Resource id #76
Image Source: Wikipedia

Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 326-350 of 617 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Edison 130 Not documented between 4/14/1910 and 4/15/1910 Furtiva lagrima Florencio Constantino Tenor vocal solo, with orchestra composer  
Edison 196 Not documented approximately July 1931 Serenata Luigi Marini Tenor vocal solo, with orchestra composer  
Edison 209 12-in. approximately July 1910 Vien Leonora a piedi tuoi Edoardo Faticanti Baritone vocal solo, with orchestra composer  
Edison 215 Not documented approximately July 1910 Vien Leonora Oreste Benedetti Baritone vocal solo, with orchestra composer  
Edison 218 Not documented approximately July 1910 Una vergine, un angiol di Dio Aristodemo Giorgini Tenor vocal solo, with orchestra composer  
Edison 237 12-in. approximately Aug. 1910 Spirto gentil Attilio Salvaneschi Tenor vocal solo, with orchestra composer  
Edison 238 Not documented approximately Aug. 1910 Verranno a te sull'aure Attilio Salvaneschi Tenor vocal solo, with orchestra composer  
Edison 316 12-in. approximately Sept. 1910 Chi mi frena in tal momento Canozza ; Alfredo Costa ; Guiseppina Finzi-Magrini ; Rinalda Pavoni ; Andrés de Segurola ; Aldo Stanzani Mixed vocal sextet, with orchestra composer  
Edison 323 Not documented approximately Sept. 1910 Ardon gl'incensi! Guiseppina Finzi-Magrini Soprano vocal solo, with orchestra composer  
Edison 328 Not documented approximately Sept. 1910 Ardon gl'incensi Guiseppina Finzi-Magrini Soprano vocal solo, with orchestra composer  
Edison 341 Not documented approximately Sept.-Oct. 1910 O mio Fernando Tina De Angelo Mezzo-soprano vocal solo, with orchestra composer  
Edison 344 Not documented approximately Sept.-Oct. 1910 Una furtiva lagrima Franco de Gregorio Tenor vocal solo, with orchestra composer  
Edison 349 Not documented approximately Sept.-Oct. 1910 Tu che a Dio Franco de Gregorio Tenor vocal solo, with orchestra composer  
Edison 354 Not documented approximately Sept.-Oct. 1910 Su crudeli e chi v'arresta? Tina De Angelo Mezzo-soprano vocal solo, with orchestra composer  
Edison 365 12-in. approximately Oct. 1910 Spirto gentil Franco de Gregorio Tenor vocal solo, with orchestra composer  
Edison 370 12-in. approximately Oct. 1910 Quando le soglie paterne Alfredo Costa ; Tina De Angelo Vocal duet (mezzo-soprano and baritone), with orchestra composer  
Edison 378 Not documented approximately Nov. 1910 Bella siccome un angelo Romano Rasponi Baritone vocal solo, with orchestra composer  
Edison 382 Not documented approximately Nov. 1910 Bella è di sol vestita Romano Rasponi Baritone vocal solo, with orchestra composer  
Edison 393 Not documented approximately Nov. 1910 Serenata : Com'e gentil Franco de Gregorio Tenor vocal solo, with orchestra composer  
Edison 403 12-in. approximately Nov. 1910 Sulla tomba che rinserra Maria Galvany ; Umberto Macnez Vocal duet (soprano and tenor), with orchestra composer  
Edison 404 12-in. approximately Nov. 1910 O Lisbona Romano Rasponi Baritone vocal solo, with orchestra composer  
Edison 408 12-in. approximately Nov. 1910 Quando le soglie paterne Luisa Garibaldi ; Romano Rasponi Vocal duet (mezzo-soprano and baritone), with orchestra composer  
Edison 576 10-in. 3/28/1911 Bella siccome un angelo Giovanni Polese Baritone vocal solo, with orchestra composer  
Edison 606 12-in. 4/12/1911 O mio Fernando Eleanora de Cisneros Mezzo-soprano vocal solo, with orchestra composer  
Edison 629 Not documented approximately Apr. 1911 Tu che a Dio spiegasti Elvino Ventura Tenor vocal solo, with orchestra composer  
(Results 326-350 of 617 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed November 4, 2024, https://adpprod2.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved November 4, 2024, from https://adpprod2.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 4 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102598

Wikipedia content provided under the terms of the Creative Commons BY-SA license

Feedback

Send the Editors a message about this record.