Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: ​[ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

Like many prominent French composers of the period, Massenet became a professor at the Conservatoire. He taught composition there from 1878 until 1896, when he resigned after the death of the director, Ambroise Thomas. Among his students were Gustave Charpentier, Ernest Chausson, Reynaldo Hahn and Gabriel Pierné.

By the time of his death, Massenet was regarded by many critics as old-fashioned and unadventurous although his two best-known operas remained popular in France and abroad. After a few decades of neglect, his works began to be favourably reassessed during the mid-20th century, and many of them have since been staged and recorded. Although critics do not rank him among the handful of outstanding operatic geniuses such as Mozart, Verdi and Wagner, his operas are now widely accepted as well-crafted and intelligent products of the Belle Époque.

Birth and Death Data: Born May 12, 1842 (Saint-Étienne), Died August 13, 1912 (Paris)

Date Range of DAHR Recordings: 1901 - 1947

Roles Represented in DAHR: composer

= Recordings are available for online listening.
= Recordings were issued from this master. No recordings issued from other masters.

Recordings (Results 326-350 of 638 records)

Company Matrix No. Size First Recording Date Title Primary Performer Description Role Audio
Columbia 76192 12-in. 6/18/1918 Le Cid ballet music : March du Cid New Queen's Hall Orchestra ; Henry J. Wood Orchestra composer  
Columbia 76402 12-in. approximately 3/31/1919 Chiudo gli occhi Tom Burke Tenor vocal solo, with orchestra composer  
Columbia 76920 12-in. 3/23/1923 Manon, selection, part 1 Alick Maclean ; New Queen's Hall Light Orchestra Orchestra composer  
Columbia 76921 12-in. 3/23/1923 Manon, selection, part 2 Alick Maclean ; New Queen's Hall Light Orchestra Orchestra composer  
Columbia 85891 10-in. approximately January 1920 Ouvre tes yeux bleus Joseph Saucier Male vocal solo, with orchestra composer  
Columbia 86624 10-in. approximately September 1920 Prière Émile Gour Tenor vocal solo, with orchestra composer  
Columbia 87009 10-in. approximately January 1921 Élégie Torcom Bézazian Male vocal solo, with trumpet and orchestra composer  
Columbia 87394 10-in. approximately May 1921 Manon : Ah fuyez, douce image Pierre A. Asselin Tenor vocal solo, with orchestra composer  
Columbia 91151 10-in. between 1918 and 1924 Hérodiade : Air Nita Abraham Taylor Soprano vocal solo composer  
Columbia W96579 10-in. June 1928 Elegia Guillermo Gómez Guitar solo composer  
Columbia W107577 10-in. January 1927 Chanson "Chérubin" Paul Valade Male vocal solo, with orchestra composer  
Brunswick 641 10-in. approximately Feb. 1917 Vision fugitive Jan Collignon Male vocal solo composer  
Brunswick [Br cat 5133-b] 10-in. approximately Aug. 1917 Thaïs : Meditation Helen Jeffrey Violin solo, with harp composer  
Brunswick [Br cat 20180-b] 12-in. approximately Oct. 1917 Je t'aime Ralph Errolle Male vocal solo, with orchestra composer  
Brunswick 2980 10-in. approximately Oct. 1919 Elégie Elias Breeskin ; Archer Chamlee Tenor vocal solo, with orchestra composer  
Brunswick 4940 10-in. approximately Jan. 1921 Élégie Marie Tiffany Female vocal solo, with violin obbligato composer  
Brunswick 7613 10-in. approximately Mar. 1922 Vision fugitive Giuseppe Danise Baritone vocal solo, with orchestra composer  
Brunswick X5512-X5513 12-in. approximately May 1921 Meditation Max Rosen Violin solo, with orchestra composer  
Brunswick X7269-X7270 12-in. approximately Jan. 1922 Ah! Fuyez, douce image! Mario Chamlee Tenor vocal solo, with orchestra composer  
Brunswick X7800-X7801 12-in. approximately Mar. 1922 Je marche sur tous les chemins Maria Ivogun Soprano vocal solo, with orchestra composer  
Brunswick 9603-9604 10-in. approximately Jan. 1923 Le rêve Mario Chamlee Tenor vocal solo, with orchestra composer  
Brunswick X12255-X12257 12-in. 1/10/1924 Thaïs : Meditation Fredric Fradkin Violin solo, with orchestra composer  
Brunswick X12892-X12893 12-in. 4/16/1924 Dernier sommeil de la Vierge Minneapolis Symphony Orchestra ; Henri Verbruggen String orchestra composer  
Brunswick 14402-14404 10-in. 12/5/1924 Elegie Willem Willeke Cello solo, with piano composer  
Brunswick 14776-14778 10-in. 1/31/1925 Herodiade : Prelude to Act 4 Elshuco Trio Instrumental trio composer  
(Results 326-350 of 638 records)

Citation

Discography of American Historical Recordings, s.v. "Massenet, Jules," accessed November 24, 2024, https://adpprod2.library.ucsb.edu/names/103068.

Massenet, Jules. (2024). In Discography of American Historical Recordings. Retrieved November 24, 2024, from https://adpprod2.library.ucsb.edu/names/103068.

"Massenet, Jules." Discography of American Historical Recordings. UC Santa Barbara Library, 2024. Web. 24 November 2024.

DAHR Persistent Identifier

URI: https://adpprod2.library.ucsb.edu/names/103068

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