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Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 426-450 of 617 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Gramophone 503c 12-in. 1905 Quant' e bello Teresa Arkel Soprano vocal solo, with orchestra composer  
Gramophone 506c 12-in. 1905 Splendono in ciel Giuseppe Torres de Luna Bass vocal solo, with chorus and orchestra composer  
Gramophone 542½c 12-in. 1905 Vien Leonora Francesco Cigada Baritone vocal solo, with orchestra composer  
Gramophone 551c 12-in. 1905 Una furtiva lagrima Emilio Perea Tenor vocal solo, with orchestra composer  
Gramophone 553aj 12-in. 2/18/1913 Tornami a dir che m'ami Salvatore Salvati ; Serafina Scalfaro Vocal duet (soprano and tenor) composer  
Gramophone 561aj 12-in. 2/21/1913 O mio Fernando Ida Zizolfi Female vocal solo composer  
Gramophone 570c 12-in. 1905 Coro dei servitori Carlo Sabajno ; Teatro alla Scala Coro Chorus, with orchestra composer  
Gramophone 605c 12-in. May 1906 Udite, udite o rustici Antonio Pini-Corsi Baritone vocal solo, with orchestra composer  
Gramophone 606aj 12-in. 3/7/1913 Splendon le sacri faci Malvina Pereira Soprano vocal solo composer  
Gramophone 606c 12-in. May 1906 Signorina in tanta fretta Emilia Corsi ; Antonio Pini-Corsi Vocal duet (soprano and baritone), with orchestra composer  
Gramophone 607aj 12-in. 3/8/1913 Verranno a te Malvina Pereira ; Salvatore Salvati Vocal duet (soprano and tenor), with orchestra composer  
Gramophone 609c 12-in. May 1906 Son nov'ore Ernesto Badini ; Antonio Pini-Corsi Vocal duet (2 baritones), with orchestra composer  
Gramophone 610aj 12-in. 3/8/1913 Maledizione : Quartetto Vincenzo Bettoni ; Franco de Gregorio ; Giuseppe Maggi ; Malvina Pereira Vocal quartet (soprano, tenor, baritone, and bass), with orchestra composer  
Gramophone 618c 12-in. approximately May 1906 Quasi vinti da stanchezza Renzo Minolfi ; Teatro alla Scala Coro Baritone vocal solo, with vocal chorus and orchestra composer  
Gramophone 631c 12-in. May 1906 Quando le soglie Lina Mileri ; Renzo Minolfi Vocal duet (soprano and baritone), with orchestra composer  
Gramophone 653c 12-in. ca. May 1906 Pronta io son Ernesto Badini ; Emilia Corsi Vocal duet (soprano and baritone), with orchestra composer  
Gramophone 657c 12-in. May 1906 Don Pasquale symphonie Orchestra Milano [i.e., Teatro alla Scala Orchestra] Orchestra composer  
Gramophone 718G[b] 10-in. 1901 Pour tant d'amour Maurice Renaud Baritone vocal solo, with piano composer  
Gramophone 801c 12-in. October 1906 Com'è gentil Aristodemo Giorgini Tenor vocal solo, with chorus and orchestra composer  
Gramophone 872a 7-in. July 1900 Tombe degli avi miei Carlo Caffetto Tenor vocal solo, with orchestra composer  
Gramophone 873a 7-in. July 1900 Spirto gentil Carlo Caffetto Tenor vocal solo, with orchestra composer  
Gramophone 884c 12-in. ca. Nov. 1906 A tanto amor Mattia Battistini Baritone vocal solo, with orchestra composer  
Gramophone 885c 12-in. approximately Nov. 1906 O Lisbona Mattia Battistini Baritone vocal solo, with orchestra composer  
Gramophone 891c 12-in. approximately 1906 Favorita finale 2o Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich Vocal quartet (mezzo-soprano, baritone, and bass), with chorus and orchestra composer  
Gramophone 892c 12-in. approximately 1906 Favorita finale 2o Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich Vocal quartet (mezzo-soprano, baritone, and bass), with chorus and orchestra composer  
(Results 426-450 of 617 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed November 4, 2024, https://adpprod2.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved November 4, 2024, from https://adpprod2.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 4 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102598

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