Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 251-275 of 638 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 36457 12-in. 10/8/1912 Thaïs : Selections Prince's Orchestra Orchestra composer  
Columbia 36461 12-in. approximately 1912 Ah dispar vision Alessandro Bonci Tenor vocal solo, with orchestra composer  
Columbia 36497 12-in. ca. 1912 Legende de la sauge Hector Dufranne Baritone vocal solo, with orchestra composer  
Columbia 36885 12-in. 2/27/1914 Voila donc la terrible cite Hector Dufranne Baritone vocal solo, with orchestra composer  
Columbia 37031 12-in. 9/12/1914 Vision fugitive Charles W. Clark Tenor vocal solo, with orchestra composer  
Columbia 37307 12-in. 5/28/1915 Fête bohême Prince's Orchestra Orchestra composer  
Columbia 37379 12-in. 8/25/1915 Vision fugitive Oscar Seagle Baritone vocal solo, with orchestra composer  
Columbia 37384 12-in. 9/11/1915 Le Cid : Ballet music Prince's Orchestra Orchestra composer  
Columbia 37385 12-in. 9/11/1915 Le Cid : Ballet music Prince's Orchestra Orchestra composer  
Columbia 37407 12-in. 9/30/1915 Prière Paul Dufault Male vocal solo, with orchestra composer  
Columbia 48562 12-in. ca. 1916 Vision fugitive Louis Graveure Baritone vocal solo, with orchestra composer  
Columbia 48606 12-in. 2/19/1916 Meditation Kathleen Parlow ; Charles Adams Prince Violin solo, with piano composer  
Columbia 48787 12-in. ca. 1916 Il sogno Hipólito Lázaro Tenor vocal solo, with orchestra composer  
Columbia 48792 12-in. ca. 1916 Ah, dispar vision Hipólito Lázaro Tenor vocal solo, with orchestra composer  
Columbia 48881 12-in. 8/9/1916 Elegie Eddy Brown ; Maurice C. Rumsey Violin solo, with piano composer  
Columbia 48978 12-in. 11/3/1916 Meditation Alwin Schröder Violin solo, with piano composer  
Columbia 49166 12-in. 3/27/1917 Thaïs : Meditation Frank Gittelson Violin solo, with orchestra composer  
Columbia 49333 12-in. 3/11/1918 Elegie Philip Hauser ; Sascha Jacobsen ; Riccardo Stracciari Baritone vocal solo, with piano and violin composer  
Columbia 49389 12-in. 4/29/1918 Thaïs : Meditation Samuel Chotzinoff ; Sascha Jacobsen Violin solo, with piano composer  
Columbia 49679 12-in. 10/24/1919 Angelus Philharmonic Orchestra of New York ; Josef Stransky Orchestra composer  
Columbia 49697 12-in. 11/28/1919 Navarraise Cincinnati Symphony Orchestra ; Eugène Ysaÿe Orchestra composer  
Columbia 49710 12-in. 11/28/1919 Thaïs : Meditation Cincinnati Symphony Orchestra Orchestra composer  
Columbia 98095 12-in. 9/27/1923 Ah! Fuyez, douce image Charles Hackett Tenor vocal solo, with orchestra composer  
Columbia W143712 10-in. 3/25/1927 Elégie Maria Kurenko Soprano vocal solo, with orchestra composer  
Columbia W143750 10-in. 4/6/1927 Elégie Maria Kurenko Soprano vocal solo, with cello and piano composer  
(Results 251-275 of 638 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/103068

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