Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 301-325 of 638 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 44280 10-in. June 1916 Elégie J. H. Thibaudeau Male vocal solo, with orchestra composer  
Columbia 44688 10-in. approximately December 1916 La prière Mme. Zanco di Primo Male vocal solo, with orchestra composer  
Columbia 44689 10-in. approximately December 1916 Air d'Ossian Mme. Zanco di Primo Male vocal solo, with orchestra composer  
Columbia 44989 10-in. Late 1917 Elegia Fausto Castellani Tenor vocal solo, with violin and piano composer  
Columbia 50043 10-in. between 1903 and 1906 Les enfants Paul Aumonier Bass vocal solo, with piano composer  
Columbia 50100 10-in. between 1903 and 1906 Hérodiade : Scene de Phanuel Paul Aumonier Bass vocal solo, with piano composer  
Columbia 59454 12-in. approximately 1916 Elegie Josef Rosenblatt Tenor vocal solo, with violin and piano composer  
Columbia 64653 10-in. between 1922 and 1924 Il sogno Giuseppe Moriche Tenor vocal solo, with orchestra composer  
Columbia 70797 10-in. between 1920 and 1923 Addio o nostro piccolo desco Juanita Caracciolo Soprano vocal solo, with orchestra composer  
Columbia 75271 12-in. approximately 1916 Le roi de Lahore, overture, pt. 1 Garde Républicaine Band Band composer  
Columbia 75272 12-in. approximately 1916 Le roi de Lahore, overture, pt. 2 Garde Républicaine Band Band composer  
Columbia 75301 12-in. approximately 1916 Scenes pittorèsques : Marche Garde Républicaine Band Band composer  
Columbia 75302 12-in. approximately 1916 Scenes pittorèsques : Air de ballet Garde Républicaine Band Band composer  
Columbia 75303 12-in. approximately 1916 Scenes pittorèsques : Angelus Garde Républicaine Band Band composer  
Columbia 75304 12-in. approximately 1916 Scenes pittorèsques : Fete boheme Garde Républicaine Band Band composer  
Columbia 75305 12-in. approximately 1916 Sunday morning Garde Républicaine Band Band composer  
Columbia 75306 12-in. approximately 1916 A cabaret Garde Républicaine Band Band composer  
Columbia 75307 12-in. approximately 1916 Sunday evening Garde Républicaine Band Band composer  
Columbia 75308 12-in. approximately 1916 Retrait francais Garde Républicaine Band Band composer  
Columbia 75597 12-in. approximately 1912 Aria van Herodes Carel Butter Baritone vocal solo, with orchestra composer  
Columbia 76187 12-in. 6/18/1918 Le Cid ballet music : Castillane New Queen's Hall Orchestra ; Henry J. Wood Orchestra composer  
Columbia 76188 12-in. 6/18/1918 Le Cid ballet music : Aragonaise New Queen's Hall Orchestra ; Henry J. Wood Orchestra composer  
Columbia 76189 12-in. 6/18/1918 Le Cid ballet music : Aubade; Catalane New Queen's Hall Orchestra ; Henry J. Wood Orchestra composer  
Columbia 76190 12-in. 6/18/1918 Le Cid ballet music : Madrilene New Queen's Hall Orchestra ; Henry J. Wood Orchestra composer  
Columbia 76191 12-in. 6/18/1918 Le Cid ballet music : Navarraise New Queen's Hall Orchestra ; Henry J. Wood Orchestra composer  
(Results 301-325 of 638 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 16, 2024, https://adpprod2.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 16, 2024, from https://adpprod2.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 16 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/103068

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