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Gaetano Donizetti

Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the bel canto opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.

An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until production of Caterina Cornaro in January 1844. In all, 51 of Donizetti's operas were presented in Naples. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. His first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was first performed, Donizetti made a major impact on the Italian and international opera scene shifting the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.

Donizetti found himself increasingly chafing against the censorship limitations in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838, beginning with an offer from the Paris Opéra for two new works, he spent much of the following 10 years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. Throughout the 1840s Donizetti moved between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. From around 1843, severe illness began to limit his activities. By early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848 in a state of mental derangement due to neurosyphilis.

Birth and Death Data: Born November 29, 1797 (Bergamo), Died April 8, 1848 (Bergamo)

Date Range of DAHR Recordings: 1898 - 1941

Roles Represented in DAHR: composer, arranger

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 476-500 of 617 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Gramophone 3314c 12-in. 10/17/1918 Duetto finale dell'opera Elvira Casazza ; Beniamino Gigli Vocal duet (mezzo-soprano and tenor), with orchestra composer  
Gramophone 3325c 12-in. 11/9/1918 Spirto gentil Beniamino Gigli Tenor vocal solo, with orchestra composer  
Gramophone CF3695 12-in. 12/8/1930 Spirto gentil, ne' sogni miei Gino Nastrucci ; Aureliano Pertile ; Teatro alla Scala Orchestra Tenor vocal solo, with orchestra composer  
Gramophone HO4416af 12-in. 5/29/1920 Quel guardo, il cavaliere Graziella Pareto Soprano vocal solo, with orchestra composer  
Gramophone z5286f 12-in. 8/3/1911 Spirto gentil Hipólito Lázaro Tenor vocal solo, with orchestra composer  
Gramophone z6933f 12-in. 12/24/1912 Vien, Leonora, a piedi tuoi Titta Ruffo Baritone vocal solo, with orchestra composer  
Gramophone 6984b 10-in. 1905 Cavatina Amelia Pollini Soprano vocal solo, with orchestra composer  
Gramophone 7021b 10-in. 1905 A consolarmi affrettati Alberto Caffo ; Emma Trentini Vocal duet (soprano and tenor), with orchestra composer  
Gramophone 7047¾b 10-in. ca. 1905 Sulla tomba che rinserra Gino Martinez-Patti ; Emma Trentini Vocal duet (soprano and tenor), with orchestra composer  
Gramophone 7051b 10-in. 1905 Tu che a Dio spiegasti l'ali Gino Martinez-Patti ; Carlo Sabajno Tenor vocal solo, with orchestra composer  
Gramophone 7056b 10-in. 1905 Quant’ è bella Emilio Perea Tenor vocal solo, with orchestra composer  
Gramophone 7058b 10-in. ca. Apr. 1905 Esulti pur la barbara Emilio Perea ; Emma Trentini Vocal duet (soprano and tenor), with orchestra composer  
Gramophone 7069b 10-in. approximately 1905 Verranno a te sull'aure Gino Martinez-Patti ; Emma Trentini Vocal duet (soprano and tenor), with orchestra composer  
Gramophone 7070b 10-in. 1905 Pietoso al par d’un nume Clotilde Esposito ; Gino Martinez-Patti Vocal duet (soprano and tenor), with piano composer  
Gramophone 7105b 10-in. 1905 Sogno soave e casto Giuseppe Acerbi Tenor vocal solo, with orchestra composer  
Gramophone 7135b 10-in. 1905 Rischiarata è la finestra Teatro alla Scala Coro Chorus, with orchestra composer  
Gramophone 7150b 10-in. approximately April 1905 Di pescatore ignobile Giuseppe Acerbi Tenor vocal solo, with piano composer  
Gramophone 7329b 10-in. 1905 A tanto amor Francesco Cigada Baritone vocal solo, with orchestra composer  
Gramophone 7335b 10-in. 1905 Non sai tu che d'un giusto Gino Martinez-Patti ; Cesare Preve Vocal duet (tenor and bass), with orchestra composer  
Gramophone 7350b 10-in. approximately 1905 Coro introduzione Carlo Sabajno ; Teatro alla Scala Coro ; Aristide Venturi Vocal chorus, with orchestra composer  
Gramophone 7560½b 10-in. 1905 Aspetta, aspetta, cara sposina Gaetano Pini-Corsi ; Giovanni Polese Vocal duet (tenor and baritone), with orchestra composer  
Gramophone 7566b 10-in. 1905 Bei raggi Ida Roselli ; Teatro alla Scala Coro Soprano vocal solo, with piano and chorus composer  
Gramophone 7577½b 10-in. ca. 1905 Oh! Qual marchio di bassezza Teatro alla Scala Coro Chorus, with orchestra composer  
Gramophone 7581b 10-in. 1905 Io son ricco e tu sei bella Maria Passeri ; Antonio Pini-Corsi Vocal duet (soprano and baritone), with chorus and orchestra composer  
Gramophone 8004b 10-in. May 1906 Vieni, la mia vendetta Giulio Rossi Bass vocal solo, with orchestra composer  
(Results 476-500 of 617 records)

Citation

Discography of American Historical Recordings, s.v. "Donizetti, Gaetano," accessed November 4, 2024, https://adpprod2.library.ucsb.edu/names/102598.

Donizetti, Gaetano. (2024). In Discography of American Historical Recordings. Retrieved November 4, 2024, from https://adpprod2.library.ucsb.edu/names/102598.

"Donizetti, Gaetano." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 4 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/102598

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