Jules Massenet
Jules Émile Frédéric Massenet (French pronunciation: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries. Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné. By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque. |
Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)
Date Range of DAHR Recordings: 1901 - 1947
Roles Represented in DAHR: composer
= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.
Recordings (Results 526-550 of 638 records)
Company | Matrix No. | Size | First Recording Date | Title | Primary Performer | Description | Role | Audio |
---|---|---|---|---|---|---|---|---|
Columbia (U.K.) | WB2599 | 10-in. | between January and July 1929 | Elegia | Bernardo de Plaisant ; Attilio Ranzato ; Conchita Velásquez | Mezzo-soprano vocal solo, with cello and piano | composer | |
Columbia (U.K.) | WB2650 | 10-in. | January-July 1929 | Addio o nostro piccol desco | Maria Zamboni | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WB2871 | 10-in. | between September and December 1929 | Ah! non mi ridestar | Cristy Solari | Tenor vocal solo | composer | |
Columbia (U.K.) | WLX27 | 12-in. | 1/7/1927 | Air de Jean | Fernand Heurteur ; Georges Thill | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX28 | 12-in. | between January 1927 and October 1928 | Il est doux, il est bon | Fernand Heurteur ; Andrée Marilliet | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX51 | 12-in. | 5/6/1927 | Duet from act 1 | Maurice Frigara ; Mme. McCormic ; Georges Thill | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WLX57 | 12-in. | 5/9/1927 | Duet from act 1 | Maurice Frigara ; Mme. McCormic ; Georges Thill | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WLX58 | 12-in. | 5/9/1927 | Duo de Saint-Sulpice | Maurice Frigara ; Mme. McCormic ; Georges Thill | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WLX62 | 12-in. | 5/10/1927 | Duo de Saint-Sulpice | Maurice Frigara ; Mme. McCormic ; Georges Thill | Female-male vocal duet, with orchestra | composer | |
Columbia (U.K.) | WLX64 | 12-in. | 5/10/1927 | O nature, pleine de grâce | Fernand Heurteur ; Georges Thill | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX98 | 12-in. | 10/11/1927 | Dis moi que je suis belle | Philippe Gaubert ; Marthe Nespoulous | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX107 | 12-in. | 10/19/1927 | En fermant les yeux | Élie Cohen ; Joseph Rogatchewsky | Tenor vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX138 | 12-in. | 11/21/1927 | Arioso | Désiré Defauw ; Louis Richard | Baritone vocal solo, with piano | composer | |
Columbia (U.K.) | WLX145 | 12-in. | 12/15/1927 | Air d' Hérodiade : Vision fugitive | Élie Cohen ; Louis Guénot | Baritone vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX165 | 12-in. | 1/20/1928 | Scenes alsaciennes : Dimanche soir (Air alsacien) | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WLX166 | 12-in. | 1/20/1928 | Scenes alsaciennes : Dimanche soir (Retraite française) | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WLX170 | 12-in. | approximately January 14, 1928 | Scenes alsaciennes : Sous les tittuels | Pierre Chagnon ; Orchestre Symphonique | Orchestra | composer | |
Columbia (U.K.) | WLX171 | 12-in. | 1/24/1929 | Scènes pittoresques : Marche | Pierre Chagnon ; Orchestre Symphonique de Paris | Orchestra | composer | |
Columbia (U.K.) | WLX172 | 12-in. | 1/24/1928 | Scènes pittoresques : La fête bohéme | Pierre Chagnon ; Orchestre Symphonique de Paris | Orchestra | composer | |
Columbia (U.K.) | WLX173 | 12-in. | 1/24/1928 | Scènes pittoresques : Angelus | Pierre Chagnon ; Orchestre Symphonique de Paris | Orchestra | composer | |
Columbia (U.K.) | WLX174 | 12-in. | 1/24/1928 | Scenes pittoresques : Air de ballet | Pierre Chagnon ; Orchestre Symphonique de Paris | Orchestra | composer | |
Columbia (U.K.) | WLX205 | 12-in. | 2/17/1928 | Dis-moi que je suis belle | Marise Beaujon ; Élie Cohen | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX206 | 12-in. | approximately February 17, 1928 | L'amour est une vertu rare | Marise Beaujon ; Élie Cohen | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX290 | 12-in. | 3/12/1928 | Manon : Adieu notre petite table | Élie Cohen ; Germaine Féraldy | Soprano vocal solo, with orchestra | composer | |
Columbia (U.K.) | WLX341 | 12-in. | 4/12/1928 | Je suis encore tout étourdie | Élie Cohen ; Germaine Féraldy | Soprano vocal solo, with orchestra | composer |
Citation
Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 16, 2024, https://adpprod2.library.ucsb.edu/names/103068.
Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 16, 2024, from https://adpprod2.library.ucsb.edu/names/103068.
"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 16 November 2024.
DAHR Persistent Identifier
External Sources
Wikipedia: Jules Massenet
Discogs: Jules Massenet
Allmusic: Jules Massenet
Grove: Jules Massenet
IMSLP: Jules Massenet
RILM: Jules Massenet
RISM: Jules Massenet
IMDb: Jules Massenet
Britannica: Jules Massenet
Linked Open Data Sources
LCNAR: Massenet, Jules, 1842-1912 - http://id.loc.gov/authorities/names/n81023023
Wikidata: Jules Massenet - http://www.wikidata.org/entity/Q194436
VIAF: http://viaf.org/viaf/14959005
MusicBrainz: Jules Massenet - https://musicbrainz.org/artist/85d783d6-6795-4726-b817-9d83095ad7be
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