Jules Massenet
Jules Émile Frédéric Massenet (French pronunciation: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries. Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné. By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque. |
Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)
Date Range of DAHR Recordings: 1901 - 1947
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 501-525 of 638 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Gramophone | 11802u | 10-in. | 1907 | Pastorale | Leo Slezak | Tenor solo, with orchestra | composer | |
Gramophone | 13147b | 10-in. | 4/28/1909 | Gavotta | Josephina Huguet | Soprano vocal solo, with orchestra | composer | |
Gramophone | 13253b | 10-in. | 5/14/1909 | O dolor | Aristodemo Giorgini ; Salvatore Nicolicchia | Vocal trio (soprano, tenor, and baritone), with chorus and orchestra | composer | |
Gramophone | 15914u | 10-in. | 7/25/1910 | A Colombine | Rey | Tenor vocal solo, with orchestra | composer | |
Gramophone | 16558u | 10-in. | 7/11/1911 | Menuett aus Manon | Doppel Quintett | Instrumental quintet | composer | |
Gramophone | 16646L | 10-in. | 4/10/1914 | Manon? Tu piangi? | Franco de Gregorio ; Sara Solari | Vocal duet (soprano and baritone), with orchestra | composer | |
Gramophone | 16647L | 10-in. | 4/10/1914 | Si, maledico ed impreco | Franco de Gregorio ; Sara Solari | Vocal duet (soprano and baritone), with orchestra | composer | |
Columbia (U.K.) | A892 | 10-in. | between May 1923 and October 1925 | Voilà donc la terrible cité | Cesare Formichi | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | A893 | 10-in. | between May 1923 and October 1925 | Hélas, enfant encore | Cesare Formichi | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | A895 | 10-in. | between May 1923 and October 1925 | Légende de la sauge | Cesare Formichi | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WAX2747 | 12-in. | either April or May 1927 | Oasis and finale, 3rd act | Cesare Formichi ; Grace Holst | Vocal duet (soprano and baritone) | composer | |
Columbia (U.K.) | WA5523 | 10-in. | May 1927 | Dream song | Theodore Ritch | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX64 | 12-in. | September-December 1926 | Il sogno | Roberto D'Alessio | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | WBX65 | 12-in. | September-December 1926 | Ah! Dispar vision | Roberto D'Alessio | Male vocal solo, with orchestra | composer | |
Columbia (U.K.) | B107 | 10-in. | before June 1924 | Or via Manon | Carmen Melis | Soprano vocal solo | composer | |
Columbia (U.K.) | B108 | 10-in. | before June 1924 | Addio o nostro piccol desco | Carmen Melis | Soprano vocal solo | composer | |
Columbia (U.K.) | B109 | 10-in. | before June 1924 | La tua non è la mano | Carmen Melis | Soprano vocal solo | composer | |
Columbia (U.K.) | WBX243 | 12-in. | between January and June 1928 | Il sogno | Dino Borgioli | Tenor vocal solo | composer | |
Columbia (U.K.) | B824 | 10-in. | between June 1924 and February 1926 | Il sogno | Roberto D'Alessio | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1090 | 10-in. | either September or October 1926 | Ah! dispar vision | Alexander Vesselovsky | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1091 | 10-in. | either September or October 1926 | Il sogno | Alexander Vesselovsky | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1131 | 10-in. | either August or September 1926 | Ah! non mi ridestar | Alexander Vesselovsky | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1649 | 10-in. | November 1927 | La tua non è la mano | Maria Zamboni | Soprano vocal solo | composer | |
Columbia (U.K.) | WB1750 | 10-in. | 11/24/1927 | Il sogno | Enzo De Muro Lomanto | Tenor vocal solo | composer | |
Columbia (U.K.) | WB1909 | 10-in. | 4/26/1928 | Vision fuggitiva | Carlo Morelli | Baritone vocal solo | composer |
Citation
Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 16, 2024, https://adpprod2.library.ucsb.edu/names/103068.
Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 16, 2024, from https://adpprod2.library.ucsb.edu/names/103068.
"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 16 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Jules Massenet
Discogs: Jules Massenet
Allmusic: Jules Massenet
Grove: Jules Massenet
IMSLP: Jules Massenet
RILM: Jules Massenet
RISM: Jules Massenet
IMDb: Jules Massenet
Britannica: Jules Massenet
Linked Open Data Sources
LCNAR: Massenet, Jules, 1842-1912 - http://id.loc.gov/authorities/names/n81023023
Wikidata: Jules Massenet - http://www.wikidata.org/entity/Q194436
VIAF: http://viaf.org/viaf/14959005
MusicBrainz: Jules Massenet - https://musicbrainz.org/artist/85d783d6-6795-4726-b817-9d83095ad7be
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