-a37897b950ce
Getty ULAN: Porter, Cole - http://vocab.getty.edu/ulan/500444831
Wikipedia content provided under the terms of the Creative Commons BY-SA license
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